Merry Wives of Windsor, Act 1 Scene IV. Engraving by Anker Smith, from a painting by Robert Smirke (1793)
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Gallery
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@literaryartworks
Merry Wives of Windsor, Act 1 Scene IV. Engraving by Anker Smith, from a painting by Robert Smirke (1793)
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Gallery
Anne Page Invites Slender to Dinner, after an original (and partially lost) Robert Smirke painting created for the Boydell Shakespeare Gallery
The Merry Wives of Windsor, Act 1 Scene 1
Image Source: Folger Shakespeare Library
To see how the remaining portion compares
Merchant of Venice, Act V Scene 1; a grove and lawn before Portia’s house; Jessica, Lorenzo, and Stephano, engraving by John Browne, from a painting by William Hodges (1795)
Created for the Boydell Shakespeare Gallery
Image Source: British Museum
Shylock Rebuffing Antonio by Richard Westall (1795, oil on canvas)
The Merchant of Venice, Act III, Scene 3
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Gallery
Merchant of Venice. Act 3 Scene 2. A Room in Portia’s House. Bassanio, Portia, and Attendants. Engraving by George Noble, after a painting by Richard Westall (1796)
Created for the Boydell Shakespeare Gallery
Image Source: The British Museum
Merchant of Venice, Act II Scene 5, Shylock’s House--Shylock, Jessica and Launcelot. Engraved by John Peter Simon, from a painting by Robert Smirke (1795).
Created for the Boydell Shakespeare Gallery
Image Source: The Met
The Awakening of the Fairy Queen Titania by Henry Fuseli (1775-1790, oil on canvas)
Act IV, Scene 1 from A Midsummer-Night’s Dream
Created for the Boydell Shakespeare Gallery
Image Source: Wikimedia commons
Titania and Bottom by Henry Fuseli (1790)
Act IV, Scene 1 from A Midsummer-Night’s Dream
Created for the Boydell Shakespeare Gallery
Image Source
Puck (Act II, Scene 2) by Joshua Reynolds (1789)
Painted for the Boydell Shakespeare Gallery
Image Source: Wikimedia Commons
MIdsummer-Night’s Dream. Act 2 Scene 1. A Wood---Puck. Engraving by James Parker, from a painting by Henry Fuseli (1799).
Created for the Boydell Shakespeare Gallery
Image Source: The British Museum
Love’s Labour’s Lost. Act V, Scene II. Engraving by William Skelton, from a painting by Francis Wheatley (1793)
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Library
Jaquenetta Approaching Sir Nathaniel with Berowne’s Letter. After Francis Wheatley (early 19th, oil on canvas)
Love’s Labour’s Lost. Act IV, Scene II.
Original (currently missing) painting created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Gallery
Love’s Labour’s Lost. Act IV, Scene I. Engraving by Thomas Ryder, by William Hamilton (1793).
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Library
Two Gentlemen of Verona. Act V, Scene IV. Engraving by John Ogborne, from a painting by Thomas Stothard (1792).
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Library
Valentine Rescues Silvia by Angelica Kauffman (1789)
The Two Gentlemen of Verona. Act V, Scene 3.
Created for the Boydell Shakespeare Gallery
Image Source: Wikimedia Commons
Taming of the Shrew. Act 4, Scene 5. Petruchio, Katherine & Hortensio. Engraving by Isaac Taylor, from a painting by Julius Caesar Ibbetson (1794)
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Library
Taming of the Shrew. Act 4, Scene 1. Katherine, Petrucio, and Grumio. Engraving by Anker Smith, from a painting by Julius Caesar Ibbetson (1794).
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Library