It's taken a long time to find him, and when she does, Sarah checks the slip of paper with his address on it against the map on her phone for the sixth time since she's parked her car.
Nope, this is apparently the place, this trailer shoved away in the middle of nowhere like its occupant wants as little to do with the rest of the world as humanly possible. The paper gets shoved into the center console, the phone into her pocket-- long fingers drum the steering wheel in a staccato beat, anxious at the prospect of what might happen the second she leaves the safety of her vehicle.
This can't be right. This is... This is like the kind of place that a horror movie starts in, where the pretty blonde girl gets killed in the first five minutes.
But, she supposes, while she's blonde and reasonably attractive, this is her brother, and if nothing else, he might not shoot her on sight.
It's worth a shot (bad pun, she realizes a second too late, but by then, the keys have left the ignition, the door opened, gravel crunching beneath her shoes.)
The distance between reliable car and the terrifying unknown of his door is far shorter than she would have predicted, and soon there is nothing left to do but close seaglass eyes, breathe deep, exhale, knock.