Tilo Wolff (right) with Mille Petrozza from Kreator when they recorded Endorama in 1999

seen from Saudi Arabia
seen from China

seen from United States

seen from Saudi Arabia

seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from China
seen from United States
seen from Russia
seen from United States
seen from Taiwan
seen from China

seen from United States
seen from Poland
seen from Türkiye

seen from New Zealand
seen from Australia
seen from United States
Tilo Wolff (right) with Mille Petrozza from Kreator when they recorded Endorama in 1999
Lacrimosa, 'Inferno', 1995.
Zdaje się, że Tilo Wolff nie stworzył ani przedtem,
ani potem nic lepszego.
O: Is Anne Nurmi actually sometimes like a net at Lacrimosa that catches you when you fall?
TW: Absolutely, because when you compose you are in a vacuum. There are - apart from your own feelings, the aforementioned fortress - no fixed points to hold on to or from which you can measure something. One is indeed in this fortress, but this fortress floats and is nowhere anchored with anything outside. Here it is important that a so-called insider, who knows the matter through and through, but who is nevertheless on a different or even fixed plane and therefore has a different point of view, has a controlling influence here and there. And Anne is a master in this! She has an unbelievably quick perception and can see things completely isolated from her surroundings. This is an enormously important quality for the development of a creative process.
from Orkus! September 2008
O: How and where did you meet Anne?
TW: Anne Nurmi was playing in her band Two Witches, whose manager I still owed a favor to. So he asked me to take the band with me on my „Satura” tour and that’s where I heard Anne singing and knew that my search for a singer who could also play the keyboard very well was over
from Orkus! Especial Edition May 2006
I'm my biggest enemy
Lacrimosa
Lacrimosa-- "Halt Mich"