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Smart jeans, tiny radars, and other crazy inventions from Google’s ATAP lab.
Mary and Eric Goldthwaite-Gagne How did you feel or what was running through your head when you and Mary were named “Civic Leaders of the Year?” Well I had
We wouldn't exist if not for these two.
Bunny’s A Swine - “Greetings from the Bottom”
SIAPR044 Bunny's A Swine - Barnburner From the 2013 Tiny Radars Album - Calling Out TR-06 http://tinyradars.net/
There is little we love more than good people, good music, thoughtful curation, and friends. That's why the Thing in the Spring is the only music festival that makes our hearts flutter. For 4 days the most wonderful group of artists, musicians, and music lovers gather together to listen to bands, purchase affordable art, watch films, and eat the finest food that tiny Peterborough, NH has to offer.
And as TRs house band Bunny's A Swine enters its 5th year this June, we couldn't think of a better way to celebrate than to release our brand new and 4th album at the Thing in the Spring this year.
Boston-based indie rockers Shepherdess is composed of:
Hilken Mancini of Fuzzy, The Count Me Outs, Punk Rock Aerobics, and Girls Rock Camp Boston (guitar and vocals)
Alison Murray of The Clear Deigns, Ladycop, and Gamine Thief (drums)
Emily Arkin of The Operators and The Quincunx (baritone guitar and the occasional violin)
I’m Saving Myself for Shepherdess is their new LP. It is set be released on Valentine’s Day via TinyRadars (home of GT favs Bunny’s a Swine and Mail the Horse). The LP includes special guest stars Mary Lou Lord and Andy MacBain ofTunnel of Love and The Psyched. This right here is track number six.
Listen.
Apparently Christmas just came a little late this year. Lovely fun new things are on the Internet from TRs bands Graph and Mail the Horse today that you can pass the hours listening to and watching.
TR-03: Mail the Horse's "Great Kills" Out Today
Having been a fan of Mail the Horse since their early days of being hungover in Dover, this record is an astonishingly mature and complex collection of songs. Mail the Horse first drew us in with their live performances, which were centered around songs that took you over and left you feeling like you were listening to rock music for the first time in the 1950s. Having songs about good church girls gone bad didn't hurt either.
But everybody's gotta leave home sometime. Rural boys and girls flee for the city. This is part of what makes Great Kills so damn epic -- that feeling of being out of place, of constant disappointment, of other people's stories just wrecking themselves out in front of you...that thing that New Yorkers say is only really palpable to New Yorkers. But there seems to be a longing there, too...to leave, to belong, to...something, anything...it's a desperation well known to quarter-life crises havers. There's a smug-as-fuck attitude wrapped around much of the songs, but they wear it like armor. And despite best efforts, real feelings, real problems, real shit still gets through.