The Saturday sounds of Cal Tjader - Mambo w/ Cal Tjader (1955) 🚚•check your inbox and watch for pre-orders coming soon•🚚 #deepocean #flipbin33 #fantasyrecords #vinyl #records #mambo #tjader #aluminum #vinylporn #vinylgram #nowdisplaying
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The Saturday sounds of Cal Tjader - Mambo w/ Cal Tjader (1955) 🚚•check your inbox and watch for pre-orders coming soon•🚚 #deepocean #flipbin33 #fantasyrecords #vinyl #records #mambo #tjader #aluminum #vinylporn #vinylgram #nowdisplaying
Check http://soundcloud/djianhead for more funk on the latest Pullin from the Stacks podcast episode 31. #Tjader #jazz #funk #records #eclectic #podcast #digging #stacks #nonstop
Cal Tjader - You Keep Me Hangin' On (Tjader) [1971]
cal tjader -django
sick jazz vibes. defo sampling dis one
Jesper Tjader
@OfficialTjader Air Max' and Levis... Big Things coming Some more PIFF sounds... PIFFLondon
one of the craziest edits i've ever seen
Thursday: Hermano! Chica!
Nicely stamped with the quality-music marks, it's the jazzy latino that goes along with orange sunsets when at the table of café or among an ocean shore house warm white walls, when getting ready for a purple hot evening helped by a sparkling and colorful drink...
Together with Chano Pozo, cuban, amazing dancer and captivating guapo, possessed by Santeria but also composer migrant to the USA, pioneer of Afro-Cuban Jazz musical genre in the 50's, today with a classical track of its kind, one poetic and musical title: Tin Tin Deo.
The why of this name become clear after the third note of double-bass is performed, opening of an early bird twittering at the window: tin-tin deooooo
The Rumba is cuban, the jazz is from New-York and the combination is unparalleled into carrying away through harmonies capable of getting you close to heavens... or into moving your feet following congas cooing, the precise and minimal firm clave, and the tangled silks of vibraphone, double-bass enlightened by trumpet's gold plate...
Enjoy
[FRANCAIS]
Jeudi : Hermano ! Chica !
Joyeusement frappée du coin du bon son, le jazzy latino des soirées de coucher de soleil orange quand à la terrasse d'un café, ou dans les murs blancs brûlant d'une maison au bord de l'océan on se prépare à la chaleur de la nuit mauve avec le pétillant d'un grand verre coloré.
On est en compagnie de Chano Pozo, le cubain, incroyable danseur et guapo charmeur, possédé de Santeria, mais aussi compositeur et migrant aux USA, pionner de l'afro-cuban Jazz dans les années 50, aujourd'hui avec un morceau classique du genre à l'intitulé des des plus poétique et musical, Tin Tin Deo.
Un choix de nom qui s'explique vite, après la troisième note de contre-basse, l'ouverture de trois piaillements d'un oiseau matinal : tin-tin... deoooo.
La rumba est cubaine, le jazz est new-yorkais et le tout sans pareil pour emmener la tête dans des harmonies où on tutoie le bonheur sans l'expliquer, ou pour remuer les pieds suivant congas roucoulants, la clave déterminée d'une précision minimale, et les velours emmélés du vibraphone, de la contre-basse relevés des dorures de la trompette...
Enjoy