Work by Seattle artist incarcerated at Minidoka is basis of new book, exhibition
[Takuichi] Fujii and his family were swept up by Executive Order 9066, issued after the attack on Pearl Harbor, directing that all West Coast residents of Japanese descent be sent to internment camps for the duration of the war. Like other Seattleites, the Fujiis were sent first to temporary barracks at the Puyallup state fairgrounds, then a permanent camp in Minidoka, Idaho. Fujii, 50 when the war broke out, lost almost everything — his livelihood, his home, any sense of privacy, continuity or hope for a better future.
Taking photographs in the camps was banned, but drawing and painting were permitted. Fujii’s diary documented the stark environment, the enforced inactivity, the lack of privacy, the endurance of the extremes of cold and heat in substandard housing — at Minidoka, temperatures could range from 40 below to above 100 degrees. It chronicled the erosion of family life as the younger people — the Nisei, who were born in America — were encouraged to leave the camps, either to work or join the military. He painted the multiplying graves of residents who died there. (x)