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Transamerica
A flawed film, a tender mirror: What Bree’s road trip still teaches me about transition and becoming
I didn’t see Transamerica when it came out in 2005. I saw it four years later, in 2009, after I’d come out as trans myself. Before then, I wasn’t ready. In 2005, I could call myself bi, maybe, but “trans” wasn’t a word I could hold yet. Watching Felicity Huffman’s Bree back then probably would’ve felt like looking into the sun — too bright, too much, too soon.
Now, though, the film lands differently. Bree’s journey — moving from Stanley, tightly wound, into Bree, looser and freer — mirrors not just gender transition but the slow, stumbling, messy emergence of self. It isn’t perfect, and maybe that’s why it works.
San Francisco from the Coit Tower, taken 2007.03.27, Transamerica Pyramid Building in the center.
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Kearny at Vallejo
An iconic duo