#tschumi

[noosphe-re]

Architecture is not about the conditions of design, but about the design of conditions. Architecture is not so much a knowledge of form, but a form of knowledge. Architecture is the discourse of events as much as the discourse of spaces. Architecture is not only what it looks like, but also what it does. Vectors activate; envelopes define. Architecture is the materialization of concepts. Concept, not form, is what distinguishes architecture from mere building. Architects don’t choose contexts; they choose concepts.

Bernard Tschumi, Architecture: concept & notation

[federicoperugini]

Bernard Tschumi “Combinative Diagram” 1984

[htc2021q2]

Bernard Tschumi, from Advertisements for Architecture, 1976-77.

[tsa20coworking]

CIRCULATION is not simply the placement of stairs, elevators and corridors - it is the ordering principle you establish to connect various program components;

CIRCULATION often has a hierarchy - for example: main circulation, student circulation, school circulation, exiting circulation and so on.

CIRCULATION should support the conceptual idea of your building…..or it IS the concept of your building. think about le corbusier’s architectural promenade, bernard tschumi’s event space, rem koolhaas’ agora idea (public place within city) for the dutch embassy circulation

1  WIEL ARETS - Academy for Arts + Architecture, Maastricht, circulation model

2+3  BERNARD TSCHUMI - Le Fresnoy, circulation diagrams

4+5  R.FINKELSTEIN - circulation diagrams (TSA - DSGN320.10)  

6  MORPHOSIS - Cooper Union, circulation diagram

_ik

[archidose]

ZKM Center for Art and Media Technology

B. Tschumi

[recortesgraficos]

Tschumi

[photoarchi]

Janvier 2017, Paris Reportage pour Villette Makerz, qui occupe la folie L5 de Bernard Tschumi dans le parc de la Villette.

[itsdoggydude]

Advertisements for Architecture, Bernard Tschumi, 1976-1977

Several early theoretical texts were illustrated with Advertisements for Architecture, a series of postcard-sized juxtapositions of words and images. Each was a manifesto of sorts, confronting the dissociation between the immediacy of spatial experience and the analytical definition of theoretical concepts. The function of the Advertisements —reproduced again and again, as opposed to the single architectural piece—was to trigger desire for something beyond the page itself. When removed from their customary endorsement of commodity values, advertisements are the ultimate magazine form, even if used ironically. Because there are advertisements for architectural “products,” the logic of the Advertisements for Architecture asks, Why not advertisements for the production (and reproduction) of architecture?