#tttopreposts

[dramasprite-blog]

#TTTOPReposts #TTTOPsArt #TTTOPArt @choi_seung_hyun_tttop 's delete 170512 ➡️#richardprince Untitled 2014 - #Repost @alexanderyulish ・・・ What a room. Dylan sees everything. #richardprince #art #livingroom #moderarchitecture #painting

[dramasprite-blog]

#TTTOPReposts choi_seung_hyun_tttop 's delete 170506 & repost with "orange cosco" caption & via #TTTOPlikes #TOPLikes @choi_seung_hyun_tttop 's like 170427 💚Just reposting video & my prior update for info. 💚🎨➡️ @markgrotjahn ・・・ Orange Cosco (Caption) ✨There was a show with Pink Cosco at the @gagosiangallery in the past. These works come in other colours despite the name of that exhibition. ➡️"PINK COSCO JUNE 24 - SEPTEMBER 17, 2016 - I called some paintings perspectives but I'm not interested in perspective; I called some butterflies but I don't think they are butterflies; I call my sculptures masks but they are not masks. —Mark Grotjahn Gagosian Gallery is pleased to present “Pink Cosco,” an exhibition of new, large-scale painted bronze sculptures by Mark Grotjahn. Grotjahn's work is inseparable from its present moment, yet willing to make explicit art-historical reference. He borrows from Op art, Abstract Expressionism, Pop art, and Renaissance perspective, but achieves effects that reach forward and backward simultaneously. To occupy this precarious past-future visual position requires intense concentration, calculation, and control. As he painted his Butterfly paintings, Grotjahn sought an escape from precision: he began making masks out of the cardboard boxes lying around his studio—the discarded shells of art materials, gifts, and other packaging. He painted the boxes and attached toilet paper roll tubes that stuck out between cut-out eyes. The Masks, although originally started as a casual practice, quickly asserted themselves as a new armature for painting—an armature that would straddle time just as much as the two-dimensional geometric works. The Masks unearth Cubism's methodical efforts to occupy, represent, and envelop space. Grotjahn started casting them in bronze in 2010—a material transformation that took the Masks away from ephemerality towards sequential permanence. What was once an intimate exercise is thickened, stabilized, and filled with formal artistic authority. “Pink Cosco” is Grotjahn's first exhibition of sculpture in which every work is the same form. It takes its title from a box that contained a Cosco brand stepladder." (Cont.)