Title: You Make Me Feel Human (Even When I’m Not) Chapter 2: Little Gifts from Nowhere
Genre: Post-apocalyptic psychological horror / Yandere romance Word Count: ~2,400 Tone: Tense, eerie, tender and obsessive Perspective: Second-person (gender-neutral survivor reader)
You’ve been seeing them.
Not clearly. Not directly.
But it’s there. That prickling between your shoulders. The faint scent of dried flowers in places where no flowers should be. Strange offerings—notes, shiny things, half-rotted Polaroids with the faces scratched out, a scarf you swore you lost two cities ago now neatly folded on top of your ration pack.
You’re being followed.
Stalked.
Watched.
But the strangest part?
You don’t feel afraid.
Not exactly.
Not yet.
You find the first note three days after the arcade.
Tucked into the hollowed skull of a long-dead runner, its paper edges curled like petals, ink smeared with care. You hesitate before touching it, unsure why your fingers tremble. You haven’t seen handwriting like this in months. Too slow. Too human.
The message is short:
I saw you limping. Left you something in the back stairwell. It’s not much, but it’s soft. You always loved soft things. —Yours
You turn the note over, half-expecting a signature. There’s none. But taped to the back is a bit of fabric—plush. Purple. Familiar.
Your old hoodie’s sleeve?
You blink and look around, half expecting someone to laugh and pop out of the shadows with a camera.
Nothing.
Just wind and ruin.
Just the echo of your own name whispered through brick and dust.
That night, you don’t sleep well.
You dream of the safehouse tunnel. The one that collapsed. You dream of dragging someone out of the pile, coughing, shaking, their face smeared with ash and blood, and you remember the way they clung to you like your hands were the last light in the world.
But you can’t remember their face.
Only that they didn’t scream when the scanners went red.
Only that you let them go.
You wake up sweating, hand on your crowbar, heart pounding so hard it drowns out the moaning of the horde outside the barricade.
You think you hear someone crying.
But when you sit up, it’s gone.
Day four, there’s another note—left near your fire pit this time.
Folded into a tiny triangle. Stuck between the teeth of a dismembered mannequin.
You pry it loose.
I saw what they did to the last camp. You made it out. I’m proud of you. But your leg’s getting worse. I’ll fix it. You can rest when I find you. I’ll carry you.
There’s a flower pressed between the folds—Hollow Pine bloom again, radiant and unnatural, edges glowing like veins in moonlight.
Your mouth goes dry.
You pocket it anyway.
You start changing your route.
Backtracking. Making false trails.
But they follow.
You leave a can of tuna as a test—placed on a pile of bricks near the collapsed freeway. Hours later, it’s still there, unopened… but now it’s sitting on a folded square of newspaper, like it’s been served to you.
Next to it is a scarf. Yours again.
Someone’s laundering your clothes.
You tell yourself it’s a rogue survivor. Maybe one of the Runners messing with you.
But you’ve seen Runners.
They don’t leave notes.
They don’t press flowers.
They don’t fold blankets over your pack while you sleep and tuck a piece of chocolate in your pocket like they remember what brand you used to like.
It’s getting personal.
It’s always been personal.
The sixth night, you find a message scrawled on the window of an overturned bus, written in some kind of slick, sticky ink that glistens faintly under UV.
You shine your flashlight on it.
YOUR HANDS SHOOK WHEN YOU HELD ME. I STILL FEEL IT. DID YOU MEAN IT?
You stumble back, breath catching.
How could they know that?
You press your palm to the glass. It leaves a smear.
You sit in the bus and wait.
But no one comes.
When you finally speak to them, it’s accidental.
You’re rounding the corner of a broken hallway, sidearm drawn, when a voice—clear and low—croons from above:
“You dropped something, sweetheart.”
It’s calm. Polite. Warm in a way that shouldn’t exist in this world anymore.
You spin and spot a figure perched on the remains of a collapsed floor above—tall, stylish in a weird, DIY way. Their face is obscured by a broken lens-mask. Their skin is sickly but smooth, veins black and glowing faintly along their throat and wrists. They toss you something.
Your lighter.
The one you lost near the canal three weeks ago.
Your blood goes cold.
They tilt their head.
“You used to flick it open five times before lighting it. I always liked that.”
Your grip on the pistol tightens.
“Who are you?”
They pause.
Their voice cracks a little when they answer, like it hurts.
“You don’t remember me.”
There’s silence.
Then a hollow, trembly laugh. A buried sob.
“That’s okay. I remember enough for both of us.”
And before you can ask anything else—they’re gone. Slipped between concrete and night like a ghost.
You don’t see them again for two more days.
But the gifts return.
A scarf. A new set of boots. Bandages. A handmade trinket in the shape of a crow.
And a final note:
When you love someone this much, it doesn’t rot. Not even here. Not even me.
You don’t sleep after that.
You wait.
Crowbar by your side.
And maybe… maybe you’re not entirely afraid anymore.
Just curious.
And something else you won’t name.
Not yet.
part 1 and part 3 4 5 6 7









