#twdg t5f

[stop-breaking-my-heart-telltale]

[this week’s T5F was requested by anon]

Top 5 Reasons I Love Clouis

When I saw this request in my inbox, I knew I had to do it. You guys know by now that I never miss an opportunity to gush about clouis. I adore these two as a pair. Ever since ep1 dropped, I knew, y’know? I knew that Clementine and Louis were gonna be otp and now here we are. 

I have so many reasons for loving clouis, from major things that happen through the game to the smaller, fleeting moments, to things outside of the game like the fanart, fanfics, headcanons, and everything in between. So to condense all of that into only 5 reasons will be a challenge, but it’s fine. Some of these will be entire moments or episodes because reasons lie within the moments themselves, y’know? 

Also, thanks to @pi-creates for once again providing some of the screenshots used in this! It’s always appreciated! :D

Warning: This is very long.... I have a lot to say.

5. Oh my darling Clementine, your relationship with Louis has changed

I love the beginning of Clementine and Louis’ relationship in ep1. Everything from the meet cute to the confrontation with Marlon where Louis stands between them. 

Everything about their first meeting is so good. You have Louis focused on playing piano so that Clementine and AJ can reunite without interruption, then he introduces himself and claims he watched over AJ for her while she was out. 

Not only is this a great introduction to Louis as a character, but it’s a great start for the relationship that he and Clementine will build over the course of the season. 

One of the best parts of this scene is after AJ gets his gun back, Louis is alarmed but dismisses it after Clementine defends the choice to let AJ handle it.... which leads Clementine to give him a look before being like, “You don’t know any others?”

And In response, Louis throws back, “Well, there IS one... but you’re armed.”

Just.... the shared look they give is like they’re kinda challenging each other? Plus, for me, when Louis starts to sing Oh My Darling Clementine, not only is it him teasing her with a song that has her name in it, but it’s him seeing what he can push with her, if that makes sense? Like, is she gonna roll her eyes and tell him to knock it off? Or is she gonna have a bit of a sense of humor and go along with it? Or maybe she’ll even just like the song want to hear him play it? 

Listen just.... the immediate chemistry, okay? Even if you are someone who rolls your eyes at the song and tells him to stop, he doesn’t get offended. He listens to her and ends the song before smiling and winking at AJ. 

Oh yeah, speaking of which, there’s also him entertaining AJ with the song, who audibly gasps at hearing Clem’s name and it’s hilarious. Also love when Louis asks AJ to try it... it’s just the beginning signs that Louis is good with him and I love that. 

Now they have a lot of other moments in episode one that solidify them as my otp, but I’ll be talking about the hunting bit in another entry, and I don’t want this entry to be a million words long soooo let’s skip to the confrontation with Marlon.

Now this confrontation is a big moment. As the episode establishes, Marlon and Louis are best friends. They’ve known each other for 8+ years, survived all these years together, Louis never had a reason to not trust or follow him as a leader... and then this happens: Marlon and Clementine are yelling at each other, both covered in Brody’s blood, pointing fingers at the other for Brody’s murder.

It’s a lot, and Louis doesn’t say anything after Marlon gets the gun from AJ. You can hear him ask AJ to put the gun down before Clementine arrives, and he’s the one to help AJ up after Marlon shoves him down. 

And when Clementine turns to him for help? It’s so good. 

I know a lot of people were annoyed that he didn’t immediately jump to help her, but listen, that’s the point ya dingdong. 

Louis in ep1 is established as musical, laidback, charismatic, keeps his head down and doesn’t jump into conflict, goofs around before finishing his work, doesn’t think ahead or of the future, humorous guy who wants to trust his best friend’s judgement, even if he doesn’t necessarily agree with him. Plus, we can see that Marlon’s got him under his thumb from all the looks he gives Louis during this part and how he’s so smug when Louis says he’s not involved. 

The entire exchange with Louis curling in on himself like, “I’m sorry, Clem, but not me.” and you can hear it in his voice that he is apologetic for not having the confidence to step up and stop this, even though he knows it’s wrong. It takes Clementine being like, “You’d let him shoot me? Just so that you don’t have to get involved? I thought you were more than that!” 

And that really gets to him, y’know? He stares at her for a moment before mustering up what he can to ask Marlon to stop, who doesn’t take kindly to that and yells at him, which note that does make him flinch. 

Now this is just my interpretation of the scene after watching it so many times during playthroughs, but I don’t fully believe that Louis believes Marlon. Marlon’s over here insisting that Clem killed Brody and Marlon’s justified here, and we know he’s not but Louis wasn’t there, he doesn’t know what the hell happened in the basement... but I do think he wants to believe Marlon because again, he’s never had a reason to not trust him, and he’s always believed in him before, even if those around him didn’t. 

I’ve talked about this next part many times in the past. It’s beautiful. The scene tries to trick you into believing that Louis isn’t going to help with quiet shots on Marlon, then a shot on Clementine as she closes her eyes and waits.... only for Louis to slip in front of her with his hands up and this pleading look to Marlon as thunder rumbles and the corner of the screen says “your relationship with Louis has changed”

What else can I even say? 

Louis steps in front of Clementine so that his best friend is pointing a damn gun at his face, he has nothing in his hands because he’s trying to deescalate the situation, and he knows that if Marlon accidentally pulls that trigger, he’s dead. While I’ve argued that he’s also doing this for Marlon, we’re talking about Clouis so the fact that Louis just met Clementine but felt a strong enough connection to her to do this? To build up the courage to stop something that he knows is wrong rather than turn the other way? To not let Marlon intimidate him into silence? 

Aaahhhhhhh it’s too good you guys.

So yeah just.... ep1 and the beginnings of clouis is just... amazing. 

4. Building trust and breaking down walls

Remember when I was saying that ep1 establishes Louis as musical, charismatic, and all that? Well, seeing how Louis is so friendly, you’d think that he’d be a pretty open person, right? Sure, he’s easy to talk to, but you’d also think that he’d be easy to get to know... right?

Well, here’s the thing.... Louis isn’t open. Throughout the whole episode, Louis’ doesn’t tell you jack shit about his past. The most you get outta him is that he used to love baseball, he fucking hates cantaloupe, and he once saw a dude get his guts ripped out. Oh, and I guess he’s never had a girlfriend before. And sure, you get that he and Marlon are best friends, but he never tells you anything about his friendship with Marlon until the confrontation when he says he’s gotta trust him. But in friendly conversation? Or even when Aasim brings it up? Nope, nothin’. You get surface level stuff from Louis, but no backstory, nothing deeper.

You could chalk this up to the writer’s fault that he doesn’t get as much detail in ep1, but I’m choosing to look at this as he gives the illusion that he’s open and willing to share but really? 

“No, no, no, that’s not how this works. You see this wall? You’re on that side and I’m over here? Yeah, you only get to know the things on that side, and I’m gonna keep everything else over here. I’m not gonna lower the wall, and you’re not gonna climb it, and it’ll be a grand ol’ time.” 

Well, jokes on you, Louis-- Clem’s gonna climb that wall until you lower it. 

Now... the hunting scene. Clementine goes hunting with Louis and Aasim, and you’re faced with a choice of either helping Aasim hunt, or taking care of the walker with Louis. I know we all get a little salty about this given that the fishing path doesn’t play out with this similar ‘option 1 vs option 2′ thing, and believe me, I’ll be the first to admit I got my own stash of salt for it.... but again, I’m choosing to look at this as you want to know more about Louis? You wanna gain his trust? Well, then you gotta actually earn it... and going off what his end card says if you don’t go with him? Part of him wants Clem to earn it, too. 

And if she does go with him? Well, then you get the moment.

I love this part. Clementine kills the walker after some back and forth teasing with Louis, and he asks her if she feels better now that she blew off some steam. I usually tell him that I can’t wait for out next round of batting practice, which gets some flirty dialogue from Louis-- “Oh yeah? Bring it on, Clem, I’m always down for a little adventure.”

 “Is that so?”

“Life’s too short not to be. Aasim loves giving me crap about having a good time, always telling me I'm not thinking long-term. ‘We need to guarantee our future,’ all that horseshit. But I tell him right back, there's only one guarantee: this moment. That's the only thing you got, only thing any of us got. Might as well enjoy it.”

I adore this moment because Louis and Clementine have each let their guard down, and Louis is sharing with her why he prefers to look at survival the way he does and why he believes survival isn’t enough without living.... and going off Clementine’s expression after he’s done, it really gets to her and makes her think. 

...but then Louis realizes that he lowered his wall and it’s like a switch is flipped. You can see him look away with a thoughtful face as if he’s internally saying “Oops, I shared too much uhhh quick say something--” and then his tone completely changes into this happy, “I'll untie our friend here and reset the snare if you go check on Aasim. :D”

And that’s Louis ending the conversation and sending Clementine away from him so that he can think about what the hell just happened. 

This isn’t the only instance of this happening with them, either. While Louis does gradually warm back up to Clementine after Marlon’s death, that wall is still up and he’s struggling, y’know? Marlon dies, Louis saw it happen a few steps in front of him, and he’s heartbroken and traumatized from it. He’s also conflicted about Clem and AJ, not wanting them around but not wanting them to die out in the woods-- he doesn’t know what to do. 

So when Clementine and AJ come back and AJ’s shot to hell, he feels awful, guilty that it’s his fault for what happened. So he decides to bring Clementine some fresh clothes for AJ to change into when he’s better, and we get the dorm scene... which is just one of my favorites. 

It’s so interesting because you can feel Louis’ genuine concern for AJ and how he’s doing, but at the same time, he’s trying to distance himself from Clementine... and kinda failing. 

On top of that, you got Clementine trying to see where he stands with them [with her], if he’s okay with them staying, and Louis tries to avoid answering it... whether that’s because he really doesn’t know how he feels, or he has an idea but isn’t about to share it with her, or some mixture of both. He’s still trying to work through things by himself either way. 

“It’s fine while he gets better.”

“...And after that?”

“I don’t know, Clementine.”

Again, when AJ wakes up, Louis avoids the question of “Are we friends again?” and goes to leave where Clem stops him. I always pick “I really missed you,” and Louis admits that he missed her, too, before saying goodnight. 

I just.... my heart? 

Another moment I wanna talk about here before moving on is the piano room scene. We talk to Louis more during the archery scene where Louis finally opens up about Marlon and how he’s feeling about her and AJ, and they’re on good terms again. They have the fun card game, and then you gotta decide who you wanna go with.... and yeah, I still got my salt about the whole ‘check defenses vs play piano’ thing but again.... forcing myself to look at this as another moment where you gotta earn him and his trust. You wanna see him finally bring that wall completely down for Clementine and change their relationship for the rest of the game? Then go after him. 

And whattya know, Louis does this thing again.

Clementine goes after Louis to find him playing a song he wrote and he’s so clearly happy to see her. When Clementine mentions they haven’t heard music in a while [suggesting that Louis hasn’t been playing] Louis jokes about how some would say she’s not about here it now before playing again and just.... his face. Louis and his damn self deprecating jokes, I swear. And Clementine can see it on his face before again, it’s like a switch is flipped and Louis is all, “So how do you feel about our imminent deaths? :D” 

My favorite choice here is to remain silent, by the way. When you do that, Louis says, “You know I’m here for you.” and aaaahhhhhh-

So we all know how the rest goes-- they tune the piano, it turns out to be a joke Louis is playing on Clem, she calls him cute and he gets flustered. Louis doing this is pretty perfect and in line with his character. It makes sense that he would mess with her a bit to gauge a reaction before deciding whether or not he should open up a bit or not. 

Then he starts to play the song he wrote, and carves an L into his piano. This is interesting to see since you wouldn’t think Louis would do that, y’know? Especially since the piano already has shit carved into the side like, “You suck at playing!” 

But no, he knows that shit’s about to go down, and him and Clem carving their initials into the piano makes it theirs... if that makes sense. I mean that in the sense that “this is our place... this is where we shared this moment together and it’s ours forever carved here, no matter what happens next,” y’know? And Clem carving a heart around it? All the more special and cute. 

Side note, but I fucking love Louis’ reaction to the heart like... they haven’t even confessed their feelings yet and to any normal person this would be an obvious “hey I like you” moment but poor Louis is probably over here like “Oh it’s a heart, yeah okay, uhhhh heart of ultimate friendship probably?? that’s cool, really cool”  

Anyway, seeing Clementine carve a C next to the L is what I believe gives him the courage to finally let down the wall entirely. He lays it all out there, thanking her for being here [for choosing him] even after everything he put her through, he had a lot to work through for himself, and everyone always hears the jokes and the piano but after that they stop listening, but Clementine didn’t. 

Like okay.... do you remember when I mentioned that Louis’ end card in ep1 suggests that he wants Clementine to pursue him, if you will? When you go with Aasim instead, his end card says that he felt lonely... and yeah, okay listen... the end cards are usually a mess with things that make zero sense, but this one I’m inclined to believe. 

Again, Louis is viewed as this charismatic, friendly, musical dude, so he should be close with everyone at the school right? He has Marlon for a best friend, so there’s no way someone like him could ever feel lonely, right? 

Well, when you consider that he has this whole persona that he plays when around most of the Ericson crew, and the fact that he literally says that they only hear the surface level shit before they stop listening all together, and Marlon probably kept him out for at least a year...... so yeah, I believe he’s lonely... and then Clementine showed up, broke down his wall and listened, chose him when most people wouldn’t, and now he doesn’t feel so lonely. 

Like.... Louis falls for Clementine for a reason, okay? And when she returns those feelings, he’s shocked because he never thought someone like her would choose him, or that she’d even want him to let her in. 

Then they smooch and I die.

Oh, AND he names the song he wrote after her. I mean, something that he created and always wanted to share but people always rejected or made fun of him for it... he played this song for her and then named it after her. Just... it’s too perfect, I can’t-

But yeah, from here on, trust is a big part of their relationship... and okay, lemme talk about one more scene because it’s important to this point--

Louis sharing his backstory at the party.... y’know how I mentioned that Louis doesn’t tell you shit about his past? Well, that’s still pretty true up until this point. While he trusts and adores Clementine, he wasn’t ready to share what got him sent to Ericson in the first place... until the party when they’re reading files and Louis realizes that she should know who she’s taking into battle... and she should know who she’s in a relationship with. 

So he tells the whole group everything-- he came from a rich family, his father refused to let him taking singing lessons, so Louis spent over a year breaking up his parents marriage and threw it in their faces because he was a “vindictive fuckhead.” 

When you remain quiet, he says that he doesn’t even know the person he’s talking about, the only thing they have in common is the same name... and just, Louis telling Clementine this even though he isn’t that person anymore and has had years to reflect on why the hell he ever did that and let the guilt weigh heavy on him... I’m sure he saw it as risky, y’know? Like what if she found out who he was and didn’t want him anymore? But he wanted to be honest with her?

And well... Clementine’s past ain’t so clean either, and I do wish we had the opportunity to share something with him at some point, but regardless... they’re still together. Clementine still trusts him to come with her and AJ to sneak onto the boat, and she still loves him enough to be in this romantic relationship. 

It’s just... it’s so good, guys. 

3. Forgiveness and family

This goes hand in hand with #2, because while trust is a huge factor in why I love their relationship, forgiveness and found family are just as important. 

So, AJ kills Marlon and everything’s a mess. Louis is a mess of emotions no matter what you do at this point, and I still roll my eyes at everyone who claims that he’s so terrible for behaving the way he does in the beginning of ep2. I actually like that he doesn’t immediately forgive them because that would be stupid, and poor writing on the part of the writers. 

His best friend who he just found out did awful shit was murdered right in front of him because AJ thought that was the right thing to do, even though Marlon had surrendered. He doesn’t know what the fuck to do or what to feel.... so yeah, I can see how he’d be uncomfortable [an understatement] the next morning when Clem and AJ show up to the funeral, I can see why he wouldn’t want to stay no matter what they had to say, and I can see why he wouldn’t feel to great with them around. 

And at this point, you’d think that any relationship he and Clementine could’ve had, any relationship the three of them could’ve had, would be ruined. And y’know, if Louis was replaced with a grudge-holding character or if he had a big ego that prevented him from moving past it all, it would be...  but he’s not like that, so it’s not. 

As I talked about before, this is where Louis is conflicted with himself and everything around him, so I won’t get too into that... but, they bring Clementine and AJ out into the woods after being kicked out, which is interesting that Louis would agree to go with Violet to do that since you’d think he’d just want them gone and that’s it, y’know? 

And he even tries to justify it to himself by being like, “It’s not so bad, you’ve done this before” which... isn’t great, and he knows it, they all know it. 

Oh, and I always have AJ give Louis the gun because Louis will stay behind while Violet heads back, and he’ll give the gun back but... I don’t even know how to explain it. He gets down to AJ’s level and hands him the gun, but when AJ grabs it, Louis tightens his whole grip on it, which makes AJ look directly at him and just.... Louis’ expression.... 

He doesn’t say anything, he just gets back up, looks at both of them, then walks away. It says so much without saying anything. 

Fast forward to the archery scene. I touched on it a bit, but this is a key moment of forgiveness... assuming you aren’t one of those dinguses who picked the “fuck you” option because why would you do that, ya dingus? 

Anyway, they’re still in a bit of an awkward area. Neither of them have openly forgiven each other for what happened, Clementine doesn’t know if he wants her around or not, Louis has come to terms with what happened and understands why AJ did what he did, but hasn’t talked to Clem about it... plus, he’s trying to get better at archery so that he can help fight when the raiders come, so that’s another thing to stress about. 

Clementine goes over to check on him and they finally talk about Marlon and AJ. Louis admits that he feels responsible for what happened... for years, he wasted time with stupid jokes and messing around while Marlon was left with all the stress of leading the school, and it eventually killed him, and Louis didn’t do a damn thing about it. He then goes on to tell Clem if he could, he’d take back sending them into the woods. 

My personal favorite choice here is to forgive him, because that’s what he needed to hear. From this point, Louis, Clementine, and AJ are all on good terms, and I mean... there’s a reason we love our ninja fam. Their dynamic as a whole is so good, and it reflects on why I love clouis so much. 

Like... Louis is able to forgive them for what happened to Marlon, and Clementine and AJ are able to forgive him for sending them out in the woods which resulted in AJ getting shot. Think about that... they overcame something that big. 

Clementine and Louis are in a romantic relationship, AJ adores Louis, and that’s something incredibly important to Clem. If AJ didn’t like Louis or didn’t get along with him? Then Clementine wouldn’t be with him. But Louis is so damn good with AJ in the way he interacts with him. He helped Ruby take care of him when he was shot, he made AJ feel better during the card game when he was sad about not knowing what the world was like before walkers, he’s friendly and caring about him when the visits the dorms,  hung out with him during the party to show him the gramophone, blocked him from Minerva when she was threatening him.... 

Also, when Louis shows up in the woods after the cave scene and AJ goes running to hug him? My heart can’t handle it. 

And all of this happened after all the shit with Marlon. 

You can’t avoid that conflict. No matter what you do, Marlon will always die and you gotta work at rebuilding the relationship with Louis if you want him by your side, and he works to be at your side, as well. I’ll touch more on this in the next entry, just know that this forgiveness is earned rather than just expected... y’know? 

There’s one other key moment I wanna talk about here... and that deals with the bridge scene and Tenn’s death. 

Alright.... the dreaded bridge scene. When Clementine says she trusts AJ to make the right calls back in the caves, AJ will see Louis struggling to get Tenn over the gap and away from the walkers and Minerva, and AJ will make the call to shoot Tenn... which gives Louis enough time to jump across... but now Tenn’s dead and crazy ass Minerva got what she wanted. 

It’s pretty shitty and no one likes it. 

Now, Louis is furious at this, and it’s completely understandable. Again, I know people gave Louis shit for going off at AJ at this point but lemme tell you a thing... his reaction makes sense. Louis asks how AJ could just shoot him like that, and AJ will say he had to otherwise Louis would never see his new house and he did it for him. Louis is even more upset by this, and I usually have Clementine say that AJ saved his life and Tenn was gonna get him killed... and Louis responds with, “So what, we just cut him loose? Gun him down like he was nothing?”

Which tells me a lot... Gun him down like he was nothing? You mean... you mean like he kinda did with Marlon, Louis? 

To me, this shows that Louis just saw Marlon again.... he’s seeing AJ repeat what happened to Marlon, even after everything they’d been through and he’s overwhelmed with anger, frustration, and heartbreak.... so he grabs AJ and forces him to see what he did. 

“Tenn's dead. He's dead! Do you realize that? Look! He's...he's gone, because of you. Just fucking gone.”

Now, I don’t agree that this was the right thing for Louis to do in this moment, but I understand why he did it. He’s desperate for AJ to see and realize what his actions have done, that he just killed Tenn. 

However, they don’t have much time to get into it since walkers are coming, and they gotta go. Then we fast forward to the ending with Louis, Clementine, and AJ where they’re talking about seeing other survivors and how Louis is gonna go check them out in the morning, asking AJ to tag along... and I know all choices are canon and all, but for me there is only one correct choice--

“Aren't you still mad I killed Tenn?”

“I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it... Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?”

And then they shake hands. 

And I cry. 

This is so important and honestly, I hate the other options because not only do they throw off the balance of the ninja fam dynamic, but they’re insulting to Louis’ growth as a character over the season. Clouis as a couple, and the three of them with AJ as a found family, these moments of forgiveness are crucial... and once again, they’re earned. 

I adore clouis, but it wouldn’t be as good if AJ didn’t have strong relationships with both Clementine and Louis. 

2. They challenge each other and help one another grow 

One of my favorite things about clouis is that they aren’t afraid to disagree or call each other out for shit. They go through so much together, things that could break a lot of people apart, and they both come out stronger than they were before... and that wouldn’t be possible if they weren’t able to handle challenging each other or handle conflict together. 

Whenever I replay TFS, I never feel like I have to tiptoe around Louis, y’know? I’m never afraid that if I say something he doesn’t like, he’ll throw a tantrum or get pissy and throw it back at me later. 

The worst he ever does is if you tell him to fuck off during the archery scene. He’ll be hurt, try to explain himself, before throwing down his bow and leaving and like.... totally understandable. Also, he’ll say something like, “If we’re on speaking terms” during the card game and he’ll act surprised that you chose to go after him but like.... honestly, the first one if more teasing and the other one is genuine shock. 

Another case like this is when Clementine questions Louis’ survival viewpoint when you go hunting with him and Aasim. He talks about how he views survival as a day-to-day task, but he does get things done. 

Clementine can agree with him here, or she can challenge him, which he will mostly brush off but won’t get annoyed. However, if she doesn’t say anything, he’ll go, “Hey, look. I don't need approval from anybody. I've kept myself alive this long doin' what I'm doin', so...”

Interesting thing to say, Louis. 

Those are just some the smaller things... but bigger things?

Going back to the point I made previously: You can’t avoid conflict with Louis in TFS because his conflict is a major point in the overall story. You have to put in effort when it comes to rebuilding a relationship with Louis. Not only that, but Louis is working to repair it, as well. If he wasn’t, he would’ve told Clementine to fuck off and not bothered. 

Again, it’s annoying when people just immediately turn on Louis the second he’s upset with Clementine because all of this effort from the two of them is great and makes them being together in the end all the more satisfying. It’s interesting, too. If there was zero conflict with Louis and he didn’t get mad at Clem and agreed with her on every little thing, it’d be boring and the relationship wouldn’t feel as genuine or deep. 

Was the whole thing handled perfect? Nah. Could it have been handled better. Yep. But going off what we did get? It’s pretty damn good. 

If Clementine and Louis can make it through AJ killing Marlon, fighting off asshole raiders, breaking into said asshole raiders boat to take back their friends, get captured and escape the boat as it explodes, and survive AJ shooting Tenn and Clementine losing her leg to a bite.... then these two can overcome anything together. Their efforts are rewarded. 

Now, this plays into this bigger idea of them challenging their survival views and outlook on life, and helping them grow as better people. 

Clementine is sometimes so serious even when the situation doesn’t call for it. She’s survival-centric because she didn’t have a choice. She has survived in this world on her own, saw many people die, and had to do what she had to in order to stay alive. When she got AJ, she then had to look after and raise him, too, and teach him how to survive. 

On the other hand, Louis sometimes isn’t serious enough when the situation calls for it. He’s sheltered, having lived behind walls his whole life with a roof over his head and a bed to sleep in. He’s seen his fair share of death, but he’s never been out there alone having to survive. He chooses to enjoy every moment he possible can and that causes him to not look at the future. 

Then they find each other in ep1, and with each passing episode, they’re influenced by the other and grow to be better versions of themselves... and none of it would’ve happened if they gave up on one another.

By the end we have a Clementine who is able to think about things without the frightening aspects of survival, she’s able to sit down and laugh with her friends over a dumb game of cards, to push AJ on a tire swing and watch him color like a little kid, she’s able to rely on someone she’s comfortable with who makes her happy. She’s still the same strong, fierce Clementine that we love, but because of Louis, she’s grown a softer, more vulnerable side that she hasn’t had since the beginning of the series.

We have a Louis who who can now find courage within himself to step forward when he knows something’s wrong, to fight when people need him. He thinks about the future, he feels like Ericson is a home worth protecting and he’d sacrifice himself to make sure it’s safe. He’s let someone in, confided, and now he’s less lonely, he’s overcome a lot of bullshit and survived. He’s still charming, musical Louis, but because of Clementine, he’s grown stronger and more capable, willing to do whatever it takes to take care of his family. 

Say it with me: and none of it would’ve happened if they gave up at the first big thing thrown at them, didn’t learn from one another and were afraid to challenge each other.

1. Building a future together

Alright, we’re finally here at #1... this really feels more like an essay than a T5F but I don’t care, I’m not done... I have more to say about these two.

I wanna talk about the walk back to Ericson right before the bridge scene because it’s pretty much tied to everything else on this list and it perfectly encapsulates why I love clouis so damn much. 

So, after we get the wild cave scene, we’re out in the open when we Louis finds us. We get that sweet moment where everyone hugs, Clementine and Louis hold hands and give each other the looks, and they start to walk back home. 

Louis’ theme, which is my favorite, begins to play as he and Clem walk side by side ahead of AJ and Tenn, and they share even more looks. This is when Louis talks about Dorian, the woman he shot and killed back in the boat. You can tell he doesn’t exactly know how to approach talking about it, but it’s weighing on his mind and he wants to open up to Clem about it... admitting that it’s his first human kill and how he feels about it. 

I like to tell him that it’ll get easier, and even though it’s fucked up, he knows it will. 

Here is where Louis opens up more about himself and his past, something I’ve gone to great lengths here to point out that he doesn’t just do, y’know? But here he does it so comfortably which is drastic compared to when we started where he wouldn’t say anything. He talks about how he always thinks about dumb things when in life or death situations-- his grandma’s phone number, his pet turtle Geoff, how he lost a spelling bee because he misspelled recommend [which is fair, I always wanna put two C’s for some reason?], and then finally... he thought about the house his parents were building before their divorce. 

Louis willingly talking about his parents with Clementine is a pretty big step, especially after he told her what happened with them. 

Then together, they talk about creating their dream home which is not only wholesome and sweet, but it’s Louis’ way of saying he wants to build a home with her, to have a future [something he never thought about before] with her. 

I just.... yeah, he’s aware that it’s an imaginary house, even when he says they’re gonna build it. They’re not gonna be able to build a 914-floor purple mansion with a treehouse, but they can try.... y’know, try to make Ericson that dream home together. 

Clementine never had a secure home, and if she ever did feel comfortable enough in a place to it home, it was taken away from her. She was just a little girl at the motor-inn during S1, and with her parents constantly on her mind then, I doubt she ever saw it as a new home. Same with any other place the visited in S1. 

S2, she was on the move living out in the woods with Christa before going on the move with the cabin group, and no matter what ending you got, where ever she ended up never felt like home for her. 

Then we all know what happened in ANF soo... yeah. 

The first episode of TFS even starts out with Clementine saying she’s trying to find a home for her and AJ, and a little later AJ asks if they’ll ever have one... so this is a pretty damn big deal, okay? 

And when you factor in Louis wanting a future for them when he never cared to look that far and was a lonely person surrounded by people who now has something worth fighting for? I could cry.

What more do I even need to say at this point? 

Their chemistry is strong, deep, and romantic, they powered through so much unavoidable bullshit, they worked hard for their relationship, they’re comfortable and not afraid to lean on each other when needed, they get comfort from being together but aren’t afraid to disagree on things because they know those disagreements aren’t stronger than they are. With AJ and everyone else at Ericson, they’re a family now rather that a group of misfit survivors, and they’re working to change things for the better for Ericson. 

I love everything about them and damn it, they will be happy together every single time I replay TFS because that is what they deserve. 

---

Honorable Mentions

-the flirting between these two is just so damn cute -height difference... just... height difference -The clouis smooches... they’re all good and I wish we got more -Louis saving Clementine from being eaten by using a rock... the beginning of ep4 was wild and seeing him again made everything feel better. -Their interactions during the card games make me so damn happy...  -look, everything that isn’t captured Louis/dead Louis makes me happy, okay? They all get honorable mentions. 

---

This turned out way longer than I anticipated and for that I am sorry. So, what do you think? Lemme know the reasons you love clouis, I’m always down to chat about that! 

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

Next week’s T5F Top 5 Missed Opportunities in 400 Days

[pi-creates]

Top 5 Aasim Moments

Is anyone surprised that when CJ asked if people wanted to collaborate on a Top 5 post about a character that I’d choose my favourite pyro?

This was quite fun to talk about and I know everyone else who collaborated on this idea shared the sentiment. If you wanna check out some other lists:

@stop-breaking-my-heart-telltale talks about Louis @kaylee-wolf talks about James @taurusicorn2400 talks about Violet @akemi-rose578​ talks about Ruby

Though in all seriousness, Aasim is probably one of my favourite characters from the whole series, and I feel like even as a side-character he has some very good moments that reflect well on who he is as a person. And while most of what we see are only small details, I like what those little details could mean if they were expanded upon.

So yeah, here are my personal Top 5 Aasim Moments from the Final Season.

5. “Aasim was the third.”

“Aasim said you knew how to survive. He could just tell that the school would be safer with you there. I voted for you because I liked you, but his reason, it was better.” 

This is one of those things that I think sums up a lot about what kind of person Aasim is. He is thinking about the big picture and the long term consequences from a logical standpoint rather than a purely emotional one. Violet and Tenn have more emotional reasons for wanting Clementine and AJ to stay – and that is all fine and dandy, but I personally like the distinction that Tenn makes which implies that Aasim is trying to consider the future of everyone at the school. 

It doesn’t matter if you’ve been really nice to him or horrible, he sees Clementine and AJ as people they need to keep around if there’s some guy in the woods who has already taken some of the kids from the school before. It is simply a smarter move to keep the people who know how to survive close by when there may be an impending danger creeping around.

And I think it’s also really telling that he’s only known Clementine and AJ for a few days at the time of the vote, and he’s already gotten a read on their skills. It seems a little counter-intuitive given his sometimes awkward social abilities, but he’s clearly observant and using those observations to inform his decision making.

Plus on a personal level, I like that this shows Aasim as like a middle ground between Violet and Louis. Violet seems to vote in terms of Marlon deserving punishment, and therefore AJ did nothing wrong and shouldn’t receive any repercussions for his actions - whereas Louis just lost his friend and knows that AJ is a threat, and he’s voting from an emotional standpoint where he’s hurt and isn’t focusing on the future because of it.

I find both those mentalities realistic and in-character, but too extreme - Aasim is upset by the death of his friends, he acknowledges that Marlon had made some bad decisions, but he still votes for the pair to stay. He feels like the only character who is listening to the explanations and processing things clearly. 

Overall, I really like the way that Tenn tells us about this moment – I just wish that maybe this revelation came earlier in the plot so that we could potentially bring up the discussion with Aasim and thank him, or hear more of his thoughts overall.

4. Going hunting for rabbits

The only pure, one-on-one interaction you can have with Aasim. And I just wish there were more moments like this.

I like that Aasim will ask Clementine if she’s a good shot – and he will take her word for it and let her help without any undercurrent of doubt. And if you do well, he’s quick to say that it’s thanks to you that they’ll end up with more rabbits than expected today. 

It’s just nice, ya know? It’s an acknowledgement that we are making an effort and it is appreciated. 

And it once again gives you more insight into his priorities – he cares about the group and is hoping that Clem shares his mentality of prioritising the group’s wellbeing and survival first. That she is ok with putting the work in to make sure that they not only get through today, but tomorrow and the next.

Perhaps this is all down to personal preference – but in this series I really really like meeting characters with that mentality. There are too many groups that we meet who don’t have long-term plans, or their plan is essentially to make it up as they go along, take what they need and screw the consequences.

Forward thinking is a really good quality to have in the environment they’re all stuck in, and this scene cements that. I just wish there were more scenes where I could reciprocate having this mentality and potentially find a way to corroborate ideas on where the school is heading.

3. Standing up for Clementine and AJ during the Marlon drama

This is technically spread out between two parts – how Aasim deals with the twin revelation, and also how he deals with the aftermath of AJ shooting Marlon.

It is a very tense situation, emotions are running high, everyone has just learned some unhappy secrets, they are trying to process that Brody has just died, and a gun is being passed around like a hot potato and pointed everywhere. A lot of the kids are confused and unsure if what they’re hearing is truth or lie. 

And naturally, since Marlon doesn’t want the truth to come out like that, he isn’t trying to clear things up. If he doesn’t let Clem explain either and simply paints her as the threat and the liar then it is easier for him to gloss over the details. And in reality, no one wants to believe someone they trusted would hide something so heavy from them – and some people would rather continue to trust them because that feels better. That makes us feel like we haven’t been betrayed.

But Aasim doesn’t do that. He wants to hear the story, and he makes sure he shuts Marlon down in his attempts to stop Clementine from explaining herself. Keep in mind, this is also at a time when Marlon has the gun, and is threatening to shoot Clem if she doesn’t shut up. To speak up at all in this moment is dangerous, especially when you are siding against the person with the gun.

I know that the main point of this scene is to appeal to either Louis or Violet – but we shouldn’t forget that we didn’t need to appeal to Aasim for him to stand up for you in his own way. He does that for himself because it’s the right thing to do – you let people explain themselves when something happens. He might not get in the middle of the fight like Louis or Violet, but I still appreciate that he picks up that something is wrong and gives Clem the opportunity to speak up.

Yet of course, we know what happens at the end of that episode regardless of how we play this final scene. 

Marlon gets shot. AJ doesn’t understand why everyone is angry. Violet pulls her cleaver out and tells Clem and AJ to go inside, while pretty much everyone else is stuck somewhere between wanting to punch someone and bursting into tears.

While everyone is stuck in this limbo of anger and sadness, Clem leads AJ back towards the dorms. And Mitch isn’t pleased in the slightest and pulls his little knife on the duo. And this is the second time in this whole drama that Aasim steps in to deescalate. 

If you choose the silent option [...] or let the timer run out on this choice, Aasim will tell Mitch off, telling him to stop and that what he is doing isn’t helping.

It’s a little thing, but if people have seen me comment on argumentative scenes in these game, I don’t like when characters don’t know how to deescalate. So having a character blatantly point out how fighting fire with fire sometimes just causes a bigger fire and burns everyone – yeah, I appreciate that. Any character who deescalates is a good thing in this series.

2. Watching out for his friends on the boat

Imagine being on that boat, being scared and hearing your friends in clear distress, when suddenly someone appears to break you out – and instead of simply saying “great, get me the hell outta here”, Aasim and Omar wait for Clem to attend to Louis/Violet first.

They know that the highest priority at that moment isn’t them, it’s their friend who has received more direct attention from Lilly.

But then of course things get worse and Clem gets caught too. And Regardless of who is captured, the first thing Clementine hears when trying to find an escape is Aasim asking her if she’s alright. Thanks for checking in, Aasim, that’s a good friend move there.

And that’s his whole thing with the boat – he is watching out for everyone else there. He watches out for Clem who just got there, and in the escape from the boat he is either being the shoulder for Omar to lean on, or he beelines over to Louis to support him after his ordeals from being captured.

He just... aaah, he’s being a good friend and trying to help. It isn’t self-preservation that drives his actions, it’s the preservation of the group as a whole. After everything that happened on that boat, I don’t think we could blame the characters if they wanted to hightail it out of there without thinking. Aasim doesn’t forget about his friends in spite of how scared he tells us he is. How can I see this and not think he’s just an incredible friend to have in the apocalypse?

1. Protecting Willy from the raiders

This is another point with two parts.

The first part is obvious – Mitch has just been stabbed in the throat, and Willy is prepared to run out there into the thick of things. It is only Aasim being quick to grab a hold of him that stops the boy from meeting a similar fate.

And it’s awful to think about – Mitch was a friend to both of them, they’re both probably shocked, hurting, and they don’t have the time to do anything about it. They can’t save him, it’s too late, and they can’t mourn him or do anything. Somehow, Aasim can at least keep his head clear enough to stop Willy from getting himself hurt too. And I can’t help but feel how bad that must hurt emotionally too, to be forced to hold everything back because you have to prioritise everything else over your friend who is dying.

Yet they don’t break. They keep moving. It takes a lot of inner strength to not crumble, and these two manage.

But then there is the second part to this point – and hear me out, we’re entering speculation territory.

The raid continues, and the kids carry on with their plan and fall-back to the admin building. They set off their traps, end up stuck up stairs, and Abel decides to throw a molotov towards them. In the next moment Clem and AJ go into the headmaster’s office, and Aasim and Willy turn and move somewhere down the hallway.

We don’t see either of them again until Clem is outside and given the choice to save Louis or Violet. And when we do see them, it’s seeing Aasim unconscious in the back of the cart, and then Willy suddenly appears behind Clem as he exits the admin building.

…

How?

Aasim and Willy were together when we last saw them, and yet somehow Aasim got caught and Willy stayed in the admin building somewhere?

It doesn’t make sense to me. Aasim had been shown as the one who would be less likely to get caught out of the pair. And surely if they managed to get Aasim they should have been able to more easily get Willy too, right? So why didn’t they?

The most logical answer I can come up is that Aasim got caught while attempting to keep Willy hidden from the other raiders. Whether he was playing distraction and got caught in that task, or if he simply didn’t have time to hide/run after Willy got somewhere safe, in either case I feel like that’s a huge risk to take to save someone else. 

But he does that, and I think it’s an incredibly selfless move to make. And I really do believe he will do that - I believe he cares enough to go the extra mile to keep his friends safe.

And I want the details. I love everything that is implied in these moments, but I want those details solidified.

That is the thing about me adoring Aasim as a character - there’s less concrete information to latch onto, but what is there is good. 

Are there any other things I missed that you guys love? Let me know - always happy to talk about the pyro.

[stop-breaking-my-heart-telltale]

Top 5 Reasons Javier Garcia’s Pretty Great

Of all the games in TWDG, A New Frontier seems to get the most shit. Stick around this fandom long enough and that’ll become apparently pretty quick, especially on other platforms such as reddit and instagram... and y’know, I get it. ANF is far from perfect, parts of the storyline go no where and characters don’t get the development they should have, a lot of people were upset that Clementine wasn’t the main playable protagonist, and certain character models look like... well, they look like potatoes. 

Hell, I’ve talked to some people who flat out say they don’t even consider ANF as part of the canon and skip it when they replay the series, which.... harsh, but you do you. However, if you do skip over ANF for whatever personal reasons you have, you are missing out on what I would consider the best part of that game: Javier Garcia. 

I love Javi, and I will stand by the fact that he’s a pretty damn good playable protagonist. I just wish more love and time was put into developing ANF to give him an even better story but y’know... Telltale was goin’ through shit, so we got this... 

But, I still wanna talk about how great I think Javi is so c’mon, let’s take a walk. 

5. Javi’s relationship with David

Now this might come off as a weird one, especially if your Javi has a more hostile relationship with David. Even so, I find the dynamic between Javi and David to be one of the more compelling aspects of ANF and I wish it was more front and center than it is but y’know. 

So we got Javi, who is the younger, more irresponsible brother who became this hotshot baseball star only to lose it all by gambling. Then you got older brother David who is a military man with a couple kids and a second wife, and he’s always felt a little overshadowed by Javi. This creates this dynamic of brothers who do love each other, but don’t always know how to communicate and confide in one another and it can lead to a lot of tension or hostility.

The route I usually take with a Javier who tries his best with David, who wants this connection despite everything, who made the promise to their father to look out for David and be there for him, to stand with him when he needs it, y’know? 

Some stand out moments for me is during the baseball flashback when David’s trying to open up about something, but struggles because Javi isn’t taking a hint about the serious nature, when they stand together on the roof, and the last conversation we see between them if David survives. 

Oh, and ya can’t forget the “I love you”’s when David is two seconds away from murdering Javi... that’s the good shit. 

And y’know, on the flip side where Javi is against David every step of the way, you can still argue that acts as a more tragic yet compelling story of two brothers who never saw eye to eye, never tried to, and it ended in tragedy... I personally don’t prefer this route, but to each their own. 

Again, this is at #5 because it’s not handled the greatest and it’s a bit of an unpopular choice.... but I don’t care, Javi and his relationship with David is one of my favorites. 

4. He’s pretty charming, isn’t he?

I’m sorry, I can’t help it.... if a charming character can make me laugh, then I almost always end up loving them. Javier Garcia is so damn funny and I love him for it. 

Yeah, ANF is a mess but this dude makes it so much better with his dialogue, a great performance by Jeff Schine, great facial expressions, and just an overall charismatic air around him. 

He’s just super likable, okay? Even when you play him as a total bastard, I have a hard time not enjoying his presence. I’ll be honest, if Javi wasn’t the playable protagonist or if he was this bland, watered down version of himself... I might be one of those people who skip over ANF. 

He’s easily one of my favorite parts of this game and one of the few redeeming things about it. 

3. His growth as a character

Like I mentioned in #5, when we first meet Javi he’s this irresponsible ex-professional baseball player who wasn’t around, even though his father was dying from cancer. After his father dies and he runs to try and make it home in time... he’s too late and David and their mother are pretty upset with him. 

And then his father turns into a walker, and the apocalypse happens. Javi is now trying to survive with Kate, Gabe, and Mariana while everything goes to hell around them. But for someone known to not be around or to skip out when things get a little tough, Javi doesn’t abandon them. Nope, he stays with them for years, traveling around and surviving, making sure they have what they need. 

By the end of the game? Javi’s proved to be a leader, proved that he’s better than he once was. Again, this is ANF so this growth isn’t super smooth or the greatest, but damn it, Javi makes it work. 

He and his family, no matter the combo you got, are staying in Richmond and they’re going to try to start over and rebuild it, make it better than it was.... which I can only assume they succeeded because after that they were never heard from again. 

Also, Javi is constantly having shit thrown his way and somehow he manages to pull through. 

So good job, Javi, you did it. 

2. Javi’s got a lot of force

Listen... Javi is so fun to play as. Like okay, I know that Telltale games don’t have the most complex combat system... you literally just push the buttons as they appear on screen. But I don’t care because Javi makes that fun. 

Javi really puts all of his weight into each hit and you feel it. I don’t know how to explain it, but there’s something satisfying about the way Javi fights with a melee weapon, and it’s not something you feel when you play as Lee or Clementine. You do get it a few times when you place as Michonne in the mini-series, but even then, I would argue that Javi did it better. 

It’s especially prominent towards the end of ep5 if you go after David and Gabe,  and Javi’s on this motorcycle with his damn bat knocking over walker after walker until he finds them... then you get all this intense force when Javi is just gunning and beating down walker after walker to get to the vehicle Gabe and David are trapped in. I love it so much, it’s easily one of my favorite moments in ANF. 

Don’t get me wrong, I have fun playing as Lee and Clementine, but Javier Garcia hits different, y’know? 

1.  He’s really trying his best to care for everyone, okay? 

When we think of Lee as a playable protagonist, we tend to think about how wise he was, how he always seemed to know what he was doing and how much he was willing to sacrifice for Clementine... and when we think of Clem as a playable protagonist in S2, we’ve got this sad little girl who gets punished no matter what she does, she’s smart and often underestimated, but she makes plenty of mistakes which she learns from.

And then we have Javi who has a bit of both in him. He’s older and can have his moments of wisdom [like with Gabe and Clem] but he also has plenty of mistakes he’s gotta learn from and sometimes no matter what he does, everything goes to hell... but Javi does manage to stand out on his own among these two. 

Javi does what he can, he tries his hardest to look after these kids even though he never planned to be a father figure, he works with Kate to make sure they’re safe. When he fucks up, he tries to make things right... even though it doesn’t always work out. He loves Gabe and Mariana, and you can see and feel his heartbreak when he’s the one to bury Mari after she’s killed.... and now he has Gabe, who’s hurting, and he does what he can to make sure he doesn’t meet the same fate which.... sometimes doesn’t work out depending on your ending.

I just-- he’s trying, okay? Javi is trying his best and I love him for it.  

---

Honorable Mentions

-Javi has some of the best deaths/fails moments... seriously, I could watch him confidently run right into those metal stairs and fall to his doom a hundred times. -He’s a literal disaster bi.   -He fucking loves pudding and I mean, who doesn’t? Y’know?  -His bromance with Tripp is pretty good until Tripp dies for death quota reasons. 

---

So what are your thoughts on Javier Garcia? Do you agree with these reasons, or do you have any to add? Lemme know, it’s always fun to have character discussions.

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

Next week’s T5F

[stop-breaking-my-heart-telltale]

Top 5 Character Deaths That Made Me Side-Eye the Writers

There are a lot of character deaths in TWDG... obviously. It a series about the literal dead walkin’ around and eating people, so as you’re playing, one of your favorite characters is bound to meet such a fate. To give this series credit, it does have quite a few well-executed deaths that, while I hate them, they have a purpose in the story that works. 

The best example of this is Lee’s death-- we all hate that Lee dies, but it’s well-done. It serves its purpose, it acted as both a shock and a slow-burn for the player, and left us all an emotional mess. 

However, we’re not talking about the “good” deaths today. No, we’re talking about the character deaths that are poorly executed, cheap, lazy, and just plain dumb... they’re the deaths that make me side-eye the writing team and wonder what the fuck happened there. 

By the way, it was reeeeeeal fun narrowing it down to only five deaths, because it seems like for every great death, there’s at least two bad ones.

5. Mariana and her death that ruined ANF’s potential story

I’ve talked at length about Mariana’s death and how much I hate it. Like, I get it TWDG... you love your sudden deaths and you’re so edgy for killing off a child character because you’ve never done that before... but maybe consider things a little further before pulling the trigger?

Yeah, killing off Mariana the way they did got a reaction outta people when it happened, and we got the burial scene if you stayed with Clementine... but you didn’t consider the future of this storyline? You pretend you did by name dropping Mari when it’s convenient, but then throw it out the window when it comes to characters like David or Gabe.

Listen, I know that ANF is a mess and what’s the point in telling the mess that it’s a mess? Well, I’m still annoyed at the writers for wasting the biggest opportunity for this game’s story, something that could’ve saved it from being a mess.

And I get it, you gotta make a death quota, so instead of killing Mariana off... why not kill Kate off instead? Oh no? We don’t get the stupid love triangle that no one actually enjoys or is engaged in?

Instead of this dumb story about Javi falling in love with his sister-in-law but oh no David’s back.... we could’ve had a story about Javi losing Kate and being left to care for two children by himself. Mariana and Gabe are all he has left, and he going to do whatever he can to keep them safe all while the three of them are mourning Kate.

Then David comes back, and he immediately takes these kids away from Javi.

There is no stupid storyline with Kate, but an actual conflict between two brothers who were never on the same page and two kids caught in the middle.

Plus, Mariana herself as a character really could’ve brought something to the table. She could’ve brought out a lot in David’s character since she seems to be more like Javi.

Her death is just... annoying. It’s frustrating when you know they could’ve told a better story with her alive, something ANF desperately needed.

My side-eye is one of disappointment and annoyance.

4.Luke and his easily preventable drowning

Ugh.... where to even begin? 

Luke really just gets butchered as a character throughout the second half of S2, and the writers end up demolishing the set up they placed at the beginning of the season for a Luke vs Kenny thing. 

Why? Well, Luke vs Kenny was the initial ending they were gonna go with, but because this season went through all kinds of bullshit, they scrapped that and replaced Luke with Jane... and it’s so dumb.

Hell, it kind of ruins a lot. Not only did it ruin Luke, a character that many players loved, but it forces the new character of Jane, who we only get two episodes to get to know, so they can fade Luke out. 

But that’s not all. 

His death is so... ugh. It’s stupid, okay? Stupid and easily preventable, but noooo... we gotta kill Luke off for reasons because all we know is that S1 killed off a lot of characters and we’re gonna do that again but worse because we failed to understand what made those deaths impactful in the first place. 

Lots of character death and despair = good game. 

Yep, uh-huh. Okay. 

So we all know that Luke’s leg is hurt, yeah? Great, so you’d think that the group that has an injured man and a new born baby would be extra cautious and go around the frozen lake. Yeah, Arvo says that it’s safe but let’s not take any chances. 

But no. We gotta go across like a group of dingdongs and whattya know-- the ice begins to crack beneath Luke’s feet. Now, even here, we coulda got him outta there safely... if Bonnie wasn’t a dingus. 

Think about it. If we shot the walkers who were coming towards Luke with all their weight, he could’ve slowly scooted away, even if he’s already fallen through. BUT NO. Bonnie either guilts Clementine into going towards him, adding more weight to the already fragile ice as Luke tells her to stop, or Bonnie will go over there herself... and she’s a full grown woman soooo her weight breaks the ice. 

Good job, you dipsticks. 

When you have to make your characters into morons in order to move the plot along and kill off characters....maybe do some rethinking, yeah? 

 3. Mitch and his shock-value death

This death is so dumb... so incredibly, dumb. Even now, I can’t help but give full side-eye to the writers every time one of them tries to justify this death. 

I’m sorry, but this death didn’t have the impact you wanted it to have. And because there’s always someone who says, “Mitch didn’t die for shock value, you just can’t tell the difference between a good and bad death” lemme tell you a thing. 

What was the point of killing of Mitch? Well, according to those who worked on TFS, it was to show that Lilly and the delta are serious. This is when shit gets real, and when Lilly is established as a bad bitch who will do whatever it takes to get what she wants. We should be scared of her now. 

Except no. 

This scene doesn’t tell me that Lilly is a bad bitch. It tells me that she has good reflexes, and going off her reaction after killing Mitch.... I’m not fucking scared of this dumbass. If anything, this scene says more about Mitch than it does Lilly. It says that Mitch is also a dumbass for running at her like he did. 

Y’know what would’ve been more impactful? If Mitch didn’t immediately get stabbed in the throat, but instead, actually got her on the ground and struggled with Lilly. Then, Lilly gets the upper hand and when you think she’s about to send Mitch to the cart, she fucking murders him in front of everyone to prove a point. 

There’s no remorse, it’s slow enough for Lilly to actually process what’s happening and show that she does know what she’s doing. That would scare me. That would show me that these people aren’t fucking around and they’re willing to kill some of them if that means getting the rest for their army. 

You still get your shock value death but it actually does something other than kill a character off. 

I’m really supposed to believe this is the same Lilly who can order to have Louis’ tongue cut off? 

But it doesn’t end there. No, no... there’s another part to Mitch’s death that annoys me, and it’s how insistent everyone was that his death is going to have a greater impact on the second half of the story. It had a purpose within the story, we did it for a reason.

...I mean, it has an impact on Willy and his arc for the second half. 

But that’s it. 

Oh... oh, what’s that? Oh, you were referring to those throwaway lines about Tenn? “He was screwing up again, just like when he got Mitch killed.”

OOOOOH.... I see, that’s what Mitch’s death was really amounting to... some lines dealing with whether or not AJ shot Tenn. Well, I guess I was wrong. Mitch’s death wasn’t just shock value. It really had a big purpose. In fact, Mitch’s death has the biggest impact on the series. Fuck Marlon and Brody’s deaths, and Lilly and James, and hell, fuck Tenn’s death, too. They’re meaningless compared to Mitch’s death. You did it, guys. You really did it. 

....Okay, I’m done. I’m just... salty, I fully admit. 

Being serious again, Mitch’s death is probably the worst in TFS as far as unpreventable deaths go and the real reason I side-eye the writers is because they tried to tell us it was going to have this huge impact in the future and it just... didn’t. 

2. Nick and his offscreen death.

I’m sorry, but what the fuck happened here? Why- what are you- how the hell did this happen??

I’m actually baffled. 

Someone wrote this. 

They set up at the end of ep3 that Nick is shot.... then ep4 comes and we find him like this. I just... did someone on the writing staff not wanna do their job that day? Someone was working on the story and at the last minute forgot Nick was a character, so they were like “Eh, he’s not important anyway, and it adds to the shittiness of everything so we’ll pretend this was 100% intentional.” 

Nick was one of your more interesting characters and you really thought killing him off like this was the way to go, huh? 

Like, his first death is shitty, but in the very least it kind of makes sense. 

But this? 

This is horrible. If I wrote this, I’d be embarrassed. 

I just... I’m so tired of S2 right now. 

This is at #2 because it’s just lazy, bad writing. At least with Luke, Mitch, and Mariana, we got to see their deaths and they had some, even if just a little, impact on the story afterward. 

But Nick? 

Nothin’.

Even Luke, who is the closest person to Nick, name drops him maybe twice? It’s just.... nothing. 

And yeah, you can come at me with the “oh well not every death has to have meaning!” 

This is a story, okay? This is a story crafted with characters who have arcs by people who wanted it to be a success, and usually that means having satisfying conclusions.... or, intentionally unsatisfying if that acts as a natural conclusion to their story or is a reoccurring theme. 

Nick’s death is just the writers falling flat on their faces and hoping no one would notice. 

1. Sarah and both of her shitty deaths. 

Ugh. UGH.

Okay. 

I’m not even side-eyeing anymore-- I’m fully glaring.

I don’t have to tell you how shitty both of Sarah’s deaths are. We all played S2, we all know that no matter what you do, Sarah dies in ep4. You can try to save her, she lives a little bit longer, and then falls to her death... and both deaths have her being devoured alive by walkers. 

Now, this is enough to annoy me. First off, I guess my choices don’t really matter. Sure, you can justify this as one of those “sometimes you can’t save someone, no matter how hard you try” ...and fine. Sure, if they had bothered to execute that point well, then great. 

But I disagree that the writers had that in mind when they were killing Sarah off. 

In fact, I know what what going on in their brains-- “God, can’t wait to kill Sarah off! Give us any reason to do it! She’s so damn annoying!”

The writers have openly admitted that a lot of the team were just waiting to kill Sarah off, waiting for any reason, so when the major part of the community who take everything at surface level because why think? kept complaining about Sarah, they jumped on the opportunity to kill her off.... but the deaths are dumb.

Listen, this isn’t like when the writers planned on killing Lee off. You can plan a death and even be excited about it because you’re excited about the story and execution of it all. You can be excited to see the heartbreaking end of this character’s story that you crafted because you know you put everything you had into it.

These deaths were lazy and the product of a team who didn’t care about the character. Sarah dies and no one cares. 

Sure, you leave her to die the first time and Jane does her thing about how you can’t save everyone, she talks about Jaime, and then Luke exposes himself as the fake Luke by agreeing that leaving Sarah behind was probably the right thing. Like what?

Now as much as I hate that first one, the second one is even worse. 

For some reason, Sarah is standing in the corner while they’re trying to fight off the walkers instead of being inside with Rebecca... y’know, where she would be if this was logical. 

Then the deck breaks and Sarah falls, trapped under a pile of wood. Jane, despite being the one who sees Sarah as a liability, goes down there to try and help her after Clementine begs her to. 

But because the writers don’t know what they’re doing, Jane gets hit by a random piece of wood and can’t get Sarah out in time, leaving her to be eaten alive by walkers. 

Then AJ is born and no one cares about Sarah ever again. 

I just.... 

Could’ve had an interesting story arc with a character who just lost her father in such a gruesome way, a character that already deals with anxiety and other problems that you never bothered to explain other than “she isn’t like Clementine” and you could’ve had her grow. 

But I guess that would’ve taken effort.... and screen time away from Kenny, and god forbid we ever do that. 

---

Honorable Mentions

-Ava falling to her death in the most comedic way possible, made even more hilarious by David’s two seconds of mourning. -Omid.... because hope is dead. Do you get it? Hope? is dead? Because Omid means hope? Do you get it?? -Honestly you could put most of S2′s deaths on this list because oh my god. -Ben because I’m still a salty bitch.  -I also wanna add Louis and Violet’s deaths on the bridge mostly because they die, Clem is sad for two seconds, Tenn says sorry, and then no one cares. Yeah, yeah, they mourned off screen and I call that lazy bullshit. -Hell, throw Tenn’s death on here, too, for similar reasons-- no one but Louis/Violet and AJ seem to care. Even Clementine is like “whatever” after it happens. 

---

Y’know, picking this one seemed like a good idea at the time, but by now I’m just annoyed by all these dumb deaths. So, what are your thoughts? Are there any deaths that make you question the writers that didn’t end up on the list? Do you agree or disagree with my list? Lemme know, we can have a friendly discussion about it. 

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

---

Next week’s T5F Top 5 Favorite Louis Moments

[stop-breaking-my-heart-telltale]

Top 5 Reasons Lee was the Best

Lee Everett is one of my favorite playable protagonists in any game I’ve played. Weirdly enough, I feel like he is somehow super loved yet under appreciated?? because sure, everyone says that they love Lee and talk about how he was just the best but like.... most times, they rarely go into details of why they love him and think he’s the best. 

Well, with today’s list, I wanna go into details about why I think Lee was the best. I tried to stick to more non-determinant things, but plenty slipped through, soo... it’s fine. I just wanna talk about Lee and why I like him so much.  

Also just wanna say thanks to @pi-creates​ for helping me out with these Top 5′s once again! We discussed a lot of these points and it was a huge help! :D

5. Lee is just... so funny sometimes. 

Not gonna spend too much time on this one because it’s more of a minor reason why I think he’s the best compared to the others but...

Lee is hilarious.

Like, even from the beginning, Lee knows how to make me laugh with his little “I’d fill that teacup with some bourbon if I could” line, and the fact that he is constantly falling down. The poor guy has to have at least three concussions by the end of ep1 alone. 

Also, his flirting skills...? Amazing. I’ll never get over, “You’re small.” 

He just has such a strange sense of humor about him that feels very dad-like... which makes perfect sense, but y’know. But even when he isn’t even trying, he still manages to get a laugh outta me for being such a weirdo.

Who goes up to a fence, looks at it, and is just like, “Hmmmm. Pointy.” 

Even after he’s bit, he manages to get a few painful laughs outta me when talking with Ben... though that laughter quickly dies when we reach then end of ep5 but..... y’know. 

4. His willingness to help those who have wronged him. 

Larry is a garbage man-- I think the mass majority of us would agree to that. From the moment we meet him, he’s all huffy and puffy, accusing Duck of being bitten and wanting to throw him out while taunting Kenny. 

But, no matter what, Lee is always the one to help Lilly break into the pharmacy to get Larry his medication. Because really, Lee could’ve said “Nope, not doin’ any of this, someone else help the asshole,” but he doesn’t. 

This is just a bigger example of Lee going out of his way to help people, even if they shitheads like Larry. Hell, even after Lee gets them the pills, Larry gives him a big thank you by punching him in the face and leaving him for death. Lee can hold a grudge about this, or he can let it go and do his best to get along with Larry for the better of the group. 

Another example with trying to help Larry despite him being the worst is, of course-- the meat locker. Now, this is determinant, but I feel bringing it up is important. 

Lee choosing to help Larry, even though Larry was just taunting him minutes before and Kenny’s being a real shitbird, says a lot about him as a person. 

Another example of Lee willing to help others he may not get along with would be Kenny, depending on your choices. When Kenny’s going through the hardest day of his life, Lee can take it upon himself to take care of Duck and comfort Kenny. 

Shit, what about Lilly? After she kills Carley/Doug right in front of everyone, he can still take pity on her and not leave her at the side of the road. 

I think because I have a really hard time helping those who have wronged me, I can look at this as an admirable trait that I wish came easier to me, y’know? 

3. Mourning the deaths of people he barely knew/didn’t know at all. 

This is an interesting one that Pi brought up, but there are several points within S1 where Lee will take small moments to mourn the deaths of those he either barely knew, or didn’t know at all, showing he has it in him to be really empathetic to other people's struggles and sufferings. 

Like, think about the woman at the motor-inn, the one you can give the gun to. Lee will stay behind no matter what to be with her, and you can see it on his face. He didn’t know her, didn’t get her name or anything. 

In Jolene’s camp in ep2, when Lee looks into the tent, he can find a stuffed animal and a picture of Jolene and her daughter and again, you can see it all on his face. He gives a sigh, and a moment of silence for them. 

Oh, the woman that Kenny wants to leave alone while they’re on a run to the drug store? This one is determinant, but if Lee chooses to shoot her, he does so to put her out of her misery-- he doesn’t want her to suffer anymore than she has to just so that they can grab an extra candy bar or two. 

Another big one would be the boy in the attic. Y’know, that chilling scene of the boy who starved to death/died of dehydration, became a walker, and then couldn’t even walk because he was so weak? Yeah, that one-- Lee carries that boy out to the yard and gives him a proper burial. He didn’t have to, but he did. 

Hell, he even mourns Brie when talking to Vernon in ep4, and that Anna woman that you see on the tapes after it’s revealed that she’s pregnant and has to give up her baby. 

Oh, and Chuck in the sewers? That one you can’t skip, and no matter what, Lee will stop and tell Chuck that he deserved better. 

Last example, but the dead couple in ep5-- this is one that everyone stands around in silence because it really is a chilling sight. 

This to me just shows a lot about Lee, especially in a setting where it’s easy for these characters to gloss over the deaths of those they didn’t know or to let others hurt for their benefit [y’know... Kenny with the bitten woman]. I’m sure there are even more examples, but I do have three other things to cover.

2. Taking responsibility for Clementine.

Okay, these last two are to be expected, but we’re gonna talk about them anyway. 

Listen, when Lee found Clementine alone at her house after she saved him from walker Sandra, he didn’t have to take her with him. He could’ve left her behind so that she didn’t “weigh him down” or “become a burden” since y’know, having a child in your care isn’t easy. 

But Lee didn’t do that. She saved his life, and he knows her parents are dead and not coming back. There wasn’t even a doubt in his mind-- he was taking this girl with him to ensure her safety. If he hadn’t, she could’ve ended up just like the boy in the attic, or worse. 

I also love that moment when they’re leaving the house and Clementine takes his hand. It’s sweet and shows us that they’re in this together now, and when Clementine shares her fears of leaving, he reassures her that he won’t leave her alone. 

Lee does his absolute best to care for her and give her what she needs. Hell, you can play as Scumbag Lee and most times, that doesn’t even matter-- he still expresses his care for her. 

Like... I don’t think game would work if the relationship between Lee and Clementine didn’t work, y’know? It’s strong and one of my favorite parts of S1 when I go back to it. I love seeing them grow from Lee being Clementine’s protector to Lee teaching her to survive and protect herself. 

Again, he didn’t have to do any of that. He could’ve pawned her off onto to anyone at the motor inn and called it a day, but he didn’t, and I love that about him. 

Lee goes through so much for a child that isn’t even his blood, but considers family nonetheless... which brings us to #1... 

1. Saving Clementine from the Stranger despite being bitten by a walker. 

Sigh.

Okay. I’m sure you’re tired of me saying this but... after Clementine is kidnapped by the Stranger and bitten by a walker, he could’ve given up. He didn’t have to go after Clementine-- he’s bit, he’s dying... he’s not gonna survive this, so why bother?

Because even though Lee knows he’s not going to survive the bite, he’s going to use the last of his time and energy to ensure that Clementine is safe. He’s gonna do whatever it takes to get Clementine the away from that madman who took her, make sure she remembers everything he taught her, make sure she’s armed, and make sure she knows where to go after he dies. 

Again, Lee didn’t have to go through this. He fought like hell and suffered plenty in making it to her. His last moments were agony for him, I’m sure. 

But he did it and you can tell he has no regrets because Clementine’s alive and going to make it. 

And y’know... that last damn scene in ep5 is just... a lot. 

I love it but I also hate it, and I believe I’ve mentioned this before but I’ve come to really love the ending where Clementine leaves Lee to turn. I know everyone gets upset because that means Lee will become a walker and [?] Everyone HATED that... but, I dunno... it shows something about Lee when you pick that choice. He’s more concerned about her than himself, y’know? Don’t waste the bullet, don’t risk the noise, don’t force her to physically kill him, let her walk away so she can remember her for what he was and not what he’s going to turn into... it’s reeeeal bittersweet. 

Then, of course, you can do the other choice and have Clementine shoot Lee which is just as great at making me cry, soo... thanks. 

Lee just goes through so much during this game-- he gets a second chance and everything he did, he did to ensure Clementine and his group’s survival and just... what a man. 

Lee Everett, you are the best and I love you. 

---

Honorable Mentions

-Not dropping Ben. Again, determinant, but I love a Lee who doesn’t drop children to their death because the mustache said so.  -Struggles with doors. Relatable.  -Is voiced by Dave Fennoy who gives a fantastic performance.  -Awkward flirt. Again, relatable. 

---

So what do you think? Do you agree with these reasons, or do you have any to add? Lemme know, it’s always fun to have character discussions. 

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

Next week’s T5F Top 5 GOOD Things About Season Two

[stop-breaking-my-heart-telltale]

[this week’s T5F was requested by anon]

Top 5 Worst Choices That Didn’t Matter

“This game series adapts to the choices you make. The story is tailored by how you play.”

......Yeah okay, Telltale. 

There are a lot of important choices to make over the course of the twdg series, but as we all know, not every single choice matters. One of the biggest things people tend to complain about Telltale games is the illusion of choice and “my choices don’t matter! We all get the same ending anyway!” which is fair, I get it. 

I personally try to look at the choices in a more positive light. Like, yeah it doesn’t matter if you cut Lee’s arm off or not. No matter what, you can’t save him and he’s going to die at the end of S1. Except that choice does matter, just not in the way we wanted it to. It matters because it shapes the story we the player want to tell. 

Who is your Lee? Is he willing to do anything to rescue Clementine? Including cutting his own arm off if it means giving him just enough time to get to her, even though it’s going to hurt like hell and could possibly leave him worse off? 

Or is your Lee someone who won’t risk that, even if there is the smallest hope that they cut it off in time and he could live? He’s willing to let the infection spread and kill him because he needs both arms and all the energy he has left to get to Clementine?

Sure, it doesn’t matter in the end-- Lee still dies, but two armed Lee isn’t the same man as one armed Lee, and that’s important to your story. Plus, that choice is memorable as hell. 

But these kinds of choices that are impactful to your story in various ways? Yeah, we’re not talking about those today. Nope. Today we’re talking about choices that meant absolutely nothing. They never came back, they didn’t impacted the story in a meaningful way, they’re forgetful, and they’re just the worst. I don’t like ‘em.

Before we get started, just wanna shoutout @pi-creates​ for helping me bounce all these choices around and reminding me of so many things I forgot.

5.  Telling Clementine to bring AJ back to Richmond

One of the last choices you’ll make as Javier Garcia happens during a conversation with Clementine. The two are talking about AJ and Clementine’s wondering if she was a good mom [which still don’t love the direction they went there for okay ANF] and Javi has the choice to tell her to bring AJ back to Richmond, or to leave him at the ranch. 

And funny enough.... this means nothing. It does nothing. It’s said and nothing is remembered. Clementine never brings AJ back, she never mentions Javi telling her to bring him or leave him... all we get is a single line in TFS during the ranch flashback where Clementine says that they can’t go back because it’s a warzone that way.... but she says that no matter what. 

It also doesn’t help that this come at the very end of the season but isn’t a huge choice the affects the endings. I dunno if they were trying to plant ideas that “Ooohh this choice could decide whether Clem sees the Garcia’s ever again! Clementine’s story isn’t over y’all! The Garcia’s could come back and we could see Richmond again!”

But then TFS happened and they were like “Ha, that’s stupid, no one likes the Garcia’s.” and they are never mentioned by name again. 

4. Helping Sarah in the green house

Ugh, okay.

So, there’s this point in S2 where you’re trapped in Howe’s and put to work in the green house with Sarah and Reggie. Y’see, Sarah isn’t doing so good at this. Carver got pissed at her for talking earlier and forced Carlos to slap her... which he did, and it knocked her on her ass, and now she’s in shock. 

Then ya got Reggie who keeps talking about how he’s on thin ice with Carver but also he’s this close to being let out of the holding area, so behave and all will be chill. He gives you a task to trip and pick berries or whatever, when you notice that Sarah is just kinda standing there.

So you got a choice: Do you focus on your own work, or do you help Sarah out?

Well, it doesn’t matter what you pick. 

It.... it literally doesn’t matter. Sure, you could argue that it helps Sarah out and adds friendship points with her.... except no, not really. It’s never brought up again. She doesn’t even guilt you if you don’t help her, which is something you’d expect from these games. 

Oh, and Reggie dies no matter what. Yeah, Carver comes in and thinks a couple of berry bushes is the perfect reason to throw this man off of a rooftop... but then he doesn’t do anything to Clementine or Sarah either way. He doesn’t get mad if you help, he doesn’t go after Sarah if you don’t.... and it’s never mentioned again. Reggie’s death is, but your specific choice isn’t.

3.  Stealing from Arvo 

Oooooh boy, gotta love the Arvo choice. 

So, you and Jane are trying to find a safe place for Rebecca to have her baby when you see this kid walk up carrying a bag. He’s pretty harmless, and he’s more scared of you than you are of him. Jane gets the jump on him, and you check out the bag he’s carrying. 

Turns out, he’s got a shit ton of medicine.... medicine that your group could really use. Arvo panics and begs you not to steal from him, claiming it’s for his sick sister. You gotta decide if you want to rob him or not.

And it doesn’t matter. 

The best I can do to defend this is by kinda comparing it to when you steal from the Stranger’s car in S1. It’s more of a moral choice to shape Clementine, y’know? Except it doesn’t really do anything..... Clementine isn’t branded a thief after this, she doesn’t go around just stealing shit [though she can steal Pete’s watch but that’s another story]. But if you do want to keep stretching, then the next entry on this list could be seen as a continuation of Clementine’s thieving ways if you so choose.... but that choice is here, too, soooo take that for what you will. 

If you steal the medicine, you have this pill bottle that you can give to Rebecca but that barely matters, too. They don’t help or harm her when she’s giving birth, they do nothing for AJ, and no matter what you do.... Arvo’s squad ambushes you.

And it means nothing.

Arvo will always claim you stole from him, even if you didn’t. Rebecca will always die and someone will always shoot her, causing a shootout to happen where no one in your group dies.

Yeah, no one but Arvo’s squad dies. Mike gets shot, and so does Luke but that’s it. 

Oh, and stealing from him is never brought up again after that.... because it doesn’t matter. 

Even if they did something where if you stole from him, then one of your group members dies because of some bullshit reason, then it would mean something but as it is now? Nothin’.

2. Injecting AJ with medicine 

Oh hello, ANF, you’re back. 

This flashback is annoying on so many levels... Alright, AJ is sick and everyone has told Clementine that there’s nothing anyone can do to help him, but she gets her hands on the name of a medicine she thinks will help. So she sneaks around and finds the medicine, but of course, she can only give it to him as an injection. 

Instead of doing the smart thing and taking the medicine and moving away from the group to give to AJ in a safe location where she won’t get caught, she sticks around for Lingard to wake up, and he’s high outta his mind so that’s fun. 

He tells her that it’s not going to help him and to just put it back. She knows what they do to thieves around here but he won’t tell anyone. It’s up to you, do you put it back or inject AJ?

Well, guess what? 

Clementine gets caught either way and the drugs are either in AJ or smashed on the floor, David becomes a flipflop with his “We shoulda abandoned AJ long ago to die >:O but also you can’t take him because he’ll die out there!” and they kick Clementine out for being a dingus. 

And here’s the kicker.... AJ is alive no matter what. He gets through whatever sickness he had and went to the ranch. You injecting him or not did nothing... no side affects, nothing. I’m sure they didn’t want to go super dark by killing AJ off [except they kinda did since there’s a lot of scrapped concepts with a dead AJ] depending on if you injected him or not..... but at least it would’ve been something. Hell, maybe no kill him since we need him for TFS, but maybe it would affect if he went to the ranch or not to begin with. Maybe if he got worse, they sent him somewhere else and that would affect where Clementine went to get him back for the flashbacks in TFS.

Again, you could look at this as what Clementine would be willing to do for AJ........ but it doesn’t enhance the story in any meaningful way.  It affects what Clementine you get in the end, but that’s just some text on the screen. 

I dunno, this choice could’ve done something... that’s all I’m saying. 

1. Teaching Sarah to shoot

Once again, Sarah finds herself on my dumb lists... and not in a good way. Sigh. 

Alright, you wanna talk about the worst choice that meant absolutely nothing? Nothing at all? 

You get back to the cabin in S2 after leaving either Nick or Pete, and Carlos asks you to watch Sarah while they go out to look for the rest. You find Sarah, you can take some pictures, and then she asks where her dad is. 

She gets anxious and sits on the floor....but then she does something interesting. She pulls out a gun she found. It’s not loaded or anything, but she asks Clementine if she can teach her how to use it.

And you’re probably thinking, “Oh, that’s a good idea. She should know how to use a gun, but her dad is too over protective. This could help us in the future.” or “Oof, no, Sarah isn’t ready for a gun. What if that comes back and bites me in the ass? What if she shoots someone I don’t want her to shoot?”

Well, don’t worry your pretty little head because nothing comes of this.

Nothing.

You teach her to shoot, and it does nothing. She never picks up another gun ever again, she never does anything with what you taught her, and nothing happens. 

Just.... wow. 

At the very least... with the other picks on this list, you could stretch and make some sort of excuse for it having an impact on the story.... but this doesn’t do anything to further your relationship with Sarah, Carlos never finds out about it, there’s never a point where Sarah admits she found the gun, she doesn’t use it, she doesn’t give it to Clementine or anyone else to you, and it does nothing.

This scene could be completely removed and it wouldn’t change anything... which honestly, is something I can’t say for the rest of these dumb choices. 

That’s what makes this the ultimate pointless choice. 

---

Dishonorable Mentions

-Asking to go with Mike at the end of S2. Arvo will shoot Clementine no matter what and it’s dumb. -Keeping quiet about Mari when David asks you to. It doesn’t affect anything other than David being upset for two seconds, but you get thrown out and it doesn’t matter. -Trying to help Christa in S2 ep1. Either way, she gets shot at and you never see her again and it just doesn’t matter. -Honestly 400 Days.... just all of it. The only thing you get is pointless cameos if you get everyone to go with Tavia.  -Being nice to Larry. He still treats you like shit and accuses you of being a bitch to him anyway soooo.... yeah.  -Fixing the swing in S1 ep2. If you don’t do it, then Andy will.

----

It’s pretty telling that this T5F is just S2 and ANF choices.... sigh. Like sure, there are a lot of choices that don’t really matter in the grand scheme of things in S1 and TFS but most of those I can justify as being there to shape your story and are impactful in different ways..... but boy, there’s just something about S2 and ANF and their choices, isn’t there? 

Anyway, what do you guys think? Do you agree with my choices or nah? Do you have a choice you don’t like and think is meaningless that wasn’t on the list? Lemme know, I’d love to hear it! 

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

—

Next week’s T5F Top 5 Reasons Javier Garcia’s Pretty Great

[stop-breaking-my-heart-telltale]

Top 5 Best Executed Deaths

A few weeks ago, I did a list talking about the Top 5 Character Deaths That Made Me Side-Eye the Writers and I thought it was only fair that I talk about some of the character deaths that I thought were actually done well. So consider this like a companion to that list. 

Like I said in that T5F, this is TWDG, a game series all about people surviving in a world overrun by zombies. Naturally, characters are going to die. Some of these characters get pretty shitty deaths that only happened to fill a quota, some had effort and thought put into them and how they were going to effect the story and remaining characters. These are deaths that served their purpose, progressed the story, or are an understandable conclusion to a character’s arc. 

Do keep in mind that when I say that I enjoy the way these were done/handled/portrayed/whatever, this isn’t me taking joy outta watching these deaths play out. Hell, I kinda hate most of the deaths on this list, but just because I don’t want this character to die or I wish they stuck around longer doesn’t mean I can’t recognize when it’s executed well, y’know? 

5. Larry and the meat locker incident

So.... Larry’s an asshole, y’know? He made it on another T5F because he sucks. No one likes Larry. 

He treats Lee like garbage, treats his own daughter terribly, and is overall just a piece of shit. That being said, he played his role well. He did what he needed to do which was be a antagonistic character within the group who posed a threat to Lee by threatening to expose his past. He creates a lot of tension within the group, he puts all this pressure on Lilly, you can’t even attempt to show any kindness to him because he doesn’t care about anyone but himself and Lilly. 

That being said.... his death scene is pretty good. Y’know, you play through ep2 for the first time and you’ve just discovered that these people are cannibals and they have you locked in a fucking meat locker so they can butcher you later, and Larry is freakin’ the fuck out because he’s pissed. Lilly is sick in the corner, Kenny is desperately trying to find a way out because they have his family, and Clementine is terrified, and Lee is just waking up. 

You go over and try to calm Larry down because he’s pounding at the door and this dude.... this bastard has the gall to be like “Fuck you, you must really hate me! I’m plannin’ on bein’ around waaaaaay after you’re dead! I’ll be the one to put you down!”

Then he has a heart attack. 

And you’re stuck in this meat locker with him. You don’t know if he’s alive or not-- Kenny immediately deems him dead, Lilly is desperately trying to resuscitate him, and they’re both yelling at you. You gotta decide if you’re gonna help Lilly try to bring him back, or if you’re gonna help Kenny make sure he doesn’t turn. 

Not matter what you do, Kenny smashes Larry’s head in with a damn saltlick because I guess he missed the opening of the episode where they remind you that your actions have consequences. 

Larry’s death has lasting effects on your relationships with both Lilly and Kenny, though more so Kenny since no matter what, Lilly loses it a little and ends up murdering Carley/Doug and leaving the group. But boy, Kenny will never forget the time you didn’t wanna play hero with him and smash a guys head in right in front of his daughter. 

It’s a damn good scene, I gotta hand it to ‘em. I hate Larry and I can’t say I miss him, but I can definitely see both sides of the argument on what to do there. Plus it’s... I dunno, a creative death? and I kinda like that? No one else is out here getting their heads done in with a saltlick, y’know? 

Anyway, Larry sucks but his death? Well done. 

4.  Minerva and the tragic showdown on the bridge

Oh man, I really am digging my own grave with the Minnie crowd lately, huh? Ah well, I’m sure it’s fine. 

Listen...okay, look. I have a lot of feelings about the bridge scene. On one hand, I hate it. On the other hand, I kind of love it? 

Like, does it piss me off that Tenn dies here because I trust AJ? Yep. Do I still wish they had maybe put Lilly here so that she could actually do her job as a villain? Sure. Does it upset me that AJ ends up shooting his best friend in order to save Louis? Totally. Does it annoy me that Minerva just won’t fucking die even though I shot her and the walkers keep nom noming her? Absolutely. 

That being said, I can’t pretend that Minerva’s death isn’t pretty great.... which I know will upset the Minnie crowd who always talk about how it’s bullshit she died here and she deserved a redemption arc... but lemme explain. 

Looking at the game itself, the text and story progression, Minerva was never going to get that. She was never set up as someone we were gonna “fix” or as someone who would have a change of heart and switch to our side. From the moment we meet her, she’s too far gone. The delta have their claws sunk deep within her, they brainwashed her, forced her to murder her own sister, and she has completely given up. She never expresses any desire to go back to the school. Nope, the delta is her home now. Her family. And it’s tragic. She and Sophie proof of what would happen to the Ericson crew if the delta go ahold of them-- “which twin will you be?” y’know? 

She fucks us over instead of actually helping us, we escape, the boat explodes, but Minerva doesn’t go down with the boat. Nope, she makes it to land and well... she fucking loses it. She sees her delta family get taken out by walkers and she goes nuts with her gun and gets half of her face chewed off by a walker.

So yeah..... she’s dead. Almost. They try to act like we’re supposed to believe that she’s really dead after she gets surrounded by walkers and throws the grenade at Clementine and all that but c’mon.... unless I see a body or a walker version, I don’t believe shit. 

Which brings me to the bridge.... there’s a lot of dread building up to Minerva’s final appearance, and you just hear her singing the damn song and bringing a bunch of walkers with her. Not to mention that she already looks dead. She looks like a walker who can talk, and not gonna lie, I like it. It’s freaky and sad and fucked up and adds so much to her character at this point. I mean, she’s here to kill Tenn so that they can all be a family again. She’s smiling and relieved that she’s dying and boy she just can’t wait to take Tenn with her and it’s not great.

She’s here to die and to take someone down with her, and she’s not leaving until she does. Hell, if she can take Clementine out, that’s just a bonus at this point. 

ALSO can’t forget that if AJ does shoot and kill Tenn, Minerva is still alive as she’s being eaten by walkers and she looks so damn happy as she reaches out and says, “Yes, come with me...” 

Like..... it’s so fucked, and I hate that I love it. From a storytelling standpoint, it’s a fitting death to conclude Minerva’s character and it impacts everyone there in more ways than one. 

3. Duck and incredible emotional impact

Oh, Duck... poor, poor Duck. 

This one has stuck with me and I hate it. I was never one of those players who hated Duck from the beginning. It’s interesting to go back and see how people reacted to him in the first couple episodes because a lot of them didn’t like him. They found Duck to be annoying, loud, stupid, and would even wonder “yeesh, when can I kill this kid?” 

Which is yikes but not gonna get into that right now. 

But from my understanding, Telltale got wind of this and knowing they were gonna kill him off, were like “Okay, y’all dumb, so here--” and they added in that little segment with Detective Duck where he helps Lee figure out what’s been going on with the stole meds. It’s a cute scene where we get to hang out with Duck and he proves that he’s not stupid, he’s just... y’know, a child. 

Then the motor inn gets attacked, shit goes down after they escape, and it’s revealed that Duck was bitten. 

Oh man, let me tell you about emotional impact both on the characters and the player because wow. 

Duck’s death is slow, drawn out...and since it’s early in the series, there’s a lot of denial, mostly from Kenny. They find the train and Kenny fixates on it because to him, if he gets it working and they can just get away, Duck can recover. Duck isn’t like the others, he’s just a little sick and everyone is making a big fuss about it. 

Then you have Katjaa, who starts out in that denial stage but she moves into acceptance a lot quicker than Kenny does and well.... that might be because she made up her mind about what she was going to do, which that is a whole other layer of fucking despair to this situation. 

They also do something that I like with Kenny by adding that depth of him believing he had something like this coming after what happened at Hershel’s farm. Y’know, when he grabbed Duck and took off, leaving Shawn to die? Yeah that. 

He’s been so adamant about protecting his family to the point where he doesn’t have anything for the rest of the group, aside from Lee if he helps kill Larry. He did what he could to keep his wife and child safe and in the end, it didn’t matter. Duck still got bit, and now everything is shit. 

Then when you thought it couldn’t hurt even more, you find Katjaa dead in the woods and you still have to take care of Duck, whether you have Lee shoot him or have Kenny do it, or even just leave him to turn. Either way.... Duck’s death is just one big ol’ despairing oof.

It’s really good, guys. The music, dialogue, scenery, the pain....They really nailed Duck’s death in such an emotional way and it doesn’t just end there. This sticks with Kenny all the way through S2 and changes him as a character. It impacted Clementine and Lee greatly because this kickstarted Chuck telling them that Clem would end up just like Duck if things didn’t change. 

S1 just... knew how to kill off its characters... well, for the most part. 

2. Marlon and the death that had to happen whether we like it or not

Sigh.... okay. 

So... Marlon. Lemme tell you some things about Marlon’s death. 

First, I hate it. Nothing new there. If you know anything about me, you know that I am vocal in my desire for the Marlon redemption arc, for the “Marlon lives” AU’s and the “Marlon lives longer but dies differently” AU’s. I like Marlon as a character, I find him to be a fascinating character study. Ray Chase’s performance as Marlon brings so much personality and I love it.  So naturally, I wanted more of him in TFS. 

Here’s the thing. I may want all of those things, I may take a lot of joy from discussing these ideas with you guys and coming up with different scenarios,  theories, AU’s about him, and I’ll always be the first one to be like “I hate that Marlon dies in ep1, I wish AJ hadn’t shot him! Woulda liked for him to stick around longer!” 

But with the story TFS is trying to tell, Marlon has to die. AJ has to shoot him. I don’t like it, you don’t like it, no one likes it.... but that’s just how it is. 

Marlon is presented to us as this chill and genuine guy trying to keep his group safe and together. He feels the pressure of being responsible for all the lives in this school and that’s a lot to put on a teen growing up in the apocalypse. 

Then we learn that hey, the twins didn’t die. No, last year they ran into Abel and Marlon made a deal with him where he traded the twins in order to save himself, Brody, and the rest of the school. He wanted to plan a rescue mission, but he was too scared, so he and Brody kept it to themselves. They made up a story about the twins dying and moved on, but that continued to weigh down on them. 

Then Abel comes back, Brody freaks out, tells Clementine the truth, and Marlon hits her so hard that it kills her. 

And it gets worse. 

You go through the whole confrontation with Marlon trying to cover his ass and blame Clementine for Brody’s murder, he’s waving AJ’s gun around and threatening to shoot Clem while everyone is gathered around watching. It’s raining, it’s super dramatic and tense and I love it. 

In the end, Marlon gives up and he just wants to leave. Let him become a bad memory, he’ll never come back, just let him go. 

Then AJ shoots him in the head unprompted. He just.... he just does it and then wonders why everyone is looking at him like he’s a murder baby. 

Marlon’s death is crucial, not just to kickstart the plot but also for AJ’s character arc. His death affects everyone in that school. It makes Clementine question herself and if she’s raising AJ right, it breaks Louis’ heart, it pisses off Mitch, it sets Violet off on her bullshit. Everyone is hurting and confused because they don’t know what to do. Marlon is dead and AJ, this tiny toddler, was the one who pulled the trigger. 

From the beginning, we’re told that AJ is always listening, watching, and what we do will affect him for better or worse.... and maybe you don’t think much when you tell him to always aim for them head, but when he says exactly what you taught him after murdering Marlon...? Yeah, you’re sitting there like “Well, fuck.” 

But if this didn’t happen, if AJ didn’t kill Marlon, then.... there’s not a lot left. Sure the raiders are still coming, but AJ no longer has to go through what he has to or realize how much he hurt everyone. He’s no longer on that path that made him such an interesting and layered character. 

Sure, you coulda made him shoot someone else, but the fact that it was Marlon is what made it impactful.

Ugh, it’s good and I hate it. I hate it so much. 

1. Lee and the death that broke all our hearts

.......Just-

-y’know?

What else is there to say?

Well, alright, I’ll explain. 

We play as Lee in S1, we go on this whole journey with him and develop him as a character, establish relationships, and care for Clementine. He’s a great character. I did a list on why he’s great, too, if you wanna check that out but all you really need to know is that we all loved Lee.

Lee’s got a lot of baggage, given that he was on his way to prison for murdering the dude who was sleeping with his wife. But then the apocalypse happened and he got a second chance to do some good... or I guess bad? if you do a scumbag Lee run? 

Anyway-- no matter what, he cares for Clementine and it’s nice to see them bond over the course of the season... so when shit hits the fan and Clementine gets kidnapped by the Stranger, we’re just as upset as Lee is.

Then Lee gets bit.... and we realize that even though he’s our playable protagonist, he was never safe either. He gets bit and I can still remember the feeling of like... a bowling ball dropping in my stomach and my heart hurting because no... no, no, not Lee. I basically became Kenny like “No, he’s different! Lee isn’t gonna die! Being bit doesn’t mean death!” and while that is technically true.... had to face it: Lee’s going to die by the end of the season. 

Ep5 of S1 is a whole journey... We’re dealing with trying to save Clementine while seeing Lee get worse and worse-- he’s passing out, he’s growing paler and slower and it’s hard to watch. You maybe get a little bit of hope if you decide to cut his arm off, but that’s just... it’s too late for that. 

Not only is he fighting this, but then you got Ben who gets impaled and Kenny “dies” putting him outta his misery and Lee’s powerless to do anything. So great, that sucks. 

But at least he’s got Christa and Omid.... until they get separated at the Marsh House and Lee’s gotta get through a herd of them by himself. 

This slow burn is so good. His condition gets progressively worse but he’s so determined to get to Clem that it doesn’t matter. He doesn’t have time to think about what is inevitably going to happen to him, even if the player does. 

And just.... the final scene... y’know, the actual death scene? 

It’s so good. It’s a beautiful, emotional punch in the face. Like, way to end your game like this... Lee is trapped her with Clementine and he can’t walk, he can’t get up no matter how much Clementine begs him to try, he just- he can’t. He knows it’s all over for him and so he has her handcuff him to this heater so that no matter what, he can’t hurt her and just.... their final moments together where Lee is minutes away from death but is struggling to tell her as much as he can and I’m crying.

Then of course, the final choice-- Do you shoot Lee, or do you leave him to turn?

Both ending hurt my soul, but they’re both great in different ways. Shooting him is so heartbreaking... seeing little Clem sobbing as she points the gun at him and closes her eyes, then it cuts to black as the shot rings out and you hear Lee’s final breath....

BUT THEN YOU HAVE THE LEAVE HIM ENDING WHICH-

Lee manages to tell her more when you choose not to shoot him, but just watching Clementine get to the door and her little “don’t go” before Lee closes his eyes and falls over limp... falls over dead, I just--

Ouch... I am applauding this through my ugly sobs. 

It’s the best death in the series. It has everything and then some- emotional impact, works to progress the story and characters, amazing dialogue and performances.... It still gets me to this day. 

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Honorable Mentions

-Mark’s death technically happens off screen, but I mean, c’mon... Mark wasn’t the most compelling character, but everyone remembers what happened to him. Everyone remembers walker Mark. What happened to him showed us just how fucked the St Johns were and it’s excellent.  -Brody’s death is pretty good, too.  -Abel’s death is an interesting one. He’s a garbage can, but they managed to humanize him just a bit by the way he hands his soon-to-be demise.  -Badger when Conrad kills him. It’s super good.  -I’m looking over this list now and it’s kinda funny that not a single S2 death made it here... it’s almost like all the character death that happened there was because a quota needed to be filled and who cares about complex character development when you got Kenny and nothing really matters I guess... ugh. The best deaths would probably be Carver, and Kenny when you shoot him but they’re not good enough to be in a top 5 so.... good job.

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So... that was fun. What do you guys think? Do you agree with my choices or nah? Do you have a favorite death I didn’t list that you thought was well executed? Let me know, I’m curious. 

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

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Next week’s T5F

[stop-breaking-my-heart-telltale]

Top 5 Reasons Doug’s Pretty Great

It’s hard to believe that it’s been nine years since the first episode of S1 was released. I can still remember be a wee little lass first discovering it on youtube and becoming obsessed. At the time, I had no where to play it myself, so I watched as many playthroughs as I could until my family got an xbox. 

While the first episode in this series has a lot of memorable moments, the one that always stands out in people’s memories is the moment where you’re trying to escape the drugstore as walkers pound away at the door and windows, and you realize that both Carley and Doug need your help or they’re going to die. 

But... you can only save one, and whoever you don’t help, they end up being eaten alive by walkers and you get to feel bad about it for the rest of the episode. 

I bring this up because it’s interesting to look back nine years ago and see that... well, not a lot of people saved Doug. Which is crazy, because now the stats are pretty 50/50 with Doug even having a bit of an edge over Carley. That definitely wasn’t the case back then because the stats were more along the line of 20/80.

Why? Well, the writer’s didn’t exactly do the best job of showing how great Doug is in ep1, especially compared to Carley who has more interactions with Lee and more screen time.... which is even funnier because they did actually think they did a good job and were surprised by the results after the episode’s release.

Even back then they had a habit of making imbalanced routes then denying the imbalance... something they never grew out of. 

I guess they were a little butthurt about it since Doug is a favorite among the team given that he’s actually based on a real person, Doug Tabacco, an IT guy they worked with. This got to the point where Telltale never missed an opportunity to tell everyone to #SaveDoug over Carley.

I also love that they use the Stranger to guilt trip everyone who saved Carley by having him be like, “Doug was in a worse position! >:( You only saved Carley because she was a pretty girl!!” just.... real subtle, guys haha

Now, I’ll be the first to admit that more often than not, I choose to save Carley over Doug for many reasons, but that doesn’t mean I don’t appreciate Doug and enjoy having him around in the off chance I do save him. So I thought it’d be fun to talk about Doug as a character and why he was pretty great as a little tribute, y’know? 

5. Doug’s a pretty funny dude

Now, I wouldn’t exactly call twdg a comedy, y’know? It gets dark, then manages to get even darker at times, but if the game was nothing but doom and gloom, it’d get boring and become unenjoyable. 

While other characters do get a laugh out of me from time to time, I enjoy the humor that Doug brings to the group, even if it’s not intentional and just the way he is. 

Even from the beginning, Doug had me chuckling with the fact that this nerdy dude didn’t want to bring profanity to Lee’s ears when talking about Larry, so he’s just like “ He's kind of a dick... pardon my french,” like Doug.... it’s okay, you can call him an asshole, no one will judge hahaha.

Then there’s the biscuit scene that I think we all know and love. Helps break the tension of meeting these weirdo’s who own a dairy and are totally not suspicious or anything. 

But it’s not even just that Doug is funny, he’s also a character that gets you to crack a smile when he’s talking about something he’s passionate about, or when he’s proud of the alarm he rigged up, or when he’s being adorably awkward. 

One of my favorites is in ep3 when Lee goes to ask Doug if he has any chalk, and he goes into this spiel about charcoal-- “You know, a piece of charcoal is a suitable alternative, depending on your marking surface. Since we're on the subject, did you know that while chalk is traditionally known to be calcium carbonate, what's often used in classrooms is actually made of gypsum, thanks to favorable domestic mining conditions?”

And Lee’s response is just-- “Doug, I did not know that.”

“Happy to be of service.”

It’s just really funny... and it makes you feel better after all the implications about Doug’s mental health in the episode... like you gave him a moment to flex his knowledge and get excited about it. 

But yeah, what can I say? Doug makes me laugh and he brings a bit of light to the groups constant shitshow. 

4. Doug saved the group’s ass at the St John farm

And he did so with a laser pointer. 

I always hate it when Doug/Carley leave the group at the St Johns and remain absent for most of the episode, though I chalk that up to the writers trying to make the different routes easier on themselves, y’know? 

But, at least they come back to save the day. 

In Doug’s case, he’s not comfortable with guns like Carley is, so he’s gotta get creative when it comes to getting Lee’s attention and stopping Andy from hurting Duck and Lee. 

That’s where his fancy little laser pointer comes in. 

We first see him with it during the walk to the farm, but then see it in action after Lee escapes the barn and is nearly blinded by the light. Doug claims he was doing morse code before Lee tells him and Ben that these assholes cut off Mark’s legs and tried to feed them to the group. 

Now, here’s the thing... If Doug and Ben had done what they were told and stayed at the motor inn over night, things probably wouldn’t have turned out so good for the group. Doug is the one who shines the laser pointer in Andy’s eyes when he’s got ahold of Duck, giving Lee the advantage of attack. Without that, if Lee tried anything, he would’ve ended up like dingdong Kenny with a bullet in his side. 

Also there’s just a lot of bravery from Doug, y’know? Like as soon as he finds Lee and knows the situation, the first thing he asks is what can they do to help, and he sticks around to do what he can.... even if it is just to point a laser in someone’s eye. 

No one gives Doug enough credit for savin’ the day, y’know? And if you have any doubt, even Lee says, “I never thought a laser pointer would be the thing that saved our lives.”

3. Doug’s friendship with Lee

Speaking of Lee, his friendship with Doug is underrated. The two have chemistry and work off each other well in the scene’s they’re in. While it’s not as strong as Carley’s in ep1, saving Doug and having around in ep2 & ep3 lets you see it at it’s best, y’know? 

After Lee saves his life at the drugstore, Doug is shown to mourn Carley and asks Lee why he would pick him, lamenting that he wished he had picked her over him and you can tell that Doug feels that he owes Lee a lot for saving him. Hell, he even says as much when Lee tries to give him food in ep2-- “Why don't you keep my share today. I know I said it didn't matter why you saved me and not Carley, but... I owe you a lot more than half a day's rations."

Also, I love this one line from Kenny when you’re on bad terms with him and they’re talking about going separate ways where he’s basically like “We all know Doug’s gonna stay with you because you saved him that ONE time >:(” and on top of it being such a bitchy Kenny line, it also shows that every can see that Doug is a loyal friend to Lee and would want to stick with him where ever he decides to go. 

One thing that I think people tend to overlook, though, is how concerned Lee is with Doug’s mental health in ep3. There are implications that Doug might be suffering with depression due to the situation of the walkers, bandits harrassing and threatening them, and believing that he isn’t useful to the group, stating that he feel pretty worthless. Lee asks Clementine if he seems sad, and hell, he even talks to Lilly about it.

In fact, speaking of Clementine, Doug is real sweet with her, too. Of course, he gives her those batteries for her walkie, but he also asks about how she’s doing as they’re leaving the dairy. Hell, 8 years later, Clementine still remembers him by name and how sweet he was when fucking dingdong Lilly can’t remember his damn name. That says a lot. 

Y’all know how important Clementine is to Lee, so he wouldn’t have grown as close to Doug if he wasn’t a genuinely good person who treated Clementine with kindess. 

I dunno, there’s a lot of trust and care between the two and it’s a relationship that I truly love. I just wish we could’ve seen a bit more of it but y’know...#2 happened. 

2. Doug saved Ben’s life

Yeah, I think we all saw this coming...

Look, doesn’t matter what you think about Ben, okay? Not what we’re talkin’ about. We’re talkin’ about Doug saving Ben’s life, which unfortunately meant ending his own.

Still haven’t forgiven Lilly for this one. Though I’ve always found the difference between Doug and Carley’s death’s interesting. With Carley, Lilly intentionally kills her after Carley tells her off. But with Doug, Lilly was aiming for Ben and even when Doug pulled him out of the way, she still fired the gun... even though she didn’t have a clear shot and ended up hitting Doug. 

Then she tries to play it off like it was an accident which, yeah I guess it was but that doesn’t change that you were intending to murder this 6ft tall child. 

It’s just... I dunno, man, it’s sad. I always feel more sorrow for Doug’s death, but more anger for Carley’s? Even though both make me angry, it’s just different characters, different things that led to their deaths, different feelings. This is the first real “Fuck you, Lilly” moment for me and she can spend the next 8 years wandering around for all I can. 

Doug didn’t deserve this shit. 

But, the reason I put this at #2 because it really says a lot about Doug as a character. The second he saw Lilly aim that gun, he yanked Ben out of the way. He could’ve gone into shock, he could’ve just yelled “no!”, or he could’ve gone at Lilly instead.... but no, his first instinct was to grab Ben and move himself in front and it really fucking sucks that that’s what killed him. 

And y’know this isn’t the first time Doug has put himself in danger to save someone. I already talked about him saving everyone at the dairy, but can we not forget how he and Carley met? She was gonna get eaten by walkers then our big hero Doug came in and saved her?? Didn’t know her or anything, just saw her and her crew getting attacked and did what he could to save any survivors?? 

Like... no one talks about that because it’s so played off and never brought up again and I need everyone to remember this, okay? 

Doug selflessly putting himself in danger to help those around him? Fantastic. Beautiful. Love that.

1. Look, Doug himself is just #1. His personality, intelligence, everything.

Wow, Doug’s personality being the #1 reason he’s so great? Who woulda thought?

Well, ME woulda thought because obviously.

Listen... in case you haven’t gather this from the previous four entries, Doug is an intelligent, awkward, caring, selfless, funny, and brave man, okay? He’s likable, he tries his damnedest to pull his weight for the group, he shows actual loyalty and kindness unlike some people, and when he tends to avoid the constant Lilly and Kenny conflicts, he does his best to step in when things take a serious turn, hence the Ben situation. 

No to mention the dude is smart. 

I mean, he really took a random remote and was like, “Oh it’s universal, let me just program it to work on ALL the random TV’s across the street as a way to distract these walkers!” like dude.... you just know how to do that, huh? 

Or his fun little bell trap that alerts the groups of strangers and walkers? Oh, and remember when he fixed the RV by hitting it with a fucking hammer and was like “It works now, drive!” 

And have I mentioned that he bested Andy St John with a goddamn laser pointer?? 

Oh, also wanna add that I really like his voice acting, as well. He’s voiced by Sam Joan, who does a good job at selling Doug’s soft-spoken but intelligent nature, and knows how to pull off “dorky” when needed... and I mean that in a good way, when he’s talking about charcoal Doug is being a dork and I love him.

I mean... what else is there to say?

All that’s left to do is pull a Telltale and--

#SaveDoug

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Honorable Mentions

-Doug is a pie guy, going off of that time he named all the different kinds of pie he could thing of and I feel that.  -He’s a very fashionable person. I want that weird polar bear deer thing shirt he wears in ep1.  -also, you can’t go wrong with socks and sandals, my dude.  -He had a crush on Carley and honestly, I feel that, too. 

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There it is, there’s my whole thing about Doug. What are your thoughts? When it comes to that choice in ep1 of s1, do you save Doug or do you save Carley? Do you agree or disagree with any of my choices for this list? Or have anything to add? I’m always down to chat.

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

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Next week’s T5F