#twopoets #inlove meld #pleasewearthatdress #TUSOP #thyliasmoss #bobholmanpoet #willlovehim4ever #newyorktimestinylovestory #fitstdate2014 (at Chicago, Illinois) https://www.instagram.com/p/B-9RPEjBuK1/?igshid=1dmirwfgketxa
seen from China
seen from Malaysia

seen from Türkiye
seen from China

seen from T1
seen from Spain
seen from United States

seen from China

seen from Malaysia

seen from Türkiye

seen from Australia
seen from T1
seen from China
seen from Slovakia
seen from United States
seen from China

seen from Türkiye
seen from T1

seen from Türkiye
seen from Germany
#twopoets #inlove meld #pleasewearthatdress #TUSOP #thyliasmoss #bobholmanpoet #willlovehim4ever #newyorktimestinylovestory #fitstdate2014 (at Chicago, Illinois) https://www.instagram.com/p/B-9RPEjBuK1/?igshid=1dmirwfgketxa
#bhlovesbh #thyliasmoss #LOVE #twopoets #LOVEOFMYLIFE #heis72yearsold #Lovebloomedonfacebooksince2014 #meld (at Chicago, Illinois) https://www.instagram.com/p/B-9P0YVh_ZU/?igshid=d9ko992ue2n4
#meandmything #thingdom #loveindetroit #twopoets #readingtogether #hammerofjustice #byhisside #thyliasmoss (at Detroit, Michigan)
#meandmything #thingdom #loveindetroit #twopoets #readingtogether #hammerofjustice #byhisside #thyliasmoss (at Detroit, Michigan)
(Cloud gate/ The Bean-Chicago, U.S.A)
You walk under a cloud
- Alice Yousef
We don't always understand what moves above our heads who gives clouds direction or lining made strictly of silver not gold- Is it cheaper metal?
you can walk under a cloud without thinking of it why now that you are surrounded in shining images of your own steps is it that you think of the skies?
the dead hold no envy, you know it is only reserved for the living
Who told you that you can only be on the other end of a navel only once, young and unable to talk who said you had to be an unborn child?
it is a fact now, that you can walk and be born once out of a vigor without thought or need for notes to remember how to truly stand up
yet why, you wonder, is it this atonement? make a mistake and never correct it because you are sure it will correct itself, sealed and traded like Jack's beans
let me tell you a story: once upon a time, you were born to build let me tell you something else: this story doesn't end happy or sad, you keep changing the adjectives because no one, you say, can predict the end
who wants to predict anyway?
They had told you the world had no navel but you couldn't believe how a round belly cannot have one, didn't this blue ball come from another mother?
don't we have a core center to where we stand a place kissed in times of nightmares dunked in alcohol to recover from a disaster
it is a shot to this body, tequila poured like fire in navels
imagine this trail of obsession to origin: where we walked barefoot in the grass, the navel of this universe
is where the dew brushes the backs of our ankles on a crisp windy day
this is the city of the wind, marked by a silver reflection, hanging from its navel a gate for the clouds to pass under a cloud
you & the cloud are made of one thing: so much water and a little bit of earth
Kapoor had a vision, when you distort an image you create another: maybe more powerful a feeble child breaking from a grandmother's grip without breaking her arms
this is tenderness then, the way you can curve with others like a double sided bean yet remain awfully straight when you stand up
that is escape, when you break another will for your own, not selfish or foolish for thinking about becoming, finding your own navel
This is what is seen now: skyscrapers to remind you how tall you can stand, a bent bean to remind you that you will age in good time and a hallowed navel in the middle pressing on the potential children you wait to grow like clouds with water and a little bit of earth.
(various cities)
A portrait of love on Valentine's day
- Alice Yousef
The shadow of a rose over a bucket, dripping
red petals on a subway cart leading into a village, almost empty
the boy who kissed, hands-first my bare shoulder blades
single women's laughter on all red things: signs, no-parking spots, shirts, blood
the teddy bears smiling at the passerby droopy, soulless eyes
the I-love-Yous, Be Mine promises we cannot keep, yet still manage to make
The Saxophone player with frostbitten fingers, warm music
A rain that falls in Coventry pressing umbrellas together pushing the pigeons apart
the recycled wine, served first overused candles, with good wine reserved for deserving guest
this is a love made for Valentine's, cellophane wrapped served with a smile.
Kitchen - Villupuram, Tamil Nadu, India
The Body Poem
- Avrina Joslin
Two weeks into my sister’s pregnancy, my mother moved the kitchen from near the dining hall to the back of the house which we didn’t call anything, didn’t have a name for, till then.
The previous kitchen – the one with the fancy shelves, an electric chimney, the sensible drawers, now holds a kettle which I use to make tea.
We used gas cylinders and pressure cookers; two things I’d never come to believe in, having heard of many accidents where the narrators used the words all is lost. Even if it was just by ten feet, the distance helped me
more than it did my sister who still smelled the fish curry, mutton kurma and everything else she usually ate turned sour; cooking, at the same time gathering the nothing to little she’d eaten from the surface of her stomach to be wretched like time taken away. I never knew why they called it morning sickness when she had it all day.
These were the words my mother used to talk about the change – her body won’t take. The smell. All this cumin, pepper, tamarind, roasting. The smell, the taste of smell – as if talking about her own self twenty nine years ago.
A few weeks later, my mother and I stood in our new kitchen drinking a daily ritual of a glass of milk before bed, when I told her that loss of appetite frightened me more than it should.
Where all the tastes you’ve ever known all your life, the mainframe of your memories, the smell of taste, the taste of smell, little things you didn’t know about you but kept preserved in coded language you were meant to take down to your grave with your body
now changed and simply taken away.
(Bedroom - Palestine)
Seasonal cleaning
- Alice Yousef
There isn't much hope left in your sock drawer, you cannot find it anywhere behind the tidy whites, beneath the bras, not enough for the coming week you get up and start cleaning
dismantle the crumpled socks while you recall a conversation bitter almond, athlete's feet greet you, smelling of cyanide, there are mismatched toes but you can still walk
soak the socks in warm water, to clear away mud and thistle stuck to the heel from skipping too much on pages of your middle school, war ridden diary. It still cuts onto your fingertips when touched in it pictures of you in hiding and shred flesh, your scars are now caked with make-up
dilute make-up stains left on your pure white dreams there are enough young girls prancing about in your nights dressed like clowns, faces white and noses red juggling, bending, clanking their heels in your head you grew up different, fresh, you recall an almond tree for a lighthouse, shoes black and slim for cool running there were bruises on your hands and knees, digging for gold treasure chests and sunset to watch before bed
you keep your earrings together in a seashells decorated accessories chest, you know you've hidden an amnesia a gold braid that once belonged to your grandmother's chest passed on en route to safety, she wore it to let her mother recognize her face among the children lost. You will lift her husband's silver pen, one you have too you hold it with a handkerchief to avoid touching his fingerprints you inherit all the wrong genes, but use the few right ones, like it's all good.
change the linen, air out old thoughts it's not healthy to dwell too much in silence, they say. But silence is better than speech no one softens with dabs of alcohol, not even your friends when drunk, consult no one it will take you three generations to know madmen are always sober and that you carve the indentation on your double bed by waving
over the bed, dust a little bit stop using the word 'glitch' to pinpoint the stretch-marks you were not meant to have by birthing chocolates and a vain envy towards decisions that once landed in your palm too old you say, referencing youth too young, you say, experiencing the future that arrives tomorrow
this is why you sleep in alone, the room is always too clean, curtains hanging to seal the sun powder-puffed beds books arranged in order you scrub away unclean bits-that's all you know possible, to restore hope much better now, isn't it?