Apr 2, 2019
As part of an art trade with @heythatsdeep she finished a sketch I did ! This looks dope af ! And accurately represents a mechanic of the game I’m working on… if I were you I’d stay in the light.
seen from United States
seen from Sweden
seen from United States
seen from Taiwan
seen from Malaysia
seen from Germany
seen from China
seen from Singapore
seen from Switzerland
seen from China
seen from India
seen from Sweden
seen from Switzerland
seen from United States
seen from United States
seen from Yemen
seen from China
seen from Malaysia
seen from T1
seen from United States
As part of an art trade with @heythatsdeep she finished a sketch I did ! This looks dope af ! And accurately represents a mechanic of the game I’m working on… if I were you I’d stay in the light.
I didn’t realize when I bought it how perfect this book would be for this trip. However, this future-of-the-past Hilo, Hawaii, has a shattered moon and beaches made of fused glass–oh, and alien whales. While I’m enjoying its bizarreness, it’s definitely not something I would recommend to just anyone.
Starship & Haiku by Somtow Sucharitkul (1981)
Full series on behance
Some character design for an animation project. Which might turn out into a point and click/interactive movie game. Say hullo to Lucie !
Seahorses are my new favorite thing.
I’ve been waiting for this sequel for a while and I was all set to read it during Pride Month, but the style of writing isn’t fitting my mood right now. Holding onto my found memories of the first book, I’m giving it another solid try.
The Edge of Abyss by Emily Skrutskie 🐙
Happy early birthday to me from @ocalicoqueen, who is too good to me and gave me something far too perfect. This miniature-loving, bibliophilic wanna-be mermaid is nostalgic and content.
I love it when there are corresponding themes across what I’m reading or watching, and the two graphic novels I just finished have uncanny parallels. Reading The Crow was a chore for me. While I could appreciate the art, the style isn’t something I’m usually drawn to. The story, while perhaps fresher when it was first written, seems stale. I am very uninterested in a man seeking bloody revenge for his hallowed murdered lady. The depictions of seedy underworld of a dirty city had no new insight for me; I found it all pretty boring. (No offense to my friends who love it–to each their own!) As far as worldbuilding and general aesthetics, I’m drawn immediately to Low. And in stark conquest to The Crow, the theme of Low is not revenge or morbid justice but a more positive response to loss. The main character is not only trapped in a slowly deteriorating underwater city by the deadly expanding sun, but her husband is murdered and her two young daughters kidnapped by seedy (partially aquatic) scum. Nevertheless, her underlying current is optimism–optimism that they will find a habitable planet to escape to, optimism that she will reunite her shattered family. It is not a happy story, but her perspective makes a notable difference.