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Many of us, including the Indian crew, hadn't realised just how diverse the language of Hindi can be across India's north-east. We were fortunate to have Ravi Guria accompany us as his knowledge of Hindi dialects was indeed vast. He became our interview translator bringing to the team a background in documentary production too. Help us complete Ocean in a Drop. We're crowdfunding at https://igg.me/at/oceaninadropfilm
Director Andrew Garton discusses the virtues of non-fiction filmmaking.
Unexpected Trespassing Guest Part 2: Director Andrew Garton responds to the unexpected moments that take place in front of the camera.
Light, Line of Sight and Story
#UpliftDocoTraces - behind the scenes written by cathy chen
It is around 12:30pm. Andrew and Rohit try to find an interview spot that use some natural lighting without burning the subject.
As they set up the proper seating, they look at the background. They find it a bit darken in the shade. “Let’s bring it up a tiny bit”
Extra light? not much help; reflector?
Finally everything is set: sound, light and camera.
“New interview seating!” Andrew says. Andrew notices that the subject always look more directly to the translator, Ravi. Hence, Andrew decides to switch their seating position, allowing the interviewee’s line of sight to be more natural.
And the interview begins. The story of sharing begins The story of sharing and transmitting begins The story of sharing, transmitting and innovating continues
For the love of cameras
I was extremely eager to use the Canon C300 on our shoot in India upliftdoco and so to was my DoP Jary Nemo, a long-time friend and collaborator on various projects over the years. At the end of these long days it's not so much the camera as what one does with it. As filmmakers we all know that, but this was one special camera that raised not only the production standards of the local crew, people on location really did take us more seriously than those with DSLR's. Not to besmirch DSLR's. I have a very fine Gh2 which we calibrated alongside the C300. But the times I was shooting with the Gh2 I was more or less taken for a journalist, not a filmmaker. Not that I cared much, but where we required people to focus, the C300 was taken seriously there's no doubt about it.
Rohit, at work :P #upliftdoco
