Madonna and Child
Artist: Unidentified Artist
Date: Last quarter of 15th century
Medium: Oil and tempera (?) with gold leaf on panel
Collection: Barnes Foundation Art Institute, Philadelphia, PA, United States

seen from Serbia

seen from United States

seen from Russia
seen from United States
seen from Germany

seen from Malaysia
seen from United States
seen from Malaysia

seen from United States
seen from Malaysia
seen from Malaysia
seen from China

seen from United States

seen from Malaysia
seen from China
seen from United States
seen from United States
seen from United States

seen from United States
seen from Poland
Madonna and Child
Artist: Unidentified Artist
Date: Last quarter of 15th century
Medium: Oil and tempera (?) with gold leaf on panel
Collection: Barnes Foundation Art Institute, Philadelphia, PA, United States
The Garden of Pan
Artist: Edward Burne-Jones (English, 1833-1898)
Date: 1886-1887
Medium: Oil on canvas
Collection: National Gallery of Victoria, Melbourne, Australia
May (Springtime, Welcome Sweet Springtime)
Artist: Thomas Wilmer Dewing (1American, 851–1938)
Date: Before 1921
Medium: Oil on canvas
Collection: Hirschl & Adler Galleries, New York City, NY, United States
Amyntas Rewarded by the Dryad for Saving the Oak
Artist: Francesco Caucig (Slovenian, 1755-1828)
Date: c. 1809
Medium: Oil on canvas
Collection: Frances Lehman Loeb Art Center, New York, NY, United States
Description
This painting represents a scene from Idyllen (1756) by Swiss author Salomon Gessner. These pastoral tales, loosely based on the poetry of Theocritus, tell the stories of shepherds and shepherdess in a distant, simpler past ruled by the gods of Greek mythology.
One concerns the shepherd Amyntas, who, while working in the forest, notices that the earth around the base of an oak tree has eroded. To secure its safety, he builds a protective dam and covers the roots.
Depicted in this work is the moment when the dryad, a guardian nymph residing in the tree, emerges to thank him for his kindness. She offers a reward and, taken aback, Amyntas asks only for the good health of his neighbor Palemon. She fulfills his wish and, impressed with his virtue, grants his flocks, trees, and fields permanent good fortune.
Spring, Navesink Highlands
Artist: Childe Hassam (American, 1859-1935)
Date: 1908
Medium: Oil on canvas
Collection: Smithsonian American Art Museum, Washington, DC, United States
Portrait of Sarah Harrop (Mrs. Bates) as a Muse
Artist: Angelica Kauffmann (Swiss, 1741–1807)
Date: 1780-1781
Medium: Oil on canvas
Collection: Princeton University Art Museum, Princeton, New Jersey, United States
Description
This portrait of the renowned English soprano Sarah Harrop depicts her in a setting that alludes to Mount Parnassus, home of the ancient muses. The lyre that she holds is an attribute of Erato, muse of lyric poetry, but her sheet music is more modern: it is an aria from George Frideric Handel’s opera Rodelinda, Queen of the Lombards (1725). Harrop was famous for her performances of Handel’s operas and oratorios; this picture dates from the time of her marriage to Joah Bates, who revived and promoted Handel’s works. The aria Harrop holds is sung not by her character, Rodelinda, but by her husband’s, Bertarido, suggesting that this may have been a marriage portrait.
Landscape with Phaeton's Petition to Apollo
Artist: Richard Wilson (Welsh, 1714-1782)
Date: c. 1763-1767
Medium: Oil on canvas
Collection: Walker Art Gallery, Liverpool, England
Description
In his poem 'Metamorphoses', the Roman poet Ovid retold the story of Phaeton, who petitioned his father Apollo, the Sun God, to let him drive his chariot across the sky for one day. As Apollo feared, Phaeton was unable to control the chariot, and in order to save the world Jupiter was forced to destroy him with a thunderbolt.
Monadnock Mountain, New Hampshire
Artist William Trost Richards (American, 1833-1905)
Date: 1883
Medium: Watercolor and Chinese white on paper
Collection: Pennsylvania Academy of the Fine Arts, Philadelphia, PA, United States