Venus and Adonis Hunting
Artist: Marcantonio Franceschini (Italian, 1648–1729)
Date: After 1698
Medium: Oil on canvas
Collection: Liechtenstein. The Princely Collections, Vaduz–Vienna

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@mythologypaintings
Venus and Adonis Hunting
Artist: Marcantonio Franceschini (Italian, 1648–1729)
Date: After 1698
Medium: Oil on canvas
Collection: Liechtenstein. The Princely Collections, Vaduz–Vienna
The Judgment of Paris
Artist: Cornelis Cornelisz. van Haarlem (Dutch, 1562-1638)
Date: ca. 1585-1595
Medium: Oil on panel
Rhode Island School of Design Museum, Providence, RI, United States
Description
The painting depicts the Greek myth where the Trojan shepherd Paris chooses Venus as the fairest goddess by awarding her a golden apple.
Perseus and Andromeda
Artist: French or Venetian School
Date: c. 1727-1760
Medium: Oil on canvas
Collection: Royal Albert Memorial Museum and Art Gallery, Exeter, England
Description
In the famous story from Greek mythology, Andromeda is chained to a rock on the shore as a sacrifice to a sea monster sent by Poseidon, God of the Sea. The hero Perseus appears on horseback just in time to save Andromeda from her death. Eros (Roman: Cupid) has also appeared situated between them both as a sign of there intense desire for each other. Perseus is depicted with wings on his ankles.
Venus and Adonis
Artist: Nicolas Poussin (French, 1594-1665)
Date: c. 1628
Medium: Oil on canvas
Collection: Rhode Island School of Design Museum, Providence, RI, United States
Description
French history painters relied on the literature, philosophy, and art of the ancient world as dominant resources. In this story, Venus has been pierced by Cupid’s arrow and fallen in love with the beautiful young hunter Adonis. They lie in each other’s arms, unaware that the clouds that shade them also portend danger. At left, a band of mischievous cherubs restrains a rabbit that will ultimately be killed by Adonis’s ferocious dog. Despite Venus’s warnings, Adonis also will die soon, the victim of an attack by a wild boar.
Zephyr and Flora
Artist: Michel II Corneille (French, 1642-1708)
Date: c. 1668
Medium: Oil on canvas
Collection: Palace of Versailles, Paris, France
Description
Zephyr and Flora pair the Greek god of the west wind with the Roman goddess of flowers, representing spring's rebirth. In mythology, Zephyr (or Zephyrus) wins the nymph Chloris and transforms her into Flora, granting her power over blooms.
Neptune and Amymone
Artist: Charles-André Van Loo (French, 1705-1765)
Date: 18th century
Medium: Oil on paper mounted on wood
Collection: Louvre Museum, Paris, France
Love Leaving Psyche
Artist: Charles-André Van Loo (French, 1705-1765)
Date: 1744
Medium: Oil on canvas
Collection: Palace of Versailles, Paris, France
Description
In the classic myth of Cupid and Psyche from Apuleius's ancient novel Metamorphoses, the god of love (Eros/Cupid) leaves Psyche after she breaks his trust by looking at his face with a lamp. This forces Psyche into exile and sets off her grueling trials.
Cupid Received by Anacreon
Artist: C.F. Høyer (Danish, 1775–1855)
Date: 1806
Medium: Oil on canvas
Collection: Thorvaldsens Museum, Copenhagen, Denmark
Description
"Cupid Received by Anacreon" is an ancient Greek myth told in the odes of the poet Anacreon. In the story, an old poet opens his door to a freezing child on a stormy night. The child reveals himself to be Cupid, shoots the poet in the heart with an arrow, and proves that even the elderly are vulnerable to love.
Mars and Venus Surprised by Vulcan
Artist: Alexandre-Charles Guillemot (French, 1786–1831)
Date: 1827
Medium: Oil on canvas
Collection: Indianapolis Museum of Art at Newfields, Indianapolis, Indiana, United States
Description
The story of Mars and Venus Surprised by Vulcan is a mythological tale of passion and revenge about the affair between Venus, the goddess of love, and Mars, the god of war, and their discovery by Venus’ husband, Vulcan, the god of fire and the forge.
Venus Blindfolding Cupid
Artist: Vecellio Titian (Pieve di Cadore Italian, 1488/1490-1576)
Date: c. 1560-1565
Medium: Oil on canvas
Collection: Borguese Gallery, Rome, Italy
Cupid and Psyche
Artist: Jacopo Zucchi (Italian, 1540/1541 - 1595/1596)
Date: 1589
Medium: Oil on canvas
Collection: Borguese Gallery, Rome, Italy
Description
The painting represents a famous episode narrated by Apuleius in The Golden Ass (Metamorphoses). The extraordinarily beautiful Psyche decides to discover the identity of her young lover by entering his room carrying a razor and an oil lamp. As she approaches the body of the handsome god, she accidentaly lets fall a drop of boiling oil onto the boy’s shoulder. Upon awakening, he flies away.
The Return from War: Mars Disarmed by Venus
Artists: Peter Paul Rubens (Flemish, 1577-1640), and Jan Brueghel the Elder (Flemish, 1568-1625)
Date: c. 1610–1612
Medium: Oil on panel
Collection: Getty Museum, Los Angeles, CA, United States
Description
Amid the disarray of Vulcan's forge, Venus leans into the embrace of her lover, Mars, who is transfixed by her alluring gaze. Caught up in his attraction to the aggressively seductive goddess, Mars is no longer able to carry out his military exploits. Venus removes his helmet, while mischievous putti cavort with his sword and shield.
Toilet of Venus
Artist: Michele Rocca (Italian, c. 1670-c. 1751)
Date: c. 1750
Medium: Oil on canvas
Collection: The Rhode Island School of Design Museum, Providence, RI, United States
Aeneas Fleeing Troy
Artist: Federico Barocci (Italian, c. 1533 - 1612)
Date: 1598
Medium: Oil on canvas
Collection: Borguese Gallery, Rome, Italy
Description
Aeneas Fleeing Troy depicts the mythological hero escaping the burning city of Troy alongside his father Anchises, son Ascanius, and wife Creusa.
Oedipus and Antigone
Artist: Christoffer Wilhelm Eckersberg (Danish, 1783–1853)
Date: 1812
Media: Oil on canvas
Collection: The National Museum in Stockholm, Sweden
Description
In Greek mythology Antigone is a Theban princess and a character in several ancient Greek tragedies. She is the daughter of Oedipus, king of Thebes; her mother is either Jocasta or, in another variation of the myth, Euryganeia. She is a sister of Polynices, Eteocles, and Ismene. The meaning of the name is, as in the case of the masculine equivalent Antigonus, “in place of one’s parents” or “worthy of one’s parents”.
Diana and Her Nymphs in a Landscape
Artist: Laurent de La Hyre (French, 1606–1656)
Date: 1644
Medium: Oil on canvas
Collection: Getty Museum, Los Angeles, CA, United States
Apollo
Artist: Luteri Giovanni called Dosso Dossi (Italian, c. 1487-1542)
Date: c. 1525
Medium: Oil on canvas
Collection: Galleria Borguese, Rome, Italy
Description
The subject, which draws on the myth of Apollo and Daphne, is taken from Ovid's Metamorphoses (I, 452-467).
After having killed the monster Python, Apollo boasts about it to Cupid, mocking him for carrying a bow and arrow, unsuitable weapons for a child. Cupid takes his revenge by piercing Apollo with his arrows and arousing love in Apollo and the rejection of that love by the beautiful nymph Daphne: Apollo pursues her but the maiden pleads with her father, the river god Peneus, to release her from the body that arouses men's admiration. Daphne, barely visible in the background on the left, is being transformed into a laurel tree.