#vestoj

[openingadoor]

THE DIARY OF ANAÏS NIN

Images by Margret Wibmer

for Vestoj

[vampilllia]

what fashion is not (only), renate stauss for VESTOJ

[lerangstore-blog]

Our Private Sales start today until next January 7th. Start the new year off right and enjoy our latest selections up to 40% off online and in Le Rang store. 

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Nos ventes privées commencent aujourd’hui jusqu’au 7 Janvier prochain. Débutez bien l’année et profitez de nos dernières sélections, jusqu’à -40% en ligne et en boutique Le Rang.

[guaizine]

About #Menswear from #Milan

on #Photo by Guaizine with Vestoj

as seen at 10 Corso Como | More on www.guaizine.com

[cygneeclectique]

There are very few fashion magazines that make you feel empowered. Most leave you totally anxiety-ridden, for not having the right kind of dinner party, setting the table in the right kind of way or meeting the right kind of people. Truth be told, I haven’t read Vogue in years. Maybe I was too close to it after working there for so long, but I never felt I led a Vogue-y kind of life. The clothes are just irrelevant for most people – so ridiculously expensive. What magazines want today is the latest, the exclusive. It’s a shame that magazines have lost the authority they once had. They’ve stopped being useful. In fashion we are always trying to make people buy something they don’t need. We don’t need any more bags, shirts or shoes. So we cajole, bully or encourage people into continue buying. I know glossy magazines are meant to be aspirational, but why not be both useful and aspirational? That’s the kind of fashion magazine I’d like to see.

Lucinda Chambers

[warp-weft]

Fragments of woven silk from the 9th to 10th centuries AD depict a pattern of lions.  © Victoria and Albert Museum

http://vestoj.com/pants-for-the-cost-of-a-postage-stamp/

[vrising]

My Brand Loves Your Brand

My Brand Loves Your Brand

On Louis Vuitton, Supreme and Corporate Cool  by Alice Hines

Louis Vuitton x Supreme, if you read the fashion press, is a mallet hammering down hierarchies between streetwear and high fashion. In a conversation held by the website Highsnobiety,1 ‘influencers’ from various outlets discuss its populism: ‘Two masters of branding have come together to… satisfy such a diverse group of customers.’ Its…

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[virgomooning]

“The objectification of our relationships with one another and with nature under capitalism forms the basis of an abstraction of creative labour into ‘dead labour,’ of creative products into commodities.”

Dr. Rebare Stauss, “What Fashion is Not (Only)” in Vestoj, issue 9.

This relates really well to the AI art stuff happening, I think. I’ve linked the online article but I have the physical journal so am unsure if there are any differences. There shouldn’t be.