What memories would your muse be shown if they were in the presence of a Dementor, and what physical reaction would they have?
Her mother’s death. It was one of the darkest chapters of her life, and it’s the one she can envision best ----- Harry’s death is, of course, more recent and more raw and painful, I think, but she doesn’t have a memory as painful as the one of seeing her mother dying. That memory was a trauma for a long time and it’s still not entirely resolved because, well, she wasn’t given the tools to heal herself. She was a child when it happened and her father didn’t offer the right support, and no one else gave it to her either ----- she found her ways of dealing with the trauma, but they weren’t perfect. And how do you deal with that, when you’re nine years old, and you watched your mother die in a gruesome way? Is there even a good way, when it in itself is so bad?
The memory is a sore spot. A bruise on Luna’s life that’s not yet faded, that continues to hurt when pressed, an ache she forgets that’s there until something bumps against it and reminds her of what she lost. The memory is still scary and painful and harsh and gruesome. She prefers to ignore its existence.
I don’t think Luna would feint --- I think she would go pale and quiet and turn into herself, the way she did as a child. That’s what feels safest. Zone out, shut out the world, and move around on copilot.
Is your muse capable of casting a corporeal Patronus? And if so, what form does it take and what memories does your muse use to cast it?
Luna is capable of casting a corporeal Patronus! It takes the form of the hare. Hares are from a young age quite independent and Luna learned to be that as well. In East Asian culture, hares and rabbits are affiliated with the moon, which fits her perfectly, as her name means moon, too. Hares are swift and shy and solitary creatures --- I think that fits Luna well. She’s not shy, per se, but she’s not outgoing either. She’s solitary in a way that she is good at being alone and fending for herself ( though this has definitely changed since she married & had the twins ). I think Luna is swift in her thinking.
Memory-wise, Luna thinks of her friends and family. Easy. Those are the things that give her most joy in life, the things that make her feel grounded and accepted and loved and --- that’s what it all comes down to, I think. She thinks of her marriage day and watching the twins grow up and nights spend with her friends and so much more.
What would your muse see if they gazed into the Mirror of Erised?
Right now? Harry. Luna is quite content in life, I think, and doesn’t wish for much --- she’s not a materialistic person, and has a stellar family and career. But Harry, Harry is gone and it’s like a piece was ripped from her life, and there’s no way she can twist and turn that reality and make it better.
It’s just horrific. It just hurts. It’s plain and simple. Death is a mystery, and Luna lives and breathes mysteries, but this is one she doesn’t want to discover.
She just wants Harry back.
She wants Harry back, not just for herself, but for his children most of all, and for Ginny, and for the rest of his family. She wants Harry back because it’s right, because it was wrong that he died ----- and that’s not to say that it’s ever right when people die, because there’s no fairness in death, but Harry is Harry and Harry is one of her first ever friends and she’s familiar with grief, but NOT like this. She wants Harry back. It’s simple. And maybe it’s selfish, because other people have died and other people are going to die but ---- Luna is human. She aches. She longs. She cannot stand to see his children broken and the world around her ripped from out under her.
So when she looks into that mirror, it’s Harry on her side, and he’s laughing and healthy and the world is still wrong, but at least that’s still right.