Coloring is really important when it comes to crossover edits, in order to make the scenes go with the clips from the other footage :)
Here is a work in progress of normal daylight to sunset time coloring.
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seen from Canada

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seen from India

seen from Australia
seen from United Kingdom

seen from Malaysia

seen from Malaysia
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seen from United States

seen from Malaysia

seen from Malaysia

seen from Australia
seen from Russia
Coloring is really important when it comes to crossover edits, in order to make the scenes go with the clips from the other footage :)
Here is a work in progress of normal daylight to sunset time coloring.
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MobileMovieMaking Tip #67: LOOK FOR WEIRD COLORS. Tip #20 in this series was about exploiting realistic colors, for example, having a key character drive a bright red car. Here, we’re thinking about weird, “unnatural” colors that can punch up a scene. The frame here is from Ivan Sosnin’s romantic comedy “Promise,” which you can see on our website. While this shot captured what was actually out there, you can also easily create strange color effects during editing. REMINDER: The “Out Our Window” contest entry period has been extended to April 30. Shoot a short clip out a window and you can win a nifty iOgrapher camera rig. Everyone entering gets a copy of MOVIEMAKING ILLUSTRATED featuring Marvel comic panels. You can find all the rules in by clicking the link in our profile. #MobileMovieMakingTips #videocolor #smartphonemoviemaking https://www.instagram.com/p/Bv4pRImgT16/?utm_source=ig_tumblr_share&igshid=1lmg4qguw7ly3
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