#titles

[otter-coining]

hello hello!! uhm can we PLEASEEE req titles with the following themes !!

pirates, thieving, ( kleptomania,, we have it ,, ), rough waves, crows, talking birds, death, souls, rebellion, feathers, stars and ships!! THANK UU

> themed titles pack

pt: themed titles pack

Titles: the pirate [king] ; [prn] who sails the seven seas ; [prn] of stormy waters ; the one with black feathers ; the winged one ; the master thief ; [prn] who steals from death ; [prn] who rebels ; the one covered in feathers ; [prn] who shines bright

[perladivenezia]

Askew Roads || Closed Starter

Jack was supposed to stay with her. He had driven her there, smug to show off his new car to her and the beautiful girl by his arm to everyone else. He had bought that car with the first big paycheck he had got from working for her uncle, and he would likely have spent the rest of it buying her drinks if he had stayed, as it was the plan.

But not sooner they had arrived, one of the boys working there had approached him and took him aside to talk about something she wasn't privy to. She could guess from their hushed voices and body language that it had to do with the business. And then he came back to her to apologise, his friend needed a favour, he had to go, terribly sorry. He gave her enough money to last her all night, but told her to get one drink and call a cab home after. And then he left hurriedly.

No chance she was going to do that. She only got to go out once or twice a month, when her family had a commitment outside the house that lasted long enough for her to sneak out, and she also had to find someone to drive her —usually a new boy, eager to impress her and still not grasping what would happen to him if he was caught. It took planning and luck to get her there, and to go home and waste the night was out of the question. She had four hours before her uncle and her aunt returned home, and she would use every minute of them.

The place Jack had picked seemed kind of lame, however. She sat on a small table near the stage, hoping to at least get a drink without calling much attention to herself while she decided what to do with the rest of her night.

[perladivenezia]

Where nothing lairs || Closed Starter

Death was omnipresent there. It was easy to imagine herself the only creature remaining alive on earth as she walked under the arched charnel vaults along the walls of Les Innocents. Bones excavated from the overflown mass graves of the cemetery ended up packed there, enclosed in stone as they had been enclosed in dirt before. Crammed corpses under earth, crammed bones in the arcade ceilings, and surrounded it all, crammed skeletons dancing on the painted walls. The Dance Macabre mural, celebrating the ubiquity of death, never more apt.

And she, untouched by death, regarded it all with disgust.

She had come to Paris after leaving Dresden. Long decades she had waited for Marius to change his mind, waited for Pandora to appear and made him come to his senses. She had put her hopes in the stories Marius had shared with her, stories of her as a fierce creature, slayer of the cultist when they had barely begun to spread, a force to reckon with. Yet the woman who had arrived in Dresden was nothing of that. She was frail and scared and painfully helpless. She was in need of a caretaker, and Marius was free to take care of her now, to meet her in St. Petersburg, as she had requested.

Bianca had left Dresden heartbroken, but with her eyes open to the reality that there was no one else she could rely on. It was up to her to do this. It was up to her to come to Paris and seek Amadeo. Even if she was no ancient and fear loomed over her at every step, she had The Mother's blood in her and her wits and conviction to cloak her. And if she couldn't retrieve Amadeo, if she couldn't convince him to leave with her, at least she could stay with him.

Of course, she had her hopes on the first option. She looked around once more; how out of place she was there, with her taffeta cloak and her sumptuous gown and her pearl-braided hair. Yet this meant that by now her presence should've been noted. She wasn't being subtle.

[onpointsince91]

Movies.

[riakida]

Could you explain why each chapter in “A tale of light and dark” is titled that?

I’m curious and some of them I can’t figure out.

Oh, that’s an interesting question!

The reasons are actually pretty varied, and I can’t blame you for not figuring it out because it’s not always very straightforward. I usually aim for chapter titles that carry several meanings, titles that reflect important parts of the chapter but they don't have to some it up perfectly.

One aspect is almost always intertextuality, even if it’s only through vague association. I’ve always liked using song titles that fit the chapter, whether because of the mood, the lyrics, or simply because I like the song and the title feels applicable. I’ve been doing that a bit less frequently in ATOLAD, though.

Sometimes the connection is fairly loose, like ch. 4 Night Owl by Gerry Rafferty. I associate that song strongly with Sirius (late 70s London), but a central part of the chapter is him reconnecting with his family in the quiet of the night, coming home and finding them asleep, or staying up with Harry after a nightmare.

Others are more lyric-based, like ch. 10 Riders on the Storm by The Doors (“there’s a killer on the road…”). I was thinking of Peter there - first with Lily and James, and now literally on a ride with Ron and Harry 🫠

Then there are more literary references. Ch. 9 The Metamorphosis is a reference to Kafka's Metamorphosis, tied to Reg’s first transformation, but also to the fact that something fundamental shifts within their family dynamic.

A lot of the other titles are meant to refer to multiple aspects of the chapter at once. Ch. 1 The Prisoner could refer to Sirius or Peter. Ch. 6 Guards is about the Dementors, but also about Sirius and Reg in their roles as protectors. Ch. 11 Two Lines, Failed refers both to the parenting approaches they’re trying and to the fact that, at that point, both of them are failing Harry in different ways.

Some titles are perhaps a bit more cryptic. Ch. 2 Aquarium uses the inflatable pool that becomes a metaphor in the chapter, but also to the feeling of being trapped in an enclosed space, being kept inside behind windows (and even those windows have to stay locked) when it would feel natural to be outside and free.

Ch. 5 Turtle Shell is about Sirius wearing this impenetrable emotional armor that reminds Reg of a turtle skeleton he once saw. And ch. 3 Twelve Plus One is the birthday chapter: Sirius accidentally refers to Harry as still being twelve, but that’s also the emotional core of the chapter, Harry leaving childhood behind and crossing into adolescence.

And finally, ch. 8 The Shadow of the Past refers to the secrets Reg and Sirius have kept from Harry, especially surrounding Sirius’ time in Azkaban. They finally reveal those secrets at the end, but until then the “shadow” manifests in all sorts of ways: the Dementors, the whispering students, his parents' profound worrying - all the things Harry can sense but can’t really understand until the truth is finally brought into the open.

Thanks for the ask! I’m curious now, what were your thoughts? Which titles gave you the hardest time trying to figure out?

[perladivenezia]

New roots || closed starter

It took no time at all to reach Venice.

Bianca landed on a narrow passage that she knew well and was safe from prying eyes. From there, she guided Rose through cobbled streets and alleys towards the Grand Canal. It was early in the night still, and the streets were still populated by mortals enjoying the piazzas, the shops and the restaurants, or simply walking leisurely through the city, admiring the historical architecture.

Leaving behind the touristic spots, they walked down an ample, almost empty street; the street lamps provided a dim and warm light, and at the end of the road, the canal could be seen. She stopped in front of a building adjacent to it.

An arched loggia covered both sides of the facade that extended along the main street and turned on the corner towards a smaller, secondary one. The many windows were covered with wood planks on both sides of the ground floor, but not on the two upper ones. The main entrance was a tall double door of heavy wood. Bianca had not brought the keys, but used the mind gift to open the lock.

The door opened to an open, spacious salon that was empty but clean. It was completely dark, yet by the far wall a portable light tower could be seen, of the type that belonged to a construction site, rather than a house. An intricate mosaic of geometric patterns adorned the floor, and a rundown mural covered part of the walls.

"When you said you wanted to visit, I had people come to clean" she said to Rose, "but there is not much to see yet. The balconies on the second floor overlook the Grand Canal, and on the top floor, there is a room with no windows and a bed. As I said, it still needs much work–"

@nodominion

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