Culture and Customs of the Nung Ethnic Group
Housing: The traditional house of the Nung people is a stilt house with a tile roof and three floors. The first floor is for livestock and production tools; the second floor is for living and household items; the third floor is for storing food and other items in a dry place. In some areas, the Nung people build earthen houses. In Nung houses, the kitchen is not only for cooking but also for heating, especially in the cold winter.
Clothing: The traditional attire of the Nung people is quite simple, usually made of self-woven coarse fabric dyed indigo without much decoration. Men wear high-collared, front-buttoned shirts with fabric buttons. Women wear five-piece shirts, buttoned on the right side, usually extending beyond the hips. Nung women wear square scarves tied in the shape of a crow's beak, while Nung men wear hats, especially during spiritual ceremonies.
Cuisine: The Nung people eat plain rice, sticky rice, and various dishes made from plain and sticky rice. From plain rice, they make cao quyển and cao xằng; from sticky rice, they make colored sticky rice (purple, black, red, yellow), sticky rice with black trám, and ant egg sticky rice; and various kinds of cakes. Besides common dishes, the Nung people have some specialty dishes for special occasions. During the Lunar New Year, they often slaughter capon chickens and make long bánh chưng cakes. At the end of January, they make wormwood cakes (sticky cakes with young wormwood leaves). On weddings and birthdays, roasted pork stuffed with mac mat leaves is indispensable.
Religion and Beliefs: The Nung people primarily follow polytheistic beliefs. They usually worship three generations (parents, grandparents, and great-grandparents). Worshiping deities is carried out through festivals such as lùng tùng and cầu mùa. Their worship practices and behavioral concepts reflect the influence of Buddhism, Confucianism, and Taoism. In Nung religious practices, the roles of shamans such as Tào, Mo, Pựt, and Then are prominent.
Art: The most distinctive feature of Nung folk art is then. This is a ritual performance that is both artistic and spiritual. The Then master creates both the lyrics and the melody. The tính guitar, which has no frets, allows the Then master to create spontaneous sounds. Although it has a spiritual element associated with many ritual ceremonies, then is also festive, connected with events in people's lives or New Year celebrations. Another very characteristic type of Nung folk song is sli. Sli is a duet love song sung by young men and women in a collective performance, often with pairs of men and women responding to each other in two-part harmony.










