#vilém

[nasty-redacted]

assorted Vilém sketches

[doma-u-tonouci-hvezdy]

An Archive of Our Own, a project of the Organization for Transformative Works

Viděla jsem Klíč svatého Petra. Měla jsem obrozeneckou náladu. Nebudu se omlouvat.

[brambys-art-archive]

Just regular nightmares with two ghosts.

[Photo ID: two versions of the same digital drawing.

There are three people, artists original characters named Vilém, Andrej and Sába. Andrej is kneeling with his right hand in his hair and left hand in front of his face. The left hand is on fire. He has a distraught expression on his face. Vilém and Sába are bending above him from behind his back, their legs are not visible. Vilém is on his right side and looking down at Andras and is holding him with force by a hand and a neck. Sába isn't looking anywhere but her face is facing down and her hair is covering her face. She is loosely hugging Andrej.

Andrej is a young pale, slim man with ginger hair and shaved sides. One of his eyes is green with tiny pupil, the other is grey with a normal pupil. He is wearing grey t shirt with short sleeves and dark blue torn jeans.

Vilém is also a young man with paler skin than Andras, he is slim and has brown hair. His eyes aren't visible. He is wearing a brown shirt with slightly poofy sleeves and blue lace on shoulders. He has blue trousers with a thick belt

Sába is teenage alim girl with pale skin and light blonde hair. She is wearing red dress with poppy embroidery on top of her sleeves.

In the first picture, everyone's fully coloured and shaded. In the second, Vilém and Sába have color burning filter on them.

Both pictures have black background with a grey area, on which is Andrej kneeling.

There is a text in right bottom corner reading: potato-bag-ghost.tumblr.com. End ID]

[lulaeurico]

FLUSSER

[wonderfulambiguity]

Heckel Vilém, Bez názvu, Date Unknown

[artinparisnow-blog]

Towards a Philosophy of Photography - Vilem Flusser

Flusser describes a world fundamentally changed by the invention of the "technical image" and the mechanisms that support and define industrialized modern culture. He argues that whereas ideas were previously interpreted by written account, the invention of photography allows the creation of images (ideas) taken at face value as truth, not interpretation that can be endlessly replicated and spread worldwide.

more on flusser / buy / download

posted by: Micaela