#vocal workshop

[piggyrideme]

Book Vocal Workshop - Explore Light Music! online by Sonorous Music school on PiggyRide

Get ready to let your kid explore the vocal workshop and learn light music techniques from expert vocalists from Sonorous Music Academy. Get, Set, and Go!

[jazzzzaj]

280919 JazzaJ Műhely / Isabelle Duthoit Vocal Workshop

***scroll down for English*** Ezen a workshopon felfedezzük rejtett, személyes kincsünket: eredeti hangunkat. Azt a nyelv előtti hang-birodalmat, ami a légzéstől a sikításig tart. Ez a kincs mindenkiben megvan, de ahogy megtanulunk beszélni, fokozatosan elfeledkezünk róla. Ezek a hangok azonban nem vesznek el, valahol ott vannak a testünkben. Hogyan hozzuk elő újra, hogyan találjuk meg a rengeteg bennünk rejlő hangot? Hogyan használjuk őket? Hogyan figyeljük meg mindennapi hangjainkat – légzésünket, sikolyunkat, nyögéseinket, hümmögésünket – és hogyan építhetünk mindezekből egy új, saját nyelvet, amivel játszhatunk, improvizálhatunk, hogy újra felfedezzük a beszéd, a szavak előtti, első nyelvünket? A műhelymunka nem csak énekesek és zenészek, hanem mindenki számára nyitott, aki újra fel szeretné fedezni a saját történetét, annak egy szeletét. A workshop díja: 6000 Ft Regisztráció emailben: [email protected] Pontos helyszín egyeztetés alatt! Tervezett órarend: 10:30-12:30 workshop 1. rész 12:30-14:00 ebédszünet 14:00-16:00 workshop 2. rész Isabelle Duthoit a vokális improvizáció egyik nagymestere. Képzettsége szerint klarinétos, a kortárs klasszikus zenei repertoárban hangszeresként és énekesként is elismert, többek között Luciano Berio, Pierre Boulez, Iannis Xenakis, Olivier Messiaen, Helmut Lachenman darabjait adja elő. Az improvizációban rendszeres alkotótársai Franz Hautzinger, Phil Minton, Luc Ex, Jacques Di Donato. Ezúttal az Újbuda Jazz Fesztivál meghívására látogat Budapestre, ahol Márkos Alberttel és Bolcsó Bálinttal fognak trióban játszani szeptember 27-ikén. https://www.facebook.com/events/505078510302916/ A workshop utáni napon, szeptember 29-én pedig a debreceni MODEM születésnapján adnak elő. __________________________________________________________ In this workshop we will try to explore our very own, secret treasures: our original voice. A pre-language sound-empire between breath and scream. We all possess this treasure but as we learn to speak – it gradually falls into oblivion. But these sounds are never completely lost, they remain hidden somewhere in our bodies. How can we find and recover this voice inside us? How could we use it? How can we observe our everyday sounds – our breaths, screams, moans and hums – to invent a new, personal vocabulary to play and improvise with, to rediscover our very first language that we used before words and speech? The workshop is open not only for singers and musicians but for anyone who would like to rediscover his/her own story – or at least a slice of it. Workshop fee: 6000 HUF Registration via email: [email protected] The venue is to be announced soon! Planned schedule: 10:30-12:30 Workshop, Part 1 12:30-14:00 Lunch break 14:00-16:00 Workshop, Part 2 Isabelle Duthoit is one of the great masters of vocal improvisation. She was educated as a clarinetist, and recognised both as a singer and an instrumentalist in the contemporary music repertoire, often performing the works of Luciano Berio, Pierre Boulez, Iannis Xenakis, Olivier Messiaen or Helmut Lachenman. In improvised music, she regularly works with artists like Franz Hautzinger, Phil Minton, Luc Ex or Jacques Di Donato. This time she is invited to perform at the Újbuda Jazz Festival where she will share the stage with Albert Márkos and Bálint Bolcsó on the 27th September: https://www.facebook.com/events/505078510302916/ The day after the workshop, 29th September, the trio will perform at the MODEM’s birthday event in Debrecen

[newyorkvocalcoaching]

Thank you Florian Voss-Voice, Body, & Soul for capturing this awesome picture of our oh so talented Vocal Coaching Associate, David McCall! #VocalWorkshop #SingingCanBeSilly 

[singing-in-london]

Come to our Intermediates Vocal Workshop 15 Feb 2015

This workshop is for anyone who has some singing experience and are not starting from scratch and you wish to develop your skills further. 

It will include how to develop musical expressions when singing, learning how to sing harmony lines to a tune and more. The solo singing will be much more focused on delivering a song like a pro!  

At the end you will be able to put what you have learnt into practice.

10.30 am - 2.30 pm

Bonnington Centre, Vauxhall

£25.50

To book: http://www.singinginlondon.com/workshops

[singing-in-london]

Fantastic Beginners Workshop on Sunday. Great to see everyone's confidence increase and vocal strength. 

Looking forward to our Intermediates Workshop on Sunday 15 Feb in Central London.

[singing-in-london]

Live in London? Love to sing but would like to improve?

Improve your skills in 4 hours with our Beginners Vocal Workshop on 25 January.

To find out more and book: http://www.singinginlondon.com/workshops

[rpmfm]

Diverse as This Land: Apply Now

The Diverse As This Land program explores how land shapes voice and reveals the dynamic spectrum of Indigenous artistry today. The program enrolls 12 singers, actors, and storytellers in the performing arts each year and is currently accepting applications.

From banffcentre.ca:

Indigenous Arts at THE BANFF CENTRE offers a 10-day voice intensive which is an in-depth examination of the human voice as primary channel for communication in the performer-audience relationship. Working from the feet up, the emphasis will be on establishing a grounded, spine-breath relationship that enables free expression of creative impulse.

During the voice intensive, participants will have opportunities to: develop a deep understanding of your unique breath and voice foster a tangible awareness of your own vocal and physical habits experience and incorporate a voice warm-up progression into your artistic practice explore a wealth of tools with which to tap into your imagination build a coherent and integrated approach to physical, vocal, and text/lyrics preparation deepen your ability to be in relationship with your music or scene partners, and your audience The program is intended for anyone who works in any sound tradition with physical, emotional, and vocal freedom. Singers, actors, storytellers.

Enrolment is limited to 12 participants of Indigenous descent who are 18 years of age or older. Full scholarships are available. You only have to pay for your travel to get to Banff. Imagine 10-days in Banff working on your voice.

It’s an incredible opportunity to develop your voice in the beautiful setting of The Banff Centre! Apply now – the deadline is April 18th – and tell us all about it.

More information and application form available here.

[rkjongin-blog]

❝ 11 am | solo

11 am. || song reference: sample

The ticking of the clock on the wall was the only sound that could be heard inside the room as Jongin waited, anxiously for that class. He was already into the trainee’s schedule and it was hard, so hard that during the first three days when he entered the dorm again the only thing he wanted was to lie down in his bed and sleep until 5am the next morning. It was excruciating but it was so worth, he was sure he could never really learn anything outside those walls. Whenever a sunbae or a teacher pushed his limits instead of making a face, he just wanted them to do it even harder, to break his bones and make him work some more.

Possibly that was the reason why he wanted to have even more than the average vocal classes lessons. Jongin was aware his voice wasn’t the best one, he knew he would stutter whenever a certain note had to be reached (most of the reason why he turned to rap was because he realized whenever he didn’t think about the lyrics and focused on something else – like rhymes and the beat the stuttering was gone) but as much as he was aware of his own limitations, he knew singing was a big thing in the industry – after all, they were going to me mold into idols and even if he didn’t know he was going to be placed in a group or as a solo artist, he needed to be at least good enough to be kept around.

“So very few of you show interest in this class.”, the vocal teacher said and in a way he felt proud of himself for showing interest in that; he could even smile when looking at the male, but as soon as the man’s eyes fell on Jongin, he got a little nervous and just looked down briefly, fingers playing with each other inside the pockets of his training pants. “Perhaps they’re too confident they’re good.”

This time the group of four trainees just chuckled, soundly, and the man allowed himself to follow them. After a brief introduction, he handed them the song they’d be working that morning. He first played the song for them to listen and Jongin could feel his breathing getting heavier by the second, realizing the song was really hard to sing and the singer was just doing a flawless job.

“I expect you to be this brilliant.”, the man informed, causing everyone to just stare in desperation. Noticing that, the professor just laughed a little. “One day. We’re getting there. I’m confident you can be as good as this man here. If you work hard. Now let’s warm up our voices and get started. Kim Jongin, you first!”

Evidently nervous but at least 3% relieved they were not to cover that song in the first class, Jongin came forward, bowing respectfully in front of his teacher, allowing the man to train and teach him to be the best.

That was just one more step.