Honestly? I’ve never really understood how Keith’s backstory was supposed to work in canon. A lot is vague, some things contradict each other, and most of it feels disconnected from how the real world works.
So I tried to build a version that does make sense — something that connects the dots between canon, fanon, and my own interpretation of who Keith is. (And yeah, if you recognize some bits and pieces from other people’s headcanons — you probably do. Let’s go. This one’s long.)
1. Before Keith was born
Keith’s father was a firefighter — and in many countries, that also means he worked in emergency response and rescue. (I was partly inspired by shows like 9-1-1 from the ABC.) Let’s assume he worked a rotating schedule, something like 24/24/24/72. So during one of those 72-hour rest periods, he witnesses Krolia’s ship crash.
He rescues her, hides the wreckage, treats her injuries — and then returns to duty. Krolia stays unconscious during all this. Over the next four months, they slowly begin to coexist. Krolia recovers, tries to locate the Blue Lion, and stays hidden. Keith’s father helps however he can — showing her Earth, teaching her the culture. Eventually, they fall in love. And around seven or eight months later, Keith is born. (Which means they've been together for a little over a year.)
2. When Keith turns one
As canon tells us, Krolia eventually leaves to protect Earth(and Blue Lion) from the Galra Empire(Or in short, returns to the Blade of Marmora). Before she goes, she helps fight off an attack — during which Keith’s father breaks his arm.
Given his job, it’s plausible that he’s granted extended paid leave to recover. During that time, he adjusts to being a single dad. It’s also when his team starts to realize that he has a son — though he never tells them what happened to the boy’s mother.
3. Keith’s Childhood
Knowing that Keith will need to attend school, his father moves them closer to the city, leaving their house in the desert as a kind of weekend home. But life isn’t exactly easy for Keith.
His Galra traits are more noticeable than in canon: black hair with a purple sheen, slightly pointed ears, and subtle feline behaviors. Kids find him strange. Adults mostly ignore it.
And then, when Keith is nine, tragedy strikes. His father dies in the line of duty, along with most of his team. Only one survivor remains, too traumatized to take on custody. The system doesn’t assign Keith a new guardian.
So he ends up in foster care. And from that point on, he’s completely alone.
4. Teen Years & the Garrison
Keith throws himself into one goal: getting to space. It’s the only thing that feels like it might matter. As he gets older, he starts to suspect that all those stories his dad told him — about a mother watching from the stars — might’ve just been metaphors. Maybe she’s dead too. But sometimes… he still wants to believe.
The problem is, there’s no clear way forward. He’s a foster kid, broke, isolated, with no one to back him up.
Until Shiro enters the picture.
Their start isn’t smooth, but eventually Shiro becomes the person who helps Keith believe in himself. He helps him get into the Garrison. I like to imagine that Shiro becomes his legal guardian or listed representative while he studies there.
While at the Garrison, Keith also meets Adam, and crosses paths with the Holts a few times (not close, but enough to remember them). He still doesn’t connect well with his peers — his anger and introversion haven’t gone anywhere — but he earns a reputation as a top student. Quiet, brilliant, intense.
5. After Kerberos & Before Voltron
When Shiro “dies,” Keith refuses to believe it. He fights the Garrison, his instructors, even Adam — who’s caught between grief and frustration.
Keith spirals. His behavior deteriorates. His grades start to slip. The breaking point comes when he secretly helps Pidge (then still Katie) gain unauthorized access to classified files. His involvement isn’t exposed, but Adam finds out. And that leads to a final blow-up.
They stop speaking after that. Adam keeps his silence, hoping things will improve. They don’t.
Keith is expelled.
He’s still technically a minor, which means he should be sent back into the system. But he doesn’t go.
Instead, he disappears. He drains his account, leaves Adam a note — “Thanks for being there. I’ll be fine.” — and returns to the old house in the desert.
There, he starts digging for the truth: about the Kerberos mission, the strange energy that keeps calling to him (we know now it’s the Blue Lion), and about who he is, where he came from, and what the hell he’s supposed to do with his life.
And this is the version of Keith’s story that makes sense to me.
I’m not saying it’s perfect — but it’s what I mean, at the end of the day. What do you think?
If you’re interested, I might try writing similar posts for the other characters too. (Not gonna lie, I’m not sure I’ll pull it off — but hey, worth a shot.)
I saw very cute art about Keith's love language being acts of service and now I'm thinking about everyone's love languages
I agree that Keith is probably acts of service for how he shows love and quality time for how he feels loved. I think words of affirmation is the most difficult for him to receive (I think that's part of why the early seasons dynamic with Lance works so well for him, I think the rivalry and bickering feel safer to Keith than outright affection would)
Loverboy Lance is probably a blend of words of affirmation, physical touch, and acts of service. Probably also quality time tbh he grew up with a lot of love being shown in lots of ways so I think he'd be fluent in all the love languages, but maybe has a hard time giving and receiving gifts
Pidge feels like a gift giver to me. Pidge absolutely tracks down that niche collectible you've been trying to find for years for your birthday and you'll never know if they got it through legal means or not, and receiving gifts that feel accurate and personal to them makes them feel the most loved
We know Hunk loves cooking for others and I'd say that's a blend of gift giving and acts of service. I can't see him struggling receiving any of the love languages in particular but that might be because the writers forgot to give him a character flaw to overcome
Allura is probably words of affirmation I can't explain it I just feel it's true for her. Somebody please tell her she's doing a good job please I beg you. I think acts of service don't register as a love language to her because growing up as a princess she was probably surrounded by people who did things for her all the time as their job rather than an act of love. Quality time is probably high up for her too because I imagine her parents were quite busy so making time for her felt special. We've also seen her appreciate getting gifts ("I'd love something sparkly!")
Shiro I'm stuck on tbh, he generally stays pretty separate from the other paladins and we don't get any of his family history and also he's not himself for the majority of the show. What we do know from the flashbacks in season 7 is that he feels the need to prove that he's capable, and we don't know where that drive comes from but I'd guess that makes him a words of affirmation guy. Similar to Allura, someone please just tell him he's doing a good job. We also see his clone appreciate the quality time with the team in the monsters and mana episode so that could be high for him too
Coran is absolutely acts of service and quality time, in that order. But I think he often thinks of these as going together, when he and Lance are cleaning the pods in season 1 we see him telling Lance about himself while they're working. That feels like a blend of acts of service and quality time to me
Anyway I got soooo carried away with this so I hope you enjoyed my 1am thoughts
This has been something that was on my mind for a long time. In season 1, Voltron’s first upgrade was Keith’s bayard which gave them the sword. Then later on, we got Hunk’s upgrade of a shoulder-cannon. Season 2 we got Pidge’s plant cannon. Shiro used his bayard along with everyone's bayards to form the Blazing Sword (this is just speculation, since the S5 trailer, which I’ll get to later), but so far we got nothing from Lance.
In the Voltron comics, this was even addressed during the second issue of the first comic. Voltron’s getting its ass kicked by the monster, and neither the sword or Hunk’s shoulder cannon is working. Pidge hadn’t gotten her upgrade at this point, so of course Lance thinks he should do something.
Between panels, nothing happens and Keith sarcastically says, “Good job, Lance”. Pidge makes a remark that kind of stuck to me, but I didn’t really know why.
What does Pidge mean by ready? I mean, I guess when Voltron got its upgrades, that’s when the lions thought their paladins were ready for a little hint at what they’re capable of when the plot demands it during times of peril (Red and Yellow were “telling” their paladins what to do). Yet even when Lance establishes the bond he has with Blue numerous times in the series...
The lion seems to think otherwise as of season 3.
But this comic took place all the way back in season one. Since then, Lance has grown and changed. He’s been switched to the Red Lion with the red bayard and is now Voltron’s “right hand”.
He might have foreshadowed Allura unlocking an upgrade in his talk with Keith, “she might even be able to unlock powers we don’t know of” after handing over the blue bayard, and she is picking things up faster than any of them. Even under Voltron’s TV Tropes it says in “Overshadowed By Awesome” that throughout season 3, whenever Lance did something cool (fly in with Red who’s extremely fickle of who’s allowed to pilot her sorry, Coran gets a bayard change to a sniper rifle) Allura comes in with something greater; flying Blue, unlocking the sonar scanner that took Lance two seasons to get, outsmarting Lotor and even getting an awesome bayard whip. I’m not knocking Allura at all, it’s just that with all of this I thought she would get the upgrade before Lance.
However, season 5 may hint otherwise.
(Oh, parallels, I love them)
This moment could be directly paralleling Keith when he first unlocked the sword with Red telling him what to do. However, because bayards are reflective of a paladins personality, I wonder if Lance will unlock something else entirely. Going with this specific way the artists decided to frame this scene, I’d be surprised if they just went with the sword, because while Lance may not have been ready to unlock Blue’s upgrade, maybe he’s finally getting his special weapon with Red. There’s no way they’re putting this much emphasis into this scene that was so similar to another we’ve seen that something big isn’t going to happen.
{I have a fear that I’ll be prove wrong, but this is just speculation and theorizing}
So after all this rambling, I was thinking, but what does this mean for Lance this season?
Like many others have hoped, I think this will be Lance’s season where he starts to grow even more than before and perhaps become more comfortable in his new role. I’m not hoping for Black Paladin Lance, as I feel putting him in a leadership position will only burden his conscious more (no matter how well you’re able to lead others), and I feel that many people overlook the importance of support roles in a group when the leadership one seem so much more promising and interesting. While Lance still likes the idea of glory and being in the spotlight, I think even he knows that he does better supporting others. Let’s not forget, he gives Allura the pep talk she needed to hear and even says she’s “the heart of Voltron”.
As Voltron’s right hand, I think Lance is starting to understand that his place isn’t where he’ll be directly leading others, but somewhere he can support and encourage his friends. With him going full intense anime while using Red’s bayard, I think he’s finally "ready” to accept that.
Lance is coming into his own as the red paladin, and I hope if this is his season, it will be a glorious one.
It’s rather obvious. If the show were attempting to surprise the audience they could have easily excluded these scenes or had them appear in a later episode. If going by the classical defintion of a twist, that is something that surprises the audience, Clone Shiro’s real identity (I’m nicknaming him Kurono) would have been a card to keep closer to one’s chest. Let the audience assume that this is the real Shiro, and then at the last moment reveal the deception.
However, in letting the audience know that this is a clone right away, Voltron might be asking us to look at Kurono in a much different way then originally we would have if we were simply led to believe he was Shiro. We might actually be able to learn a great deal about Shiro, by using the fake Shiro, and also the many different fake Shiros as a lens to analyze him.
This is a quick and dirty explanation of the Serling method of storytelling twists. The beginning, the exposition tells everything the audience needs to know and tells the absolute truth, but the ending manages to change the viewer’s expectations on what they learned in the beginning. However the beginning and end still cooperate with one another in a basic way. That is a question is asked in the beginning and answered in the end.
Planet of the apes starts with the main character having a negative view of humanity his question is if they will ever escape their warlike ways, the answer is delivered in the end, no they won’t. The twist in actuality isn’t that important, it’s just a means of delivering the answer at the start of the movie.
Therefore, why reveal that this Shiro is a clone in such an obvious way akin to playing with your cards face up? Especially since emotional reaction to a fake shiro storyline might require believing for a moment that Shiro had really returned? It’s because the twist in actuality changes nothing about the question asked.
The question asked by using a clone Shiro plot line, is the question your mind is trained to ask immediately when you detect a clone is in the midst of a storyline. “Where is the real Shiro?” or if there are two Shiro’s onscreen at some point then the question becomes “Who is the real Shiro?”
I’ll argue however that this question is actually something that’s been central to Shiro’s character from the beginning. Not only that but in previous seasons, there have been hints that Paladin Shiro might not even be the original Shiro. Sources [x, x].
Technical details also are not entirely important, but also remember that Paladin Shiro despite being human is shown able to generate and use Quintessence the same way an altean can through his arm. That obviously implies some physiological change was invoked on Shiro before he became a paladin, already marking him as different from Cerberos Shiro.
Anyway, the blade of Marmora scene discussed in the first link.
Shiro and Keith are heavily implied to have known each other at the Garrison. Keith is implied to have gone to rescue Shiro specifically because it was Shiro when he crash landed on earth. Keith even says that the blade of Marmora he carries is something he’s had his entire life but Shiro himself cannot confirm this.
Not only that but clearly when a knife is being pushed against Keith’s throat and he might die, Shiro cannot bring himself to simply lie to protect Keith. Eevn though Keith’s life should be inherently more valuable than the blade of Marmora’s cooperation.
This suggests two possibilities, either Shiro is lawful good to a stupid extent, or Shiro genuinely does not remember this critical detail of his and Keith’s shared past. Keith even says “Shiro, you know me-” when trying to persuade him to take his side suggesting it is something Shiro should know. Also that not remembering, or not knowing how to act brings out a hesitance and a character flaw in Shiro.
I’m not going to go into whether Shiro is yet another clone at the time or not, because as I said this isn’t about the technical details. However, it’s worth pointing out that this Shiro is different from the Shiro Keith knew. Not only that but in the same episode we see an entirely different Shiro in Keith’s mindscape. There are three Shiro’s then, the Shiro that Keith knows, the acting Paladin Shiro, and then the Shiro that appears in Keith’s mindscape.
Except that there are actually more versions of Shiro than that, because different incarnations and differing versions of Shiro’s character is something that’s existed since the beginning. Even when Season Three sets up the possibility that there might be two Shiro’s, a real one and a clone, they also throw in Sven whose obviously meant to be an alternate universe Shiro.
If you keep a close tally from the beginning there is: Kerberos Shiro
Paladin Shiro (The one we know the most about in seasons 1 and 2)
Champion Shiro
A hallucination created by Haggar to embody Shiro’s worst fears of himself, and likely his perception of himself (A Galra experiment gone wrong).
Mindscape Shiro created from Keith’s perception of him.
Then finally in the third season, Sven.
And finally of course, Kurono.
Another difference that points out Kurono might be a clone right away is the sudden outfit change and the hairstyle change, as well as Keaton’s performance making him sound a lot different than the paladin Shiro featured in the first two seasons. Once again, I think it’s meant to make it as obvious as possible that this is a fake, another offshoot of Shiro.
What exactly then is the point of showing so many possible variations of one character in a series, rather than just sitting down and focusing on developing the real Shiro? No other character has as many alternates as Shiro. Not even when traveling into the alternate dimmension, do they meet the alternate Allura she’s merely mentioned. This is clearly a trait and quirk that belongs solely to Shiro. That’s where you hit that question again, “Who is the real Shiro?”
It is a question that automatically is asked when there are just so many derivative versions of Shiro running around in Voltron. Not to sound like a clickbait article, but the answer of course may surprise you. It’s entirely possible that Shiro does not know himself.
We have a vague timeline of the events that led to Shiro’s escape in between Kerberos -> Prison -> Premise. The timeline is not entirely important though, the most important thing is that Shiro was inflicted a great deal of trauma in between. His trauma changed him, he could no longer simply go back to being pre-kerberos Shiro. However, rather than being given time to feel out the scope of his trauma and come to terms what his post trauma identity, he was immediately thrown into yet another high pressure situation where he was expected to lead.
Not only was Shiro an amnesiac and lacking details about his own identity, but everybody he met up with already had in mind their own version of what Shiro would be like. It’s deliberately shown at the beginning of Season 3 that Shiro is considered a hero back on earth to some extent, and all of the paladins knew about him before meeting him in the flesh.
Hero, legend, teacher, holder and confidence and trust, Shiro is all of these things to everybody. When he came face to face with the paladins and in the light of his own splintering identity, Shiro then chose to try to be the best they wanted out of him. This is even shown a bit in Shiro’s leading style, as he often defaults to some variation of “Any idea guys?” when presented with a situation that he cannot solve on his own or grows insecure about.
The fight in season 2 episode 3, Shiro’s escape is a pretty good example of this. Shiro really only has one idea which is to shove the shield in his mouth, the rest are contributions from the other pilots of voltron. Which makes sense as it’s supposed to be a robot with five pilots, not just one. The first two seasons do a good job of illustrating Shiro’s positives and what makes him an effective leader, he’s able to compartmentalize himself so effectively that his trauma and own lacking identity rarely interfere with things, and his own ego comes second to the group thus he’s able to really effectively take suggestions from others and mobilize the group together.
Which is why I think in part Kurono is a necessary addition to Shiro’s character, as he exists like all of the other Shiro spinoffs to highlight another part of Shiro’s character. That is his faults. Kurono is the result of Shiro’s high level compartmentalization and playing to other’s expectations, that is a literal clone who all he needs to do is act like Shiro to be accepted by the rest of the group without any suspicion. Except for Keith, who had the strongest emotional bond to Shiro in the series before his disappearance.
Kurono also serves to highlight the faults in Shiro that might not be obvious when he is trying so hard to project an in control leader in front of the paladins. If Shiro’s character really is a reference to post traumatic stress disorder, then it’s important to notice the history of the disease. While it has many causes of course, to simplify things it’s something first noticed within Soldiers of World War One. At the time it was called “Shell Shock”, and in its most basic terms it was soldiers who came home and were unable to adjust back into home life, but rather were stuck still in soldier mode.They succumbed to Shock, that is they were stuck and unable to move from the way their brain adapted to the instance of trauma.
Therefore there is Shiro, and then there is Shiro after trauma and the two are disjointed from each other. Shiro simply cannot move back and become Kerberos Shiro, for various reasons. On a meta level though it’s strictly due to his trauma. Shiro knows he’s changed and questions it several times, but when the paladins are around he’s well enough at coping and putting on an act that we suspect nothing. However, remember what he does when all of the paladins leave him alone in the first season?
He kills in cold blood. This isn’t really an examination of the morality of the scene, my use of cold blood simply means that Shiro killed somebody who had already been taken down and had no means of fighting back. It’s just a description of his actions in the purest sense.
What’s important is not the morality of his actions, not really, but his own rationale. Why did Shiro do the unnecessary and take out Sendak even though he was already down for the count, and was not the real source of the threat on the castle? It’s because at the moment, Shiro was alone and under threat. Which meant he resorted to his own instincts, his survival instincts, his soldier instincts. Instincts aren’t necessarily logical, so Shiro does the quickest thing he can to move him back to safety. He removes the threat by any means possible. Shiro’s face after the fact says it all, he’s stressed, he’s in shock from what he’s done, he’s not even sure of his own actions.
It’s a common writing technique to stress a character out and show that they always repeat a pattern that is indicative of their true selves when they are pushed to their lowest point. Low points are revealing like that, when Lance is at his low he tries to back away and insist he’s unworthy he has inner feelings of worthlessness, when Allura is at her low point she always relinquishes and gives up control, she feels out of control, Keith in times off high stress laser focuses on the most clear cut path to the objective, Keith has a greater sight of the bigger picture than most.
If what Shiro does in his highest point of stress is to act like a wounded soldier desperate to survive than that is how he sees himself.
This resorting to soldier like logic and instinct over cooler rationale is something present in Kurono too, but firs tand more important it’s a trait shown by Shiro’s foil and fellow black lion pilot Zarkon all throughout his backstory episode.
I would argue Pre-Quintessence Zarkon, and Paladin Shiro have a lot in common. They have similiar reasons for being the black paladin, Shiro is not the best pilot on the team or the smartest but he does have the most experience. Zarkon was the soldier on the team, while Alfor despite building the lions himself was more of a scientist. They’re also both stiff to the point of being awkward, incredibly by the book (As I said before his refusal to simply lie to save Keith’s life in Blade of Marmora suggests extreme lawful good tendencies), but have the capability of being more relaxed. (Shiro plays along with the rest of the paladin’s antics, Zarkon went out of his way to bring Allura a present when she was born and even Alfor comments he’s softened.)
What is most similiar about them however is their primary flaw. When Shiro and Zarkon are both stressed, they revert back to soldier mode.
This is referenced several times in episode 7 of season 3, that Zarkon’s primary identity is that of a soldier. When the experiment goes wrong, Zarkon quickly thinks of the potential disaster in the terms of soldiers he is going to lose. That is he is exposed to stress, and processes it like a soldier.
When Alfor disagrees with him much later on, Zarkon immediately pulls rank as if that’s supposed to pull him back into line. Much like an earlier comment when Zarkon tells the others not to speak to the servant class so that they do not erode discipline, Zarkon sees the world in a very rank and file way and expects this simple calling of rank to pull Alfor back into line.
This is almost exactly the same way that Kurono and Keith have their disagreement in episode six, Kurono handles it by ordering Keith exactly what to do rather than relying on Keith’s instincts like he had in the past. Not once, but twice first when he ordered Keith not to go after Lotor, and second when he told them exactly what to do and how to deal with the Teludav. An order which would have left them completely open to Lotor’s trap without Keith’s improvisation.
What is Kurono’s justification for this, it’s very soldier like. “You need to make hard choices Keith.”
If Kurono as a plot line is meant to be a lens through which we analyze the original Shiro, then we’ve learned two things from this episode alone. One, that everybody on Team Voltron relies too heavily on Shiro to the point of trusting his every word against Keith’s even when Keith was technically now supposed to be the leader. The second is that these flaws that Kurono displays can have their root in the original Shiro too, that Shiro’s flaw is that without his empathy he would at times default to his survivalist and soldier like mindset.
In the same way that Zarkon, Shiro’s much darker reflection when stripped away from his love and his friendship, becomes only able to act as a soldier and declare war.
I don’t quite remember who made the post about it, but one person pointed out how Haggar seemed to be treated more coldly by Zarkon in S4, and it may have been due to bringing him back.
{EDIT: @glowwormik made this post that looked into how Haggar is pretty much alone come season 4 after Zarkon returns}
Want to know what this kind of situation reminded me of? Game of Thrones, specifically, the character Beric Dondarrion who has been brought back from death at least a total of seven times. He claims after each of his resurrections he feels less like the man he once was, and fears totally loosing himself the more times he gets brought back. Even Jon, after his first resurrection also fears loosing who he once was and tells Melisandre that if he were to die on the battlefield to let him and not bring him back.
Haggar, desperate to keep the empire from toppling and after looking into the emperor’s memories, fears loosing her husband. After his first resurrection, he seems to have been able to keep some semblances of his old self, like the bond with the Black Lion (severed by S2), his pride of the empire and his people and his love for his wife, even if she seems to have forgotten him when she came back. However, by the second resurrection, his face is visually covered from us, and the only way to emote is through his voice. He lightly reprimands Haggar for her decision to put Lotor on the throne (which she looks shocked by, Zarkon has talked back to her in the past, but never to the point of belittlement), and nearly destroys his fleet as they chase his son. He sounds closer to a robot than a living being based off his tone as of season 4.
This reborn Zarkon… feels colder than the one we’ve come to know from the first two seasons. As I’ve stated above, we can’t see him emote with his face anymore, and the only time he sounds agitated or angry is when Haggar notifies him of Lotor’s comet ship. When chasing Lotor, instead of acting angry, like when searching for the Black Lion, he sounds eerily calm. Haggar suffered more because she was exposed to the quintessence longer, and while she lost her memories, she didn’t loose the care she felt towards Zarkon, and of the two at this point is more expressive. I think she’s come to realize that Zarkon may no longer care for her (loosing the bit of love he had for his wife) and has decided to take matters into her own hands, hence Naxzella.
Zarkon slowly loosing his humanity as the show progresses could be an interesting plot point we see in the upcoming seasons, but for now, this is just what I’ve observed from him.
