#vr gallery

[kitchimera]

cobalt sludge - watercolor, prepped for display in VRC

I dispose of cobalt water into a houseplant, but there's always some that remains in the bottom of the cup. I love the colors that settle out, they remind me of eggshells.

The fake matte boards aren't subtle in the shading (inner shadow, outline) but I think that once the image is "behind glass" the hyperbolic shadows will be more believable.

[kitchimera]

ocean, moon & moss -- "matted" for display in VRC

I didn't think I'd be that interested in building worlds for vrchat, but my hyperfocus keeps pulling me to Blender. I've been chewing on a tutorial from spookyghostboo, which is creating a middle-class-looking? mcmansionesque? bedroom. I was looking around on sketchfab for additional decor when I realized that I now had the skills to download a frame and put my own artwork in it.

I used the recent Cobalt Moon Moon, which had a backing of additional cardboard when I scanned it which created a bit of false depth. I thought that it might be a better fakeout to pretend the whole of it was behind glass, as I could just tweak the materials settings to make it shiny/reflective. Too bad the thought of getting OBS running to show how it all came together in an awesomely convincing way is exhausting.

So I decided to press on to make my first VRC world, this bedroom, also a small gallery. And to do that I need more than one fbx painting. I keep gravitating to using these swatches as decor because they are soothing in some way. I used to hate "hotel art" but it currently brings me a lot of joy. So I'm just slapping some inner shadow layers on a few swatch images I have and on the craft board "matte", because once it's behind glass I think this will be enough for the illusion of depth. I can get more creative with framing as I learn. I played around with creating a normal/AO map for an oil painting, but that will have a learning curve to do well. For now framing watercolor "behind glass" will be SO much easier. And linking to a completed VRC world will be easier than trying to film any of the process.

[aos-presents]

Stop by the gallery. Follow the ACE$ community and culture on Twitter, onboarding your NFT art, projects and inspiration. Here for you during the biggest digital ecosystem shift. Connect, in the morning coffee chat..

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NFTz - ECashAce 3D space

See, buy, find NFTs in 3D and VR from ECashAce . For NFT Creators and Collectors.

[eugenia-kas]

[mediacreationlab]

TANERI スタジオのVRギャラリーを制作しました

TANERI スタジオのVRギャラリーを制作しました。

ゼミでは地域の文化をどのように発信するかということを課題に、瀬戸市にある共同アトリエTANERIスタジオのご協力をいただき、建物内を3Dスキャンし、VRギャラリーを制作しました。

http://www.node-lab.org/vr/taneri/

[mediacreationlab]

研究室のヴァーチャルギャラリーを作成しました

研究室のヴァーチャルギャラリーを作成しました。

研究室を3Dスキャンし、そのデータをもとにヴァーチャルギャラリーを作成しました。奥の部屋には学生が制作した3Dモデルを展示した空間で作品を鑑賞することができます。キーボードのコントローラーで操作できます。 ゲームコントローラーでも操作ができます。

http://www.node-lab.org/vr/kawamuralab/

[posthumanwanderings]

Is Virtual Reality the Future, Or Just a Passing Fad? | VICE | United Kingdom

We went to the Virtual Reality Los Angeles Spring Expo to find out.

"Kevin Mack, meanwhile, wants to use VR's potential to create dissociative sensations for the purpose of art. Virtual Reality, he thinks, "is better suited as a medium for art than it is as a medium for narrative storytelling and for games." And movies are something Mack knows a thing or two about—when I asked him what he did before his stint in VR, he casually said, "I helped kind of pioneer computer graphics for visual effects." Mack won an Oscar for Best Visual Effects in 1999 for his work on Vincent Ward's What Dreams May Come, starring Robin Williams, and his father was an animator for Disney. He recently quit a big Hollywood job (he wouldn't say which project specifically) to concentrate on VR.

His program, called Shape Space, is nearly the polar opposite of the frenetic World War Toons. Shape Space is an exercise in what he calls "forced mindfulness," and takes the user on a 90-second long journey in which abstract, three-dimensional sculptures pass through the viewer as if they were clouds. It's a wholly zen sensation, offering the user the opportunity to drift through a surreal space, disembodied. When I asked Mack at what point he wanted to make VR the focus of his work, he told me, "1973. I used to dream of this stuff. It's finally coming true. It was so much fun when computer graphics was new to visual effects and we were pioneering it and inventing the whole process and that's kind of settled. So this is the new thing, and I want to help pioneer this."