
seen from United States

seen from China

seen from Australia
seen from China
seen from China
seen from United States

seen from Germany
seen from Uruguay

seen from United States

seen from Malaysia
seen from Uruguay
seen from Italy

seen from Malaysia

seen from Russia

seen from Germany

seen from Netherlands
seen from Sweden
seen from United Kingdom
seen from Uruguay

seen from United States
is this the end or the beginning of something new
Other People Have Pushed It
Should I push it? Someone, too, is waiting for the light across the street distanced from the pole and looking at her phone ears plugged in but I’m going to assume that she pressed it and even if not someone will or the lights will turn on anyhow wait, wait ––
Tricks Bushwick, Brooklyn, NY 2017. Ricoh GR1v date | Ilford HP5+ 400
Mechanical Wexting
the anatomy of a text message: the automatism of fingers, usually the thumbs a willingness to tolerate auto-corrects perfect hand-eye coordination perfect walking balance and sense of direction peripheral awareness of the environment perfect brain-body coordination (the craft of texts, words of meaning; the body moving towards traffic, mulititasking) the body, its limbs, all gestures learned with mechanical fluidity, such digital flow the intersection comes into side view and he sacrifices one hand mid-message to push the walk button before returning the second half of “tomorr –”
“–ow I’ll let you know”
looking up seeing this whole time the walk sign as been on
Stop, Slow Stroll
stop and smell the flowers
waking from sleep, springing from the bridge the sun shares its rays with the earth generously the soil soaks it up as does my uncovered skin and my eyes, brightening into a light brown that sees fleeting, jagged reflections in the passing by cars, their tinted windows bouncing more welcoming light, I see a beautiful current of life in the way the programmed vehicles drive on with both automation and spontaneity
my hands resting peacefully in my pockets shoulders soft like the warm wind this pause in constant mobility cherished at the intersection of wondrous delights for good things take time, slowly like magic, the light-post speaks in an affectionate computer voice beckoning me onward
10:28 a.m.
Looking up the hill I feel the backpack straps dig into shoulders so sunken sinking into my own underarms sweaty and grimy, smelling like spring in that musty nature way of heat and stains, already I have a head of bed hair that smells like detergent and I carry a spare toothbrush in my hip pocket because my mouth is a tomb of dead bacteria from which I spew out self-frustrations Why did I leave the last minutes to such rush, why did last night end so late in the morning, why did the printer inspire stuttering ink spills, my mind spilled I’m fast-walking with a stiff knee across the paved sidewalk, along indifferent cars that are offensive in their speed making me wait at this lonesome intersection, eyeing the ominous god-like palm, red with the blood of retired patience I push the walk button, so rigid like a frigid nipple that it hurts my thumb and my dying composure as I push repetitively, growingly angrily waiting for the river of metal shelters, those impersonal vehicles to subside I push the dead button with a cold, red thumb one last time and run across the zebra lines caged in asphalt before the red hand can demand my mobility so whimsically for 16 seconds then leave me hanging