"Highways and Rest Stops" opens Saturday at the SVA Chelsea gallery. Check out #walliecamp, #goldlugger and works by other @artpractice wonders like @danpony @kevinmtownsend and so many more. Reception March 12.
seen from China
seen from United Kingdom
seen from China
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seen from United States

seen from Germany
seen from Germany

seen from Malaysia
seen from United States

seen from United Kingdom

seen from Malaysia

seen from United Kingdom
seen from United States

seen from United States

seen from Argentina

seen from Spain

seen from Malaysia
seen from United Kingdom
seen from China
seen from China
"Highways and Rest Stops" opens Saturday at the SVA Chelsea gallery. Check out #walliecamp, #goldlugger and works by other @artpractice wonders like @danpony @kevinmtownsend and so many more. Reception March 12.
Have a look at my projects and tell me what you think!
I installed this site-modified presentation of the Walliecamp Fortune Factory at the one and only Dirt Palace artists collective in Providence, RI this week. The installation will be on view for the rest of the month.
It was mind-blowing to see this historic building (formerly a Public Library turned pharmacy, turned jewelry workshop, partially burned-down and made one story shorter at some point) reimagined and reconstructed by women artists over the past decade and a half. Downstairs studio space is packed with projects. Walls are covered with posters, masks and costumes from past and future events and performances. Vibrant colors, decorative silkscreens and hand-written signs abound on walls and floors. Print-making equipment, band practice room, sewing room and wood shop are used by the artists who reside upstairs, where remnants of the old library can be seen in a series of massive bookshelves waiting to be catalogued by some brave library scientist looking for out-of-print treasures of art and crafting books.
Though I installed on the coldest days yet this winter and the paint froze on the glass as I painted, I left inspired by the fact that, even in our state of global flatness, self-sustaining, one-of-a-kind places are alive, breathing and accumulating items of furniture and decoration. Indeed, the activity of being in a place defends presence, resists reproduction, or at least forces it to become its own thing, related, but not the same as the place itself.
We create our own reality. The Dirt Palace demonstrates this power to be and to make.
Window text
Left panel:
a modular epic landscape that inspires in spite of architecture... imagine:
self reflection
commerce
exchange
meditation
yoga
relaxation
awakening
reinvigoration
natural healing
networking
entreprenurealism
wilderness
self-reliance
emotional wellbeing
connectivity
oneness
freedom
integration
harmony
freshness
pristine newness
spontaneity
disruptive technologies
purity
wholeness
sublime beauty
endless horizons...
a truly grounded sense of self rooted in authentic lived experience
Right Panel:
On life, liberty and the pursuit of happiness:
1 in 3 of us is very happy.1
nearly 1 out of every 100 adults in prison or jail.2
our prison population is largely drawn from the most disadvantaged part of the population: men under age 40, disproportionately minority, and poorly educated.
we are more unequal than most of our developed-world peers.3
wealth inequality is even greater than income inequality.
the richest fifth of Americans held 88.9% of all wealth in 2014.
emotional well-being rises with income up to ~$75,000/year.4
low income exacerbates the emotional pain associated with misfortunes.
Come see the #StoryHut at #walliecamp
Coyote convinced Rattlesnake to go in the house.
I'm published in this edition of KAPSULA, "Bad History". These are my "Notes from the Land of the Perpetual Present."