#wayne moss

[maccabook]

michael nesmith and area code 615 during the "nashville sessions" of june 1968

[julio-viernes]

Wayne Moss trabajó también con Fats Domino, Everly Brothers, Kris Kristofferson, Mike Nesmith, Carl Perkins y Nancy Sinatra, fue músico del grupo en directo de Brenda Lee, y fundó uno de los estudios de grabación independientes más antiguos de Nashville, Cinderella Sound, lugar en el que grabaron Jackie DeShannon, Steve Miller Band, Linda Ronstadt, Mickey Newbury, Grand Funk Railroad, James Gang y un largo etecé.

Además de participar en numerosos discos country, Moss tocó en muchas grabaciones de gran éxito en los 60 y 70s, incluyendo el éxito de Roy Orbison «Oh, Pretty Woman», el legendario álbum doble de Bob Dylan en 1966, «Blonde on Blonde» (creo que mi favorito suyo) y «Jolene» de Dolly Parton

[julio-viernes]

MUERE WAYNE MOSS, LEGENDARIO MÚSICO DE SESIÓN COUNTRY Y ROCK | PyD

MUERE WAYNE MOSS, LEGENDARIO MÚSICO DE SESIÓN COUNTRY Y ROCK (PLASTICOS Y DECIBELIOS)

El gran guitarrista de Nashville tocó en discos de Patsy Cline, Waylon Jennings, Loretta Lynn, Charley Pride, Joan Baez y muchos más. Con el tiempo, Wayne Moss ayudó a fundar dos bandas con otros músicos de sesión de la ciudad: Area Code 615 y Barefoot Jerry. La primera canción número uno en la que tocó Moss fue «Sheila» de  Tommy Roe en 1962, un tema al estilo Buddy Holly and the Crickets que contó con versiones posteriores de los Beatles y Greg Khin Band.

[milesbutterball]

Ain't It Nice In Here: The History of Cinderella Studios -

Ain't It Nice In Here: The History of Cinderella Studios -

In life, some moments imprint themselves so distinctly on our hearts they become frozen in time—easy to recall with the faintest whiff of a

[longliverockback]

Steve Miller Band Number 5 1970 Capitol ————————————————— Tracks: 01. Good Morning 02. I Love You 03. Going to the Country 04. Hot Chili 05. Tokin’s 06. Going to México 07. Steve Miller’s Midnight Tango 08. Industrial Military Complex Hex 09. Jackson-Kent Blues 10. Never Kill Another Man —————————————————

Tim Davis

Steve Miller

Wayne Moss

Ben Sidran

Lonnie Turner

Bobby Winkelman

* Long Live Rock Archive

[mitjalovse]

Roy Orbison’s tunes are basically lessons in complete dejection, although he does occasionally offer a happy end. The case for that is this piece that was included on Orbisongs and which is more classically rock than the majority of his opus. It is so typical for early 60’s rock you can almost hear a number of his contemporaries singing it, but wouldn’t they make it more lecherous? You see, Orbison’s voice in the cut still has that yearning, present in his other works, even though it is deployed differently here. He is focusing his on someone who is, if we follow the ditty, apparently ambivalent about it, yet that person gradually accepts it. Moreover, the melody is more Elvis and less torch opera. Nonetheless, he is willing to switch to a different rhythm in a part of the composition without missing a beat, which is remarkable. Yes, he used the same tricks he did before and, of course, after, he only changed the mood.

[protoslacker]

Barefoot Jerry ~ Friends

rstevie moore

from their 2nd album, self-titled (on WB) 1972

Barefoot Jerry

[protoslacker]

We're not even in the phone book, you know? It's Nashville's oldest working studio and it's never been in the phone book. So unless you know somebody that knows somebody, you can't even get in here. But Steve Miller did and Ronstadt did and Leo Kottke did and a lot of folks. So we've had the business, despite the fact that you can't even find us, you know? You can't Google us or anything else, therefore there's not a Gray Line bus tour coming through here every day saying 'Is that Johnny Cash in here? I wanna get his autograph.' That drives artists crazy. And Steve Miller didn't want anybody in the studio that wasn't hired to play on it, and that's what he got. He wanted to engineer his own vocals? Fine, go ahead. You know? So we try to bend in whatever direction the artist wants and we've had a lot of people in here over the years.

Wayne Moss interviewed by Eddi Fiegel at Sound On Sound. Wayne Moss: Cinderella Sound, Nashville Fifty years ago, Wayne Moss created a studio in his Nashville garage. And while big‑money, purpose‑built complexes have come and gone, Cinderella Sound still thrives today.