#web207

[belinda-web207-blog]

RWMC:PATNB

(function(d){ var js, id="pikto-embed-js", ref=d.getElementsByTagName("script")[0]; if (d.getElementById(id)) { return;} js=d.createElement("script"); js.id=id; js.async=true; js.src="https://magic.piktochart.com/assets/embedding/embed.js"; ref.parentNode.insertBefore(js, ref); }(document));

The Fine Print

This infographic is Reflective Web Media Creation for unit Web207 at Curtin University and was made using Piktochart.

All media cited remains the property of and copyright to the respective rights holders. These excerpts are used legally under Australian Fair Dealing, for the purpose of criticism and review. All original content is released under Australian Creative Commons Attribution license; for full details see: Creative Commons Licence Attribution Share Alike 4.0 International. 

Want to explore the content? Check it out

here:

OINTB Season one image

Jamie Greenburg Commissary Makeover

Piper Kerman Novel

Black Cindy Gif

Fan Art by Karine “Koko” LeClair

OINTB Cookbook

AV Club Episode Recap: “Orange Is The New Black: “Trust No Bitch”

The PipeBomb blog

Orange is the New App

Teaser: Season 2

Pet Collective OINTB (Cute Kitten Parody)

llcoolade tumblr - OINTB set

OINTB Twitter response

Logo: Remix of official OINTB logo with the assistance of font “Damaged Guts” designed by Jakob Fischer [PizzaDude.DK] 

  Want to read more about Paratexts, Digitisation and Convergence? Look for these sources:

Bennett, L. (2014). Tracing Textual Poachers: Reflections on the development of Fan Studies and Digital Fandom. The Journal of Fandom Studies, 2(1), pp. 5-20. doi: http://dx.doi.org/10.1386/jfs.2.1.5_1

Birke, D. & Christ, B. (2013). Paratext and Digitized Narrative: Mapping the Field. _Narrative, _21(1) pp. 65-87. Retrieved from http://bit.ly/1EVOic3

Gray, J. (2010). Spoiled and Mashed Up: Viewer-Created Paratexts. Show Sold Separately: Promos, Spoilers, and Other Media Paratexts. pp 143-174. New York,NY: University Press.

Jenkins, H. (2006). Welcome to Convergence Culture. Confessions of an Aca/Fan. Retrieved from http://bit.ly/1eefYeK

Jenkins, H. (2007). Transmedia Storytelling 101. Confessions of an Aca/Fan. Retrieved from http://bit.ly/1fnbd7y

[webmedia]

TV is way more complicated these days.

[webmedia]

How convergence is changing the music industry

[andygreves]

Assignment 3, WEB207. Created by Andy Greves

Any Copyright protected content or material used in this reflective web media creation, has been used under the terms of Fair Dealign, category criticism and review, as outlined by the Australian Copyright Council.

This work is licenses under the Creative Commons Attribution-ShareAlike 4.0 International license.

References Baym, N. (2010). Social Media from Musicians' Perspectives. Online Fandom. Retrieved fromwww.onlinefandom.com/archives/social-media-from-musicians...

Berry, R. (2006). Will the iPod kill the Radio Star? Profiling Podcasting as Radio. Convergence: The International Journal of Research into New Media Technologies, 12(2), 143 -162. doi: 10.1177/1354856506066522

Kot, G. (2009). Napster vs. Metallica. In Ripped: How the Wired Generation Revolutionized Music (pp. 25-39). New York: Scribner. [eReserve]

Lankow, L., Ritchie, J., Crooks, R. (2012). Infographics : the power of visual storytelling. Hoboken, New Jersey: Column Five Media.

Tobias, E. (2013). Toward Convergence. Music Educators Journal, 2013, Vol.99(4), pp.29-36. Doi: 10.1177/0027432113483318

Wikstrom, P. (2010). The Social and Creative Music Fan. In The Music Industry: Music in the Cloud (pp. 147-169). Polity. [eReserve]

[webmedia]

Web207 RWMC - A Journey from the Portrait to the #selfie (by ingas3)

[webmedia]

Convergence, Digitisation and...Gossip Girl? (by Parissa Remediation)

[webmedia]

The Fate of the Modern Photographer (by missdanosaur8)

[webmedia]