Semianonymous publication in the 18th century is fantastic.
According to Altmann, Mendelssohn writes a criticism of W from Zürich, only to learn that the author was not Wieland, as he had supposed, but someone named Jakob Wegelin. Who had read Mendelssohn's critique and thought it was by his friend Lessing: "only a Lessing could poke fun at so serious a theme" (142)!











