Writer Asks! 3, 4, 6, and 54 please! ❤️
oooh thank you for some questions to attempt today while I’m waiting around for the gosh darn characters to show up and help me make some progress on the WIP I’ve got open!
3. What is your favorite/least favorite part about writing?
Favorite part of writing is when the characters are cooperating and the story flows. Least favorite part of writing is when nothing is working, either the dialogue seems to be falling flat or the characters refuse to follow the plot I’ve got in mind. Or, y’know, when faced with a blank page and can’t summon words to fill it.
4. Do you have any writing habits/rituals?
I tend to carve out little nooks/ set up stations places - my desk in my room, at the kitchen table, etc. Regardless as to if I’m writing on the computer on in a notebook I’ll end up with a few notebooks stacked up nearby (for reference, usually), pens (because sometimes it’s about finding the right writing instrument for the story), and a drink (varied, depending on the time of day and season).
6. Favorite character you’ve written?
That’s a tough one. Each of them intrigue me in some way... I love trying to figure out how their reactions might differ in any given situation. Maximilian James is always going to be up there, even if I really haven’t devoted much time to living in his headspace. Loki is usually fun to channel, too, even if I sometimes regret attracting his attention.
54. Favorite first line/opening you’ve written?
Hmm another tough one as I don’t always land the hook in the first line/ in the opening to the story/ chapter. The first exception to that that I can think of is The Journalist, which was originally intended as a oneshot (but as we well know, I got carried away with figuring out the characters and their reactions to the situation). The thought of an incredibly angry Tom loosing venom as someone he’d claimed to love... Close Quarters also has an opening that tickles me, not just for the situation (being stuck in an elevator with someone you hate for 12 hrs) but for the humor injected.
The elevator lurches to a halt, the overhead lights flickering off and switching to the dimmer – yep this is what it looks like when there’s a malfunction – setting.