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drag path.

⟢ pairing: qifrey x gn!reader

⟢ word count: 9.6k

⟢ tags: master x apprentice relationship, eventual exmaster!qifrey x brimmedhat!reader, ambiguous age gap, reader's age is undefined, mentions of self-harm (reader), allusions to vague qifrey x olruggio, lowkey codependency, reader has subtle yandere-ish tendencies if you squint, spoilers for manga (please let me know if there are any more tags i should add this is my first time writing content like *gestures*)

"The selfishness behind my reason for taking on pupils made me ill. But they'd never have to know that. So I decided that I would put every fiber of my being towards becoming a good educator. Only now do I realise just how foolish that, too, was." Qifrey takes on an apprentice to keep the silverwood at bay. It works, until it doesn't.

⟢ chapters: one | two | three | four

I. THERE BENEATH

drag path (n):

a visible, often continuous trail, mark or disturbance left behind on a surface by an object or person being dragged

Qifrey had told himself it was fine.

The memory-erasure spell Olruggio concocted had worked beautifully, despite the circumstances. His friend's eyes had gone blank for only a moment, and in the next, they'd been taken ahold of by a deep sleep. The sort of sleep that was gentle and kind, even as the silverwood's pale branches writhed and recoiled in remonstration. And when Olruggio awoke, the sun was setting over the lake, and there was no evidence of what had transpired; only the familiar tilt of Qifrey's hat, a dark ribbon rippling in the wind, and the frayed ends of his tassel brushing Olruggio's shoulder.

That had been three years ago.

Now, Qifrey stands at the window of an unfamiliar room in a newly built house that will one day be his atelier, somewhere out in the Naakiwan Downs, east-northeast of the Kahln. The land stretches endlessly before him—open plains rolling into each another until they dissolve into the distant horizon, vast swathes of pale grasses beneath a blue sky that seems to go on forever. It rarely rains out here, on the Zozah Peninsula. An atelier, of his own, under the open sky.

One part of his promise, kept.

But he's not foolish enough to hope that his distance from the Great Hall—from Olruggio—will not give rise to problems of their own. Traveling alone had done nothing but proven that even that minute solace was enough for the silverwood to take root once more. And Qifrey would rather die than let his dearest friend's sacrifices have been made in vain.

He needs to stay on the edge. Unsettled. Uneasy. The moment he stops feeling as though the world is pressing in on him, so will the silverwood.

Beldaruit used to hover. For some reason, Qifrey remembers that with uncomfortable clarity. The sage's pale smoke-grey eyes would track him wherever he moved through the magic workshops of the Great Hall—never overt or intrusive, yet always there. And greater than his control over conjuring magic was his talent for conjuring nonsensical excuses, ones that he would use to check on the condition of Qifrey's health and mind.

You work too hard, Beldaruit would say in that airy, almost absentminded tone—so lighthearted it could almost be mistaken as jest. And Qifrey would roll his eyes, dismiss his concerns, and Beldaruit would worry anyway.

Perhaps that's what he needs. Someone to worry about. Someone whose concerns and matters would keep him tethered to the present, too busy to fall into the quiet where the tree could spread its roots.

An apprentice, then.

He finds you one afternoon as ordinary as any other. It's raining when he reaches the port town of Havso—a steady patter that turns the cobblestones slick and darkens the wood of every dock and doorway. For all the precision Qifrey has honed over water, getting wet remains an irritation he's never quite outgrown, and the sound of rain prickles at his awareness like a thousand fine needles, impossible to ignore. He hurries through the narrow streets, searching the shops—for a new cast iron pot to replace the one that had cracked last week, some twine for binding dried herbs, other small sundries—when he sees you.

The canvas awning you're huddled beneath is doing almost nothing at all—not to protect you from the cold spring rain, or from the sharp, biting winds sweeping in from the coast. Water drips steadily from the hem of your smock, your hair plastered in wet strings to your narrow cheeks. Despite this, you don't move.

Qifrey doesn't mean to stop. But he does.

You look up when his shadow falls over you. He takes the edge of his cloak, the water dispelling spell inked discretely beneath its hem, and sweeps it in a gentle arc above your head. The rain above you curves away. Your eyes widen ever so slightly, your gaze tracing the water trickling off the air as though sliding off an invisible dome, before you look back at him again.

"I don't like getting wet," Qifrey says, in manner of explanation.

You simply stare. For a moment, Qifrey wonders if you speak the common tongue at all—it's not uncommon for sailors from foreign kingdoms to abandon unwanted children in port towns like this—or if you're simply mute.

"You're soaked," he tries again, more gently this time. "Do you have anywhere to go?"

Silence stretches in the space between each of his heartbeats. The rain patters, fingertips dancing along the boundary he's drawn. Then, you shake your head.

So you do understand him. Qifrey should have guessed—children like you are a dime a dozen here, orphans, strays, the overlooked and unclaimed. No one would notice if one or more vanished from the edges of the docks.

Convenient, a colder part of him supplies. You are old enough to comprehend, young enough to be malleable, and compared to an apprentice born into a family of witches, you won't know enough of magic—and by extension, the silverwood—to ask questions that he doesn't want or know how to explain.

He takes you in.

The first few weeks are easier than he expects. You come to him with no poor habits to unlearn—no stubborn rune-drawing tendencies, no theoretical 'shortcuts' circulated by some of the lazier professors in the Great Hall. Teaching you is like working on a blank sheet of parchment. You simply watch what he does and try to do the same. And when you fail—which is often—you do not seem to be affected or frustrated. You simply do it again.

The only real issue is that you have never learned to write. Qifrey watches your hand wobble across the parchment—leaving dark splotches in some places, lines breaking off in others. Your fingers wrap around the ink wand like a stick you've picked off the ground, all knuckles and no finesse.

Qifrey lets out a quiet sigh.

"Your grip is wrong."

You look up at him, uncomprehending. Qifrey sighs again and hesitates, just briefly, before he steps closer and leans down. His hand slides over your fingers, carefully adjusting each one until the wand rests properly between them, the tip hovering just above the parchment.

"Like that."

The moment he releases you, however, your grip tightens again reflexively. The wood of the ink wand creaks faintly in protest. He quickly takes your hand again.

"Gently," he murmurs. "Like holding a robin's egg."

Qifrey guides your hand across the parchment. A straight line. A square. A circle. Your hand relaxes under his, just a little.

"Just like that," he says, and lets go. You look at the ink wand in your hand. "Now, try again."

You practice until the sun goes down.

He teaches you the basics. The three basic components that make up every spell, the five elemental sigils for fire, wind, water, earth and light. The keystones that govern a spell's direction and strength and purpose, how the sizes of the rings can affect its range and potency. Everything he says, you memorise. And everything he teaches you, you practice until you can reproduce it by heart.

After only about a few months of training, Qifrey dares to say that you've reached the standard that most witches your age who've grown up around magic would be at. The rate at which you're learning is… unexpected, to say the least. He should be pleased. Any decent teacher would be.

Qifrey tells himself this as he watches you inscribe a heating spell along the belly of a copper kettle. It's a reasonably complex problem for a beginner—the spell must conjure heat but not fire, be stable enough to maintain an even boil, hot enough to warm but not so fierce as to warp or melt the metal. It's a careful balance of precision and power that tends to elude most newcomers to spellcasting.

You hand him the kettle when you finish. Qifrey pushes his glasses up the bridge of his nose and lifts it up to his good eye, turning it slightly in the flickering light coming from the fireplace. The dispersion keystones are neatly drawn, arranged around the central fire sigil in two concentric circles. The limiting keystones sit where they should, too—balanced on either side, ready to dampen the spell the moment the heat climbs too high.

"Good," Qifrey says at last. The word feels thinner than it should be. He lingers a moment longer than necessary, as if searching for some flaw to justify a correction, but finds none. "We'll be able to use this to brew tea in the mornings, now."

You nod once at his assessment from where you're watching him by the kitchen table, then ask, "What next?"

There is no flicker of pride. No satisfaction in your work, no pause to take in what you've done. Just a simple what next, as if each perfected spell is nothing more than a marker on a long road you don't care much to tread on.

The first thin root of worry pushes through the soil of his chest.

Qifrey tries to keep his distance at first. He really does. A master-apprentice relationship only needs to go so deep for one to learn and the other to worry, and too much closeness would be counterproductive in his attempts to keep the silverwood at bay. He buys you all sorts of magical books and supplies you with wands and ink when you need it. He cooks, too, warm and filling meals that nourish the body and are rich in nutrients, until the hollowness in your cheeks softens, replaced by a healthier, rounded plumpness. He corrects your glyphs when he spots mistakes and guides your hand when your lines falter. It barely assauges the guilt in his chest.

You don't make it easier for him. Through no fault of your own, he knows, and yet somehow, that only makes it worse. You don't seek him out for any needs outside of your magic studies, never ask for anything, and eat exactly what he puts in front of you without comment. You wake up at dawn to start the tea kettle, and from there you start practicing magic without ceasing until he has to firmly tell you to go to bed.

There are no tantrums, no complaints, no childish demands for attention or affection. Surely, even children must have their preferences. Trinkets they like, foods they refuse to eat. But you are quiet and serious and wrong in a way that he cannot name, and Qifrey finds himself watching you much the same way Beldaruit had once watched him.

"You don't have to keep doing that," he tells you one evening. You're hunched over the kitchen with a half-empty cup of water, the parchment in front of you crowded with dozens of identical glyphs. The fire sigil that you'd just traced over in water glistens for a moment, then fades as the parchment slowly dries. You must have drawn the same glyph at least a hundred times now.

You don't look up, dipping your wand in water again. "My circles aren't perfectly round yet."

"You don't have to master everything in a single day. You could take a break."

"Why?"

Qifrey doesn't have an answer for that. Or rather, it's perhaps that he has too many. Because you look tired but refuse to admit it. Because your hands will cramp if you keep going. Because watching you work yourself into the ground makes me feel something too similar to what I used to feel for Olruggio, and that scares me.

"It was only a suggestion."

You consider it for a moment, and then turn back to your parchment. Qifrey sighs, pushing aside his robes to lower himself into the chair across from you.

"Do you have any reason for learning magic?"

You rotate your wrist once in the air before setting the wand's nib to parchment. "You asked me to."

"That's my reason, not yours."

"It's the only one I have."

Qifrey watches your hand move across the paper, and something in his chest tightens. This arrangement is supposed to be simple—selfish, yes, but simple. You are supposed to ask things of him, to need him in small, manageable ways that keep him worried just enough about your progress and studies without causing him too much concern. You have done exactly just that.

And yet here he is, worrying about you constantly for a completely different reason.

He thinks of Beldaruit's gentle gaze, the soft curl of smoke illusions coaxed into being on nights when sleep proved treacherous, when the memories of darkness and rain pounding unceasingly against metal and claustrophobia set in. He remembers Olruggio's warm smile and even warmer eyes, the ribbon on his hat that Qifrey still touches sometimes in the dark, tracing the multiple preservation sigils he's inked onto the silk.

His reminder to never forget, to never grow complacent.

"Take a break," he says again, and this time, there's something in his voice that makes you stop.

You look at him for a long moment, head tilting slightly to the side. It reminds Qifrey vaguely of a sparrow. Finally, you speak.

"You're worried," you say, as though you're making an observation. Qifrey forces a smile.

"I'm your master. It's what I'm supposed to do."

You glance down at your parchment once more. For a moment he thinks you might refuse, ignore his words and go right back to practicing, but then you set your wand down next to the paper and push your chair back, legs scraping along the slate flagstones.

"I'll continue tomorrow," you announce, without looking at him.

"Good," he says in response, and the two of you sit in silence at the kitchen table, undisturbed except for the crackling of the fireplace, and Qifrey has to remember how to breathe without counting the spaces between each one.

Hearthglen Village is about a few furlongs from the atelier, more often than not in need of small, persistent fixes, and thusly, the ideal place for you to practice using magic after passing the Pentacle of Proving's second test. Qifrey walks beside you through the small handful of thatched cottages scattered through the patchwork quilt of farmfields, returning the villagers' greetings with easy familiarity. It's always good to maintain good relations with the unknowing, especially those living nearby.

Eventually, the two of you arrive in front of the client who'd requested Qifrey's services. The problem is simple: a farmer's irrigation ditch has gone haywire somehow, and now his turnips are drowning in mud. Qifrey could fix it alone in ten minutes, but that isn't the point. He nods towards the field, giving you an encouraging pat on the shoulder.

"Go on."

You hesitate only for a moment before you go, hovering tentatively over the knee deep muck with your sylph shoes as you float out to the irrigation ditch. Your expression is reminiscent of a wet cat's—vaguely displeased, faintly affronted, as though the world has committed a personal offense by being this unpleasant. Qifrey has to hold back a smile.

In the meantime, Qifrey chats with the farmer as you work—something about the summer heat this year, the stubbornness of the soil—but he makes sure to never let you slip from his sights. You're already at the ditch, hat bobbing as you hover over the mud. He can almost picture your hand beneath the shelter of your cloak: fingers wrapped around the wand, drawing those precise lines that you've practiced over and over again with unswerving confidence.

He's listening to a rundown of this year's cabbage harvest when a faint rumble echoes across the field. The earth shifts, groaning as though rousing from a long slumber, and then the water starts to move. Mud loosens and starts to drain from the fields, revealing the green leaves of the turnips peeking out through the soil once more. It's quickly replaced by a steady stream of clear water.

The farmer's face brightens with relief. He claps his hands together with a delighted laugh, already turning to call out his thanks as you drift back over to the solid ground of the path, the hem of your cloak splattered with drying mud. You don't smile back; instead you wipe the faint sheen of sweat from your brow and look to Qifrey for approval.

He pushes his glasses up and nods once. "Well done."

You accept his verdict the same way you accept everything else—quietly, without visible pride or disappointment. The farmer tries to press a basket overflowing with all variety of squash into your hands and your eyes find Qifrey's like you aren't sure what to do with gratitude. He takes it for you.

"They're a natural," the farmer nudges Qifrey as he moves to leave. "Where'd you find a talent like that?" Despite the surge of pride that races through him, he hesitates.

"They found me," Qifrey says, instead.

More villagers request your help over the course of the afternoon. A family's goat wandered into a small ravine, a child's kite got stuck in a tree. You lift the frantically bleating animal to safety with a levitating spell, and coax the wind into tugging the kite loose from an elm's tangled branches while the village children gather to watch you work with eyes full of wonder. The girl bounces on her heels as the toy finally drifts down into your waiting hand, and you hand it over without a smile.

She hugs your legs anyway. You stand there awkwardly, arms glued to your sides, and Qifrey has to look away before he laughs.

Hours later, after the last request has been fulfilled and the sun is low enough to turn the clouds a warm ombre-ochre, you and Qifrey decide to walk home, the path stretching before you like a pale ribbon through the fields. You walk next to him in silence, as you always do, fingers stained with smudges of black ink and clay soil.

"You did well today," he says.

"Thank you."

"But."

You glance at him then. Just a slight flicker of the eyes, darting sideways and upwards. You've learned, by now, that your master is far from straightforward around topics that are necessary but difficult to broach.

"But?"

"But magic doesn't seem to make you happy," he finishes.

You neither deny nor confirm it. Your steps just slow slightly against the gravel scattered on the path, stones crunching beneath the soles of your boots. For a while, there is only the sound of the wind moving through the wheat fields.

Eventually, you speak.

"Does it have to?"

Qifrey thinks about that. About the way you've perfected every spell he's taught you but never once asked to learn any out of your own desire. About how you can spend hours, days, drawing circles and lines over and over again simply because he tells you to. About how quickly you've become good at magic—and how little of it seems to belong to you.

"It doesn't have to," Qifrey says, at last. He's cast all sorts of magic in his life, spells that have burned and hollowed, ones that have scarred and pained him beyond what any physical wound can. Not all of it was joy. Not all of it was kind.

Yet.

"But you should find a reason. To desire magic, I mean."

You glance at him, eyes briefly searching, as though weighing the shape of his words, their meaning. He licks his lips, suddenly dry.

"Magic is meant to grant wishes of the people," he says, more gently now. "To bless them. That includes yourself." His lips press together, smile half-formed before faltering, and the wind moves through the fields, rustling restlessly through the long grass. "I—I hope you can learn magic not because I tell you to, but because you want to."

The last sentence escapes him in a rush, as though forced from his lungs with some sort of wind dispelling spell. The thought settles heavy in his chest again, the silverwood shuddering. For all his care—for all the effort he's poured into teaching you properly, responsibly—one truth remains unchanged: Qifrey had taken you in because he needed an apprentice. Not out of kindness. Not out of any noble intent he can comfortably name.

He doesn't know what he would say if you ever asked him why. Any lie would feel too great a disservice to the one person he'd thrust this fate upon, and the truth feels brittle, insufficient—something that would fracture the moment he speaks it aloud.

But you never have. Sometimes, he suspects that you already know.

The remainder of the walk back passes in silence. The sky fades from sienna to lavender before deepening to a dark indigo. One by one, the first stars emerge at the very top of the firmament, their light faint and trembling. You say nothing, and Qifrey tells himself to give you time—you need space to process things, and pressuring you would only make you retreat further into yourself, like a snail hiding in its own shell.

The atelier comes into view at the end of the lane, its windows dark. Qifrey steps ahead, undoing the sealing glyphs on the door. It swings open with a soft creak, and he pauses, holding it ajar for you to step through.

You don't.

He turns back to see you standing a step behind the threshold, gaze lowered to the path at your feet, as though something he cannot see there has snared your attention and taken it captive. Qifrey frowns, head tilting.

"Apprentice?"

You don't answer immediately, hands in your pockets, the tip of your boot scuffing the ground. Then, quietly—

"I want to cure Master."

For a moment, Qifrey forgets how to breathe. He can only stare at you, mouth slightly parted. The words fail to catch despite him having nothing to say. Your voice had been small, careful—like you'd been turning the words over in your mouth for miles, smoothing their edges so they wouldn't cut your tongue on the way out. Of all the things he'd imagined you might say, this had never even been within his considerations.

He grips the door handle a little more firmly for support. The brass carvings bite its patterns into his skin of his palm.

"Cure me," he repeats, dumbly.

"Yes." You nod, the movement slow, as if hesitant in your admission. "The headaches that you try to hide from me. And your right eye, too," you add, pointing at the side of his face covered by his hair, as if he might not know the one. "You touch it when you think I'm not watching, but it seems like it hurts."

Qifrey didn't realise you'd noticed. He thought he'd been careful.

"I thought I asked you," he says, more quietly, more unsteadily now, "to want something for yourself."

"I don't like seeing Master in pain."

Qifrey’s grip on the door falters. Something tightens in his chest—perhaps the silverwood, perhaps something else, so sharp it cuts him open like a blade, and yet he doesn't know whether he wants to let go. For so long, he's been waiting—for you to want something, to reach beyond instruction, to claim even the smallest piece of magic for your own.

And you have.

Qifrey exhales slowly, the sound thin against the quiet of the evening. For once, there is no ready answer waiting behind his teeth. He thinks of Olruggio's face, the path to salvation he'd offered Qifrey paved with the pieces of his own memory. He thinks of the tree growing inside of him, its roots tangled in his ribs, its branches seeking the sun through where his eye once used to be.

Healing magic is a direct alteration of the body, and every form of body alteration is forbidden—banned on the Day of the Pact, enforced by the Knights Moralis with iron and fire. And even if it wasn't, the silverwood is not merely an illness. There is no cure for what grows inside of him.

But you don't know any of that.

So Qifrey smiles softly. Releases his death grip on the door, pulling away to rest a hand on top of your head, the same way Beldaruit used to do for him.

"That's very kind of you," he says.

Your expression doesn't change, but the tautness in your shoulders loosens just a fraction, as if you'd been bracing for him to laugh at you, to dismiss your dream as a fool's flight and fancy. Instead, he pushes the door open wider and gestures you inside.

"Come on," Qifrey tells you, swallowing the sudden thickness lodged in his throat. "Wash up. I'll make squash stew for dinner."

You nod and disappear up the steps to the second floor. Your footsteps fade quickly, and soon Qifrey's ears pick up the sound of running water, of the bath being filled.

He remains in the doorway a moment longer, one hand braced against the frame, the other lifting—almost unconsciously—to brush over where his right eye used to be, featherlight. The motion is familiar, thoughtless. Almost habitual.

But he's been exposed, now. A deprecating laugh escapes him, the wisps of it slipping between his teeth. It's only now, Qifrey thinks, that he's beginning to realise just how foolish he'd been.

He's fallen into the pit that he'd dug with his own two hands.

Sleep eludes Qifrey that night.

He lies on his back, one arm thrown over his forehead, the other resting on his chest. Beneath skin and bone, the cage of his ribs, the silverwood pulses its slow, patient rhythm, waiting. The ceiling above him is indistinguishable in the dark, but he's stared at it so many sleepless nights that he can recall to memory the grain of every plank, the small water stain in the corner that faintly resembles a bird in flight.

Just above him, in the room upstairs, you are sleeping soundly—or he hopes so, at least. Belly full of squash stew, dreaming of pleasant things. That you are warm and resting, and that, for once, you are not pushing yourself past the point of sense simply because he asked it of you.

I want to cure Master.

Qifrey turns onto his side, facing the wall. His pillowcase smells faintly of lavender—scented sachets you'd made last week, making use of some aromatics a village herbalist had given you for your help. He'd accepted one when you'd offered it, almost without thinking, assuming that it was thoughtful but practical gesture.

Now, the scent lingers like smoke.

Beldaruit used to say that the best apprentices were the ones who could surprise you. Qifrey always assumed he meant talent, insight, some brilliant intuition that no one else could replicate. Someone who could make teachers lean forward in their seats and think, that's the one.

But here, lying in his bed, your words from hours ago still sitting warm in his chest, he wonders if the old man had meant something else entirely.

Qifrey pushes out a breath, the tip of his tongue pressing behind his teeth. You will learn about the forbidden magic, eventually. Every witch does—and as your master, it will be his responsibility to teach you about it. Some things are too dangerous. Some lines cannot be crossed. All magic that is drawn on the human body or affects the human body is outlawed.

And that includes healing magic.

You will learn that, and then you will not ask too many questions about why his eye cannot be fixed. Eventually, you will move on and find another, better wish.

But for now, Qifrey takes your words and folds them carefully, tucking them away into the furthest corner of his heart where the silverwood cannot reach. He closes his one good eye and waits for the sun to rise once again. And when it does, Qifrey will greet you in the kitchen downstairs with a cup of hot tea and a smile, he will teach you combination sigils and binding spells, and he will never bring it up again.

Because some wishes are too heavy to be said aloud, and some teachers are too selfish to let them go.

Summer slips unnoticed into autumn, and autumn, in turn, yields to winter. Qifrey teaches you to crochet, then to knit—awkward at first, fingers too stiff around the slumbersheep yarn until Qifrey takes your hands and guides you through the movements, much in the same way he does when teaching you spells. He shows you how to tend to the heating spells that keep the house warm without burning it down, how to summon precise gusts of wind to blow snow off the atelier's sloping roofs. And the months pass just as the weather changes—gradual, inevitable, marked only in hindsight by the shift in the air, the thinning of light.

And as you grow older, Qifrey finds the distance he once tried so carefully to maintain eroded by the same unrelenting tide. Bit by bit, day by day—until one morning he wakes up and realises he cannot quite remember what it feels like to not have you there.

It's not something that changes overnight. Instead, it is a thousand small, mundane things—the way his hand moves without thinking to drop two cubes of sugar into your teacup, the copper kettle with your heating spell whistling behind him on the stove. You're at the basin with your sleeves rolled up to your elbows, washing a skillet faintly smelling of bacon while a brushbuddy dozes on your shoulder. Everything is good, and everything is warm.

This is dangerous, Qifrey thinks. And then he thinks it again, because the first time hadn't been enough to make him stop.

The morning he's forced to confront it comes without warning. Quietly, unassumingly, a thief in the night.

Qifrey notices that something is different the moment he steps into the quiet of the kitchen. The kettle is cold, and the matching cups that a travelling potter had made for you sit upturned on the counter, untouched from where you'd set them aside to dry last night. He stands in the doorway for a moment, listening. The atelier breathes around him like an extension of his own body—the soft creak of timber settling, the low whisper of wind along the eaves—but beneath it, nothing. No quiet patter of footsteps in the floor upstairs. No water running in the washroom.

Perhaps you're sleeping in, he tells himself. The idea is almost pleasant. You never do; you're always awake before him, tea already steeped, moving around the kitchen to prepare breakfast—presence slipped so easily into his morning routine that he'd stopped noticing it altogether.

Qifrey sets the kettle to heat, before rummaging for the battered tin of tea leaves in the overhead shelf. He prepares a cup for you, placing it at the chair that has become yours in all but name, and sits across it with his own. The brew's a little more astringent than he's used to—steeped a touch too long, perhaps—but he drinks it anyway, idly sorting through the neglected stack of mail from the council.

The sun climbs higher in the sky. Light spills through the kitchen window, between the gap in the curtains, inching slowly across the table to catch on the rim of your untouched cup. Qifrey looks through the latest spell you've been working on: an attempt at replicating his Palm Dragon Teacup. He makes small suggestions in the margins, noting down more efficient arrangements and combinations of keystones, ideas for refining its precision. Still, it's good work. Your work is always good.

More time passes. He finally completes drafting a letter to the Great Hall—something about independent ateliers and watchful eyes—and sends it off before picking up a book about complex fire spells. Qifrey thumbs through the pages slowly, more out of idleness than focus, pausing every now and then when something catches his eye. A variation making use of the stabilising keystone. A more efficient heat-dispersal glyph. He dog-ears about six different pages with the intention of showing them to you later, when he looks up and realises that your tea has long gone cold.

Qifrey closes his book, sets it aside, and heads for the stairs.

Your bedroom door is closed.

That isn't surprising to Qifrey. You've always been a private person by nature, and you're even moreso protective of your few possessions, your personal space. Qifrey learned early on not to intrude without invitation or cause.

But your diversion from routine is… odd. Surely you will forgive his worry.

Qifrey hesitates, knuckles hovering over the wood of your door, before he knocks. "Apprentice?"

No answer.

He knocks again, a little sharper this time. "It's past noon. If you want to sleep in, just let me know, alright? You deserve the rest."

Still no answer.

The thin thread of unease tightens around his chest.

"I'm coming in."

The door swings open easily beneath his hand. The room that he steps into is familiar and empty. Your blankets are carefully folded at the foot of the bed, your traveling cloak absent from its hook by the window. And your sylph shoes, the ones that he'd helped you mend just last week, are missing from their place next to the dresser.

Qifrey stands in the center of the room, the air suddenly going very, very still. The silverwood in his chest trembles.

Calm down, he tells himself firmly. Your bed is made—your absence must be deliberate. There must be some sort of explanation. Perhaps you wanted a taste of mischief, to act your age for once. Perhaps you snuck out to one of the nearby villagers, Hearthglen or Azmar, to meet people, make friends. Be normal. You mentioned the daughter of Azmar's baker last week. He recalls a girl your age with flour on her apron who'd been fascinated with your magic. Perhaps you've gone to pay her a visit.

He turns slowly, forcing his gaze to move along with him. Your ink wands are in a little cup on your table, textbooks sitting in rows on the shelf where they belong. Encyclopedias, histories, grimoires he'd deemed safe for for your learning. Nothing out of place. He's about to leave the room, fetch a guidance orb just to make sure that you're alright, when—

Something small and furtive shifts between a gap in the books. The brushbuddy's tail twitches into view before it darts back into the narrow space behind, as though caught somewhere it shouldn't be.

Qifrey frowns.

He reaches up and pulls the entire front row of volumes aside, setting them down on the table with a heavy thump. Dust stirs in the air. Behind them sits another, shorter stack of books, tucked neatly out of sight. Aside from him, there isn't another occupant in this atelier for you to hide things from. Which means you meant to conceal this deliberately. From him.

Why?

Qifrey ignores the cold uncertainty in his chest, picking up the first book. Medical journal. Second. Herbal remedies of the Southern Continent. Third, an encyclopedia on human anatomy, although only the section on ophthalmology is bookmarked, annotated so densely that barely any margin is left untouched. The rest of the books are of a similar vein.

Only the last one is different—a notebook, worn pages filled with a cramped but script that he would recognise anywhere. The rest are filled with sketches—plants that even he doesn't recognise at first glance, roots and leaves and bulbs rendered with careful attention to detail. Analgesic properties. Toxic in high doses. Antispasmodic. Causes hallucinations.

He flips through more rapidly, pulse quickening, but the later pages only get worse.

Burn, left forearm. Applied tincture from ground monoceros horn and milkwort. Moderate pain reduction, mild nausea. Bruise, right knee. Poultice from steeped elderwood and nightpoppy. Significant pain relief, but results in complete loss of sensation and movement in area. Lasts three hours. Burn—

Qifrey's vision blurs. His other hand grips the edge of your chair, knuckles white, breath coming out sharp and shallow as he forces himself to breathe. You've been hurting yourself. On purpose. Testing remedies for… for—

He doesn't dare to let that thought complete itself. He turns the pages quickly, skimming past entries until he reaches the last one. The ink is smudged where the parchment presses together, as if you'd jotted it down and closed it in a hurry. It's still faintly wet.

There is a rough sketch of silvery stems and thin, needle-like leaves. Spineneedles, you've labelled them. Your notes crowd the margins: potent pain-relieving properties. Possible long-term restorative effects. Grows only in steep valleys inhabited by winged serpentines, venom necessary for germination. And below it—

Kestrel's Maw, eight furlongs north of atelier. Serpentines least active at dusk and dawn.

Qifrey feels his blood turn to ice in his veins. Outside the window, the sun hangs high in the cold winter sky, almost at its zenith—long past dawn, past any reasonable margin of safety. It's far too late. You should have been back hours ago. No, worse—you should have never gone at all, risking your life for such foolish, pointless endeavours. You should have been in this very room, sleeping soundly beneath the blankets, unharmed and safe and under Qifrey's protective eye. Instead—

He'd flown over Kestrel's Maw once, years ago. He still remembers the way the cliffs drop away into nothing, wind screaming through the narrow ravines, strong enough to throw even an experienced witch off balance. And the serpentines there are especially aggressive—great, winged creatures with beaks like drawn swords—nesting in the crevices where the spineneedles grow.

And that's where you've gone.

I'm responsible for this, Qifrey thinks numbly, and the words are a realisation as much as an accusation aimed at himself. I did this. I made you this way. I wanted someone to worry about, and now—

The image comes to him, unbidden: your body, broken at the base of the ravine. Impaled by sharp spikes at the bottom, limbs twisted at unnatural angles. Cloak ripped and dark with blood, flesh torn from your bones by monstrous beaks. And your face—that quiet, serious, earnest face—pale, chest still, eyes open yet blank and vacant and unseeing and—

No.

Qifrey runs. He doesn't think. He doesn't allow himself to. The door is too far—he shoves your shutters open and throws himself out of the second floor window, into the harsh midday sunlight. For a second, wind rushes up to meet him, flailing, falling—before the sylph seal beneath his feet flares. And then he's airborne, rising too fast but not fast enough, the wind tearing at his hair, the fragile control he's forcing himself to hold together.

Please, not them, is all he can think as he hurtles through the sky. Not my apprentice. Not them. I'll do anything. Please, please, please—

He doesn't know who he's begging, only that he'll beg anything, bargain everything—if it means that you're still alive when he arrives.

Even from a distance, the ravine makes for an unnerving sight. The karst pinnacles spear upwards as though they seek to pierce the sky, like the vicious teeth of some enormous, long-dead beast. Qifrey had forgotten how sharp they were, every edge honed to a hostile point. Even the light falls strangely, splintered by stone so that shadows fall where they shouldn't, fractured into shifting planes that make depth and distance difficult to judge.

He clears the plains beneath him with unmatched speed, wind tearing past him—

—and then, he sees you.

You're clinging to a narrow outcropping perhaps fifty feet below the cliff's edge, body pressed close to the rock wall as though trying to become one with it yourself. Your sylph shoes are missing from one foot, and there's a long rend in your cloak. You aren't moving—only holding on, just barely—feet perilously close to the edge of a fatal, yawning drop below.

Above you, three winged serpentines circle patiently in the air. Their beaks hang slightly open, tongues flickering you as if tasting the air—your blood, your fear, the inevitability of what's next. The only mercy here is that they're not attacking. They are waiting, drawing it out. The same way a cat toys with a mouse it already knows cannot escape.

Qifrey doesn't stop or slow. He dives.

The wind screams past his ears, rising to a fever pitch as he plummets. His palm quire slips into his hand by instinct alone, wand flying over the paper in sharp, practiced strokes before he can even spare a thought as to who might be watching.

The spell takes shape in a single breath. Water wrenches itself from the air, the thin moisture caught in wind and stone, surging upwards into a coiling mass until it takes shape—a great, fluid dragon, its body twisting through the open air with a roar that echoes throughout the entire length of the gorge.

Two serpentines are caught in its jaws almost immediately, their cries cut short amidst the sound of snapping wing and bone. The third shrieks, veering sharply away before wheeling back, beak gaping in fury—but Qifrey is already moving, one arm wrapping around your waist and tearing you off the cliff face, hauling you bodily into the open air. You make a quiet sound in the back of your throat—the closest to afraid he's ever heard you—fingers gripping at the front of his shirt.

"Master—"

"Don't call me that right now."

The serpentines shriek behind him, rallying. Qifrey presses the sylph seal on his boots together, the weight of you unwieldy and palpable in his arms, and flies home.

You don't speak on the way back. Neither does he.

The atelier rises into view at the edge of the fields, its familiar shape cutting through the blur of wind and motion. He lands harder than he intends, knees buckling for a second before he forces himself forward—half-carrying, half-dragging you through the front door. Your cup remains where he left it, untouched on the kitchen table, and he sets you down onto the chair—the same one he'd been sitting in just an hour prior, drinking tea and so, so oblivious—more roughly than he intends.

You don't complain. You never do. The same way you never protest, never ask, never tell him anything—

Qifrey turns away. His hands are shaking. He wrenches open the drawers, rifling through them with none of his usual care, yanking out bandages, salves, clean gauzes. Something clenches in his chest like a fist, squeezing, tight, so tight.

"What were you thinking?" he snaps. He almost doesn't recognise his own voice—low and taut and cutting. "Going to such a dangerous place—alone—without telling anyone—without asking—"

He finds the antiseptic, shoved into the back of a drawer. His fingers slip on the stopper, trembling faintly.

"You could have died. Do you understand that? You could have died. Those creatures—they could have—" Sent you plummeting down the cliff. Eaten you. Torn you to pieces. He can't bring himself to finish the sentence. The images they conjure are too much to bear.

He whirls around again, still not quite looking at your face, and takes your left arm. The cuts are worse up close—long, ragged scratches that split skin, dried blood flaking at the edges. Your palms and fingers are raw and abraded from where you must have clung to the sharp rock.

Qifrey dabs at them with more force than necessary. You flinch just once, before going still again.

"Rash. Reckless. Stupid." The words spill out of him like water from a broken dam. They're sharp enough to wound, meant to hurt, and he knows this even as he says them but cannot bring himself to stop. "I didn't teach you that. I taught you to think, to assess, not throw yourself off cliffs for—for worthless plants—"

"Master—"

"I said don't." Hearing that title alone makes him want to scream. "Don't call me that now. You don't have any right to when you—"

"It's Master's fault."

The words land like a slap. Qifrey turns to look at you—one hand frozen over a roll of bandages, the echo of them stinging—only to find your mouth drawn taut in a stubborn line. And your eyes, those quiet, watchful eyes that have always followed him so carefully, are hard with something he's never seen in them before. Not guilt. Not shame. Something closer to accusation.

As though he is the one who has wronged you.

"Oh, it's my fault," he repeats, his voice rising sharply on its own, an unpleasant mixture of anger and incredulity. "I didn't tell you to sneak out without telling me. I didn't tell you to seek out winged beasts you have no experience fighting. I didn't tell you to—"

"Yes, because Master never tells me anything—"

"For good reason!" He throws his hands up, the dishcloth—stained with your blood—twisting taut between his white knuckled fingers. Qifrey wants to shake you. Maybe tear his hair out. Another part of him—a smaller, quieter part—wants to lock you in this atelier and throw away the key forever, just to make sure that you are safe. "There are things I don't tell you because they are dangerous, things that I am trying—I have been trying—to protect you from—"

"I don't need to be protected like a child—"

"Then stop acting like one!" Qifrey is shouting now. He knows that he's shouting. He can't stop. "Sneaking around behind my back, hiding books in your room, burning and cutting yourself, putting yourself in mortal danger for a cure that doesn't exist!"

Your obstinate expression only darkens further. "Master can't know for certain—"

"I do!" His hands come down hard on the tabletop, and you flinch. Your teacup jumps, porcelain clattering as it tips. Cold tea spills across the gingham patterns. "I know because—" Because he's already been to the Tower of Memories, and he knows that what ails him is no illness or curse. "—because I've already read every book, tried every remedy—I know that there is no cure! There is no cure, and there will never be, so stop trying to throw your life away for something so—"

"I won't!"

Something in Qifrey snaps.

"If you're so unwilling to listen to me," he says, his voice suddenly cold and flat in a way that doesn't belong to him, "then maybe you should no longer be my apprentice."

The moment those words leave his mouth, Qifrey knows at once that he would do anything to take them back—tear them out of the air, swallow them whole even if they cut his throat to ribbons—but the damage is already done.

You go very still. The anger doesn't leave you, not entirely, but something beneath it fractures—hairline cracks spiderwebbing across thin river ice. Your mouth works soundlessly, shaping around words that don't make it out, before pressing into a thin, bloodless line.

When he dares a glance up again, your lashes are wet. You're not crying—you never have, not in front of him, at least—but your eyes are bright, too bright now, in a way that feels dangerously close. Your lower lip wobbles only once before you sink your teeth into it and force it still.

Qifrey hates water. The sound of rain makes his chest tight, and the feeling of being wet makes his skin crawl. He hates the way it blurs the fading remnants of his vision, the way it soaks through his clothes and leeches the heat from his bones, the way it reminds him of things he's forgotten and things he wishes he could forget.

But this—this—is worse.

Qifrey's hands falter, then drop back to his sides. Why had they even been raised in the first place? The kitchen is too quiet now, empty except for the phantom ghosts of your anger and his, the steady drip of tea from the table's edge, forming a puddle on the flagstones beneath. He feels exhausted all of a sudden—wrung dry and scraped hollow.

It's only then that he notices the bag. Your hand—the other one, still dirty and bleeding—is curled around a small pouch of cloth, pressed so tightly against your chest that your knuckles have gone white. Even after everything, you are still clinging to it. Still trying, desperately, to keep it safe.

"Give me the bag," he says.

Your eyes jump to Qifrey's face. You glance down at the bag, as though just only remembering thtat it's there, before your fingers tighten around it again, spine curving over it protectively. Hesitation flickers across your expression for a brief second, before you give a small, stubborn shake of the head.

No.

Qifrey sucks in a sharp breath through his teeth, patience fraying, before he reins himself in forcefully. He's done more than enough damage, today. "I won't—I'm not going to do anything to it," he says, trying to sound reassuring, more gentle. He doesn't know if he succeeds. "Just—please. Give me the bag."

You stare at him for a moment longer, as though wordlessly weighing whether you can trust his words. Then, slowly, reluctantly—you loosen your death grip on the pouch and hold it out.

It's surprisingly light in his hand, once he takes it. Almost as though it holds nothing inside at all. His fingers, still faintly numb and tacky with your blood, fumble with the drawstrings as he pulls them loose. He looks inside.

A handful of silver leaves lie scattered across the bottom of the pouch. Thin and gleaming, each one shaped like a sewing needle. Spineneedles. Carefully gathered, but so few of them—barely enough to brew a single thumb-sized vial of tincture.

Yet the mere sight of them is enough to strip all the anger from him in an instant. Qifrey stares down into the pouch, the thin scatter of silver leaves there glinting faintly like stars in the night sky, and feels something inside him give way.

He isn't angry with you. He's never been angry with you. The one whom Qifrey is so unbearably angry with, so deeply ashamed of—is himself. Because the only reason you did any of this—pushed yourself to such lengths, put yourself in harm's way—is because he let you believe he could be cured. He'd smiled and selfishly kept the words you'd uttered that day close to his heart, like a precious treasure, and in doing so, he'd unwittingly sent you hurtling straight into danger's embrace.

A slow, quiet breath escapes him. Qifrey slowly lets himself sink to his knees in front of your chair, suddenly weary in a way that he cannot quite name. You shift at the movement, glancing down at him with something uncertain in your expression, unsure of his moods.

"…Master?"

He sets the pouch on the table and carefully takes your hands in his. You try to tug them back to your chest on instinct but he holds on to your wrists, gentle but insistent. Qifrey turns them over, palms out, your fingers curling slightly, and looks at the small, round marks he's never looked close enough to notice before. Burn scars. Old and new, layered together, a wordless record of every time you had pressed pain into your own body in search of something that might help him.

His throat closes around the words he doesn't have.

"Thank you," is all he can say, in the end. Even then, it feels inadequate. "For trying to cure me. For going to such lengths to ease my pain." Qifrey pauses, his thumb brushing over a half-healed scab on your knuckle. "But it… it won't work."

You look at him, then. The defiance has receded from your eyes, leaving behind a thin, wavering uncertainty in its place. "How can Master be so sure it will not work?"

Because I've already tried everything. Because I read about it in the Tower, and I know the truth. Because the problem isn't my eye or the headaches—it is the tree growing inside of me, the parasite that will kill me if I stop worrying, if I stop hurting, if I let myself be happy for even a moment.

But Qifrey cannot say that. Not yet. Perhaps not ever. His fingers drift down unconsciously to brush the ribbon trailing from the top of his hat.

"Because, like I said, I've tried every remedy in existence." He shakes his head with a defeated smile, squeezing your hands. "Nothing works. And it only hurts me more—more than my eye or any headache—to see my beloved apprentice put themself in danger for my sake."

You go still, fingers curling loosely under his own.

"I should be the one protecting you," he continues. "Not the other way around. That—that's the whole point of having an apprentice." Qifrey almost laughs at that, the line of his mouth twisting into the shape of a half-formed, self-deprecating smile. Oh, he was so, so foolish. "I'm supposed to keep you safe. And yet, here you are, throwing yourself into danger for me."

His gaze drops back to your hands, the small scars scattered across your skin.

"I'm content," Qifrey says quietly. "With what I have now. The atelier. You." And as the words leave him, he realises that they are not merely for your sake—they are true, plain and simple. "The pain is small in comparison."

You don't speak for a moment. The afternoon light has shifted, turning golden and syrupy, pooling on the floor between you like liquid honey. Qifrey can hear the sound of his own heartbeat in the silence, a slow, steady march in his ears.

"But I don't like to see Master in pain."

Your voice is small, but matter-of-fact. You say it in the same way you might state an obvious truth, such as fire is hot and water is clear and the sun rises in the east. As if it's simply a fact of the universe that you dislike seeing him in pain—and therefore, you must do something about it.

Qifrey's heart clenches, a sharp and sudden thing. Before he can think better of it he's already leaning forward to gather you into his arms. It's the first time he's ever hugged you, he realises distantly. He's held you when you were learning to use sylph shoes for the first time, guided your hand and wand through careful strokes, rested a light hand on your head once or twice—but never anything like this. Never returned even a fraction of the quiet comfort you've given him simply by being there. Some master he's been.

You go stiff for a moment against his chest, caught off guard by the suddenness of the gesture. A few breaths pass before your shoulders loosen, ever so slightly, and then your forehead dips, coming to rest slowly against the line of his collarbone. And your hands, one half-bandaged and the other still dirty with smeared blood and dirt, come up to grip tentatively at the back of his shirt.

When had you become so precious to him?

He closes his one good eye and presses his face into the top of your head, ignoring the way his glasses push up on the bridge of his nose. Your hair smells faintly of lemon verbena and soap. "Don't do something so dangerous again, alright?" His voice comes out muffled, even to his own ears. "Promise me."

There's a long pause. Then: "I don't want to give up, Master."

Qifrey sighs, something between an amused sigh and weary acceptance. Clearly, it'd been wishful thinking at best to hope otherwise, and the fault for it lies squarely with him. He draws back just enough to look at you. Your fingers tighten in his shirt.

"If you have any ideas," he says at last, the words coming together with reluctant resignation, "tell me first. Before you do anything. We'll experiment together—here, in the atelier, where it's safe." His eye narrows slightly, a faint edge of sternness threading through the softness. "I won't stop you from trying. But I'm not going to lose you to a cliff face or anything else, and there will be no forbidden magic. Do you understand?"

You hold his gaze. For a moment your expression is unreadable—eyes too much like mirrors, reflecting too much of him back at himself, too clearly, too honestly. Then, slowly, you nod.

"Okay."

"Good." The word leaves him more easily than expected, as though some heavy weight has finally been lifted from his shoulders. Qifrey pulls you in again, a brief but quieter second embrace, before he lets you go and leans back. Even with the space between you now, the residual warmth of you lingers, settling into the hollow places between his ribs like sunlight.

"I'll make dinner tonight," he announces, getting to his feet. "You should get some rest. But first—let me finish treating your arms."

"Okay."

You hold your arms out obediently. He takes them, careful as though he's handling some priceless, irreplaceable magical artifact, tutting softly under his breath at the state of you. The cuts, the burns, the bruising—he tends to each with attentive hands, and insists on drawing you a bath of milk and herbs as he works, all while you squirm and offer half-hearted rejections in protest.

Somewhere in his chest, the silverwood stirs.

a/n: i cannot believe that some of my best writing this year might have been for yet another white haired man voiced by joshua waters in en who is also competing in the depression olympics. the only difference is that qifrey is a twink and i only found out about him three days ago before proceeding to bash out ten thousand words for him despite not really blorbo-ing him. am i denial or do i need the asylum 😔 n e ways i hope you enjoy! please don't crucify me for the age gap or the eventual problematic student teacher relationship </3

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