I've seen posts floating around trying to suggest new names and new costumes for him, and I've seen really great designs (u/Hunkerdown_son's Gray Ghost suit) that I like a lot more than what he's gotten. (Poor kid's gone back to Robin and was feuding with Damian about who's the better Robin? Like, boy, you could be in college, you are a whole-ass adult now, god damn, can the writers let you develop). There's Cardinal, Flamebird, Redbird, every red bird there is. And like, I get it, Red Robin was one of his more iconic runs (pre-Flashpoint), his OYL costume was primarily red, he was Red Robin wearing basically a Robin costume for a little while there too.
One of the name's I've seen is Rook. And that fascinates me. I actually had a hazy image of it pop into my mind, like a terrible "got any more pixels?" JPG picture of an artbook all zoomed-in and blown out one, of what that might look like.
(Artist's recreation of the above described image)
So I made it.
(Look, I know. I know. That is not how "Rook" would be stylized for the logo, but listen, listen. Cursive k basically has a mini-R in it and I was having fun with this. Okay? I don't draw much these days and I'm not a comic artist/graphic designer. I do math for a living.) (I spent very little time on the logo for Blackbird, but you get the idea. The "R" gets twisted nicely into a "B" for Blackbird, in my opinion.)
Design choices and everything below. Very stupidly long.
Rook first because I know the color is going to be a sell.
Rook is a bird in the corvid family, with crows, so they're exceptionally smart birds. Rooks are also the name for the chess piece that can perform the trickster maneuver called castling where they trade places with the king (It's not hard to do, necessarily, just like, a 4D move compared to the normal chess moves, and not something the average person knows about). Being that he's been relegated to the "boy genius" role and he is vicious and cunning with his mind more than almost anything else (See Robin #137's "Show your face here again and we'll frame you for the kind of crimes even other hardened kills don't condone or forgive" speech, him blowing up the LoA's computers in Red Robin #8 after somehow creating a program/virus on their systems while under constant supervision, or all of Red Robin's "The Hit List" arc). (I know he's not the only one who can do or has done, things like this, but he does it a lot, is my point).
Rooks, the birds, as a symbol of death are also fascinating to connect to Tim. He's never "died" like the other Robins have, but his mantra in his introduction is basically "Batman needs a Robin." Because Batman/Bruce has been traumatized by losing his son, Jason, and is spiraling, dialing up the violence towards criminals, dialing down his ability to care whether or not he survives, destroying his interpersonal relationships in the process. Death as a symbol can mean the literal figurative death, but it also can mean the end of a phase of life, of letting something go, and moving onto a new chapter.
And that's what Bruce needed to do. He, of course, would always miss Jason, but he needed to move past the pain, move past the agony, become what Batman was supposed to be again. Tim's the one who got him there. He's the one who convinced Bruce to open that new door. Tim's the one who put the "family" in Bat-Family because Bruce sure as shit was not going to do that. Here, this post explains that a bit more eloquently.
Rooks, the birds, are also blue/purple in color, which I think is great for Tim. I know, I know, everyone wants him with red. I get. I really, truly, get it. But let's just...take a step back and go outside of the box a little for his color. Now, I know, not everyone keeps the same color consistently (the number of times Nightwing has just bounced between Blue and Red, for example), but there is usually a "main" color strongly associated with each member of the Bat-Family.
Nightwing gets blue, duh (and also bluebird). Red Hood gets red (and also Nightwing when he's having a shit time and also Kate Kane's Batwoman and also Damian's Redwing). Damian's Robin often gets green (though I low-key associate green with Tim's Robin more than Damian's, Tim's no longer going to be Robin here, so Damian can have it). The Signal gets yellow (and so does Cass's Batgirl/Black Bat/Orphan). Stephanie as Spoiler/Batgirl has purple (and so does Huntress and Barbara's Batgirl). And Oracle gets lime green.
We don't need any more red symbols in the family. It's already out of hand without throwing Tim in there. And out of all the siblings, he's the only one without a distinct color.
Anyway. If we dip into tertiary colors, we can fix all of that. I made a mock-up of what I mean drawing the symbols mostly by memory in a few minutes. For Huntress/Helena Bertinelli, I just used her mask.
See how Tim as Rook gets to be wedged in between Nightwing's blue and Stephanie's purple with Violet? Tim Drake is a Dick Grayson fan first, Nightwing fan second, and person a distant third, so going more blue with his scheme is a much better fit. You could come up with a name for him to be teal, but violet is better for Rook, and like he's also close to Stephanie's Spoiler/Batgirl colors and say what you will of his relationship with her, she is important to his character as friend/girlfriend/friendly-ex. And Dick went from "Red/green/yellow" to "Blue/black" so Tim can go from "Red/green/yellow/black" to "violet/black."
Oh, and it lets him get his "R" back. The one from the 90's that's just so iconic that he was literally introduced with as Robin. If we can have a million different bat symbols then we can have two different R's floating around and no one will be confused.
And anyway, with all of that in mind, and that terrible image haunting me, I decided to draw a quick reference sheet for what Rook might look like. I think I spent like 2 hours on the final version, with an hour and a half on sketches I hated/deleted. Anyway.
I had a nice dark green in here instead of sky blue and a dark purple instead of dark blue, but then I was looking at the purple/green and "I'm in dangered" my way out of the Joker color-combo.
Instead I decided, since he's a young person and the violet I chose was sort of blacklight-esque, then why not make him look like some kinda blacklight glowing guy. The youth these days still love that kinda stuff, right? And it ties into the themes of being a light in the dark and crime-scene stuff and all that. The colors came from how lead glass reacts under black light, and while I imagine the violet parts do show up in black light, it's the light blue parts that actually glow in blacklight.
If you want to draw this design or make up your own Rook design or tweak this design go ahead, like, for example if you wanted him to have the sharp pointy cuffs that I couldn't get to look good at all (but please tag me if you do, I wanna see it, unless you're shit-talking me. Then don't tag me.)(Shit talking means "my god, this asshole who cannot draw at all" and not "It was okay, but I thought it might be better like this/with some tweaks/more coherent colors" one I can take and the former will make me cry).
(If the notes are hard to read, they will be in text at the very bottom)
Obviously, I got a little too obsessed with the mask for my own good. I didn't want him to just have a domino mask, I liked the protectiveness of his Red Robin cowl (if not the look), and I wanted more coverage while also having his hair out because he has really good hair. So it goes around the back of his head in a band, protecting his temples and the back of his head, but nothing else for his hair to show. It is supposed to blend with his hair so we get the illusion of the cowl, but drawn by someone better/more time/shading it'd be fairly obvious up front where his hair and mask are, but less so from the back. And Tim has done the mask under a mask gag before and a self-destructing mask, so I feel like him having approximately 30-billion fail-safes to prevent it from just being pulled off of him is in-character.
And then I decided, that since Tim is Nightwing fan second, he can have a red version of the outfit named "Blackbird" for when he's feeling a little moody or feisty the same as Nightwing has the red Nightwing suit for...reasons ("We wear red in new continuities" or whatever. Why have one outfit when you can have several?). This time the colors were inspired by red cadmium glass under blacklight and the red winged blackbird.
Red Winged Blackbird's symbolically are "a sign of change and transformation. They represent the power of love and compassion, as well as the need to take action in order to make positive changes in your life. The red winged blackbird is a symbol for spiritual growth, inner strength, courage, determination and self-awareness." Which. You know. Fits Tim. And there's red. So. I feel like that's an easy sell. ¯\_(ツ)_/¯
I wanted to reference his OYL, Post-Crisis Red Robin (regular and data alter), and Robin (Post-Crisis/Rebirth) outfits for the design. I didn't care for much of his post-Flashpoint Red Robin outifts, adding Nomura/Kingdom Hearts zippers levels of belts to him or just being Robin with two "R"s for a symbol and bad hair. You can see the OYL in the edges of the cape and the interior of the mask. Robin, Rebirth in particular, with his elbow pads and knee pads, shoulder armor and the shape of his boots. Red Robin in the bandolier harness/belt thing he's got, but every thing on it is one of those hammer space utility belt pouches the Bats are so well known for, so he can have a bajillion of them as the "tool using" Robin. The "V" center and arm-stripe/finger-stripe combo is, obviously, reminiscent of Nightwing, and his Red Robin data alter, which is also reflected in the larger mask (though the nose is not as beak-like).
(OYL References, the dialogue in the second to last panel of the first reference is misattributed, in case you were confused as to why Tim is dissing his outfit and Dick is talking like Tim)
(Red Robin References)
(Robin References)
And obviously, I just put his "R" symbol on a circle and called it a day. Although I was clearly going off of memory instead of a direct reference, but whatever. Whatever. It fits better in a circle the way I did it. And a circle is a better buckle/clip than the oval, which was a deliberate choice. So. Anyway.
Notes (from top left to bottom right, grouped by what they're describing):
Shoulder Shot: "We're bringing back his iconic 'R' from the 90's for 'Rook. (pointing to the R symbol)." "The cape can be rolled back to reveal some light shoulder armor that doesn't change his silhouette when the cape is down (pointing to his shoulder armor and the rolled back cape that is reminiscent of his over the shoulder "black with yellow" capes)." "Feather pattern that emulates Nightwing's arm/fingerstripes (pointing to the side of his arm)." "His elbow pads have the same shape as his kneepads for the skaterboy vibe. (pointing to the pads over his arms and knees)."
Sketch of harness: "Bandolier harness hides under the cape that clips into his insignia (pointing to the symbol in the center)." "Each space is a pouch (pointing to every area between the pointed ridges (which are hollow tubes with screw caps that can also hold things for maximum hammerspace))."
The detailed shot of the mask: "The face mask is partial emotive with white lenses that have thermal and night-vision (next to the white eyes)." "The foil layer of the mask can peel off unless actively held when the mask is lifted, and cling to his skin with a static charge that makes it almost impossible to peel from his skin (pointing to the teal circuit bit that is lifted from the pointy bit of the mask (the circuits are water/sweat proof, don't worry))." "There are dozens of magnetic locks that have to hit in the right on/off pattern to life all layers of the mask. Each finger in his gloves can have an active magnetic charge, so there are over a thousand combinations (pointing to the foil layer and the inside of the mask)."
The sketches of the mask lowered and raised: "The back of the mask is made of interlocking combs that seal together with metal locks to avoid it coming off unintended (pointing to the back of the raised mask)." "Durable, flexible rubber-like material (pointing to the sides of the mask, back, and the expanding fan like section that allows it to raise while still being one-piece and the top of the mask that would roll against his forehead)." "The mask can be lifted up when the locks are undone (pointing to the raised and lowered mask and the expanding accordion like structure)."
The sketch of a side profile of his head with his bangs and face half there: "Where does the mask end and his hair begin? Like Kujo Jotaro's cap, the world may never know (pointing to the back of his head where the black mask and black hair would blend together)." "The back of the mask combs through his hair and the top layers of his hair cover it (providing an actual answer)." "The nose of the mask has padding that protects his nose from breaks and conceals the shape of his nose and cheeks (next to his nose, which is half covered by the mask)."
i love your art so much!!! thank you so much for your practice tips! really helps so much. if you don't mind me asking, do you have any tips of now to get started with the figure? as to what to look for to draw first? i've done so many figure studies and yet my forms still turn out kind of deformed if i try to draw fast :( i have to spent quite some time to get it to look "presentable"
<3!! thank you ! I’m very happy that it can helps, even just a bit <3 !
For your question.. mmh… I don’t really know how to reply ;; I think there isn’t a wrong way to begin your drawings. The purpose of the figure is to have the ‘essence’ of the movement i’d say ? So you can begin with the movement in mind, take your time to watch the thing you want to draw if you work with references, scan it, notice the important things to you (how the head is a bit on the side, how the feet touch the ground, how light/strong/etc is the movement, things that make you “ouh yeah im drawing that”) ; also, you don’t have to control your hand too much, let it move with a bit of ‘freedom’; after some time you’ll develop a better sense at this, and you’ll work faster and with more accuracy! Most of the time i begin with the movement of the shoulder, then arms, then ribs.; mmh idk.. i’m really not a ‘precise’ person, i just follow my heart lmao ; but you know, if your figures are a bit deformed, it’s not necessarly a bad thing, maybe stretch the figures even more, have fun with the movement! If you think the proportions aren’t good, you can read more theory about this (like, for the length of things etc: the tip of the hand is mid-thigh, elbow is around the waist, the tip of the ear is aligned with the eyes, some little things that can guide you when you draw, that can give you more simple indications about where to put this or that, so you won’t feel too lost, and you will notice faster where you messed up if you feel something feels off in your drawing) Also, your figures don’t have to look presentable ! among the sketches i’ve posted, some were deleted from my files because they didn’t look interesting imo, or i re-did a pose because i felt i didn’t catch the movement as i wanted ! (but i don’t try too hard when it happens, i try to do them fast and if im not happy then nyum next sketch bye) Don’t be too hard on yourself (im very serious saying that, if these thoughts arent helping you in your art and just sadden you, ignore them, take a break, and trust yourself. We all do drawings we’re not proud of. that’s part of the journey, it’s okay! maybe it’s off topic and maybe i’m always saying the same thing, but, I say that for everyone reading this and you anon and for the me of the past and i will say it again and again) Also, if you have trouble to draw for example the shoulder, then take a very close look at it, look at the bones, look at yourself in the mirror, the muscles, draw thousands of them; with time, it will be so much easier for you to draw them fast and cool and everything. You’re getting better with every drawings, especially with the ones that you think are not good. Even if you ‘fail’ to draw this, or that, you’re more prepared for the next time you’ll be drawing it, you’re always questionning yourself, trying, and that’s wonderful, i think. <3
Sorry im rambling as always but you were maybe expecting it from me no surprise here i guess ahhh h
sorry if i made mistakes / typos! or if i misunderstood your question, i hope you can still find some infos or idk djlsghjks
