All Falls Together William Nussbaum Lithograph, letterpress, dusting 2016 Edition of 3
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All Falls Together William Nussbaum Lithograph, letterpress, dusting 2016 Edition of 3
The Constellation of Clout (the hopelessness of knowledge) William Nussbaum Woodcut 2015 Edition of 10 75 cm x 55 cm
Go go go! check out my short review (including a few pictures) of a printmaking exhibition in Seoul. Many thanks to Printeresting for accepting my submission.
Unfamiliar Horizens: I Haven't Stopped Gazing at the Heavens William Nussbaum Reductive Woodcut 2014 28cm x 38cm
Celestial Intersection (Figment): Just As Lost as When I Started William Nussbaum Hard Ground Etching, Intaglio 2014 Edition of 5 28.5cm x 37.5cm
Mezzotint rocking and plate preparation. I'm definitely getting some use out of that loupe as well.
I love the simple repetition of printmaking. Rocking out a mezzotint plate. Grinding a stone. Sponging a stone. Cleaning the edges of rolled out ink. The repetitive nature of it is meditative and cathartic at times and infuriating at others. On either end of the spectrum (and in the middle for good measure) the physicality is rewarding.
I made this mezzotint rocker sharpening jig yesterday. It consisted of buying a wood handle, cutting it to size, drilling holes, sanding it and staining it. My last step was actually sharpening the rocker.
Use a jig like this is by far the quickest way to get those sharp teeth.
However I will say that actually rocking out the mezzotint plate is an exercise in patience.
Practicing some edition work. Relief print. Printmaking
not sure what happened at the end (45 min). My video just cut out, thanks for checking it out anyway.