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book aesthetics: girls reading v2: woc (x)
I find found this site 4 years ago and I always got my fill of angst, romance, drama, sci-fi, you name it. It's stories by women of color for women of color.
The Trouble Between Us looks at the question why a radical interracial women's movement did not develop in the 1960s and 1970s. It consideres white and black women's experiences in the civil rights movement, the Black Arts and Black Power movements, including the Black Panther Party, Boston socialist feminism - particularly Bread and Roses, an early white socialist feminist organization, and the Combahee River Collective, a black socialist feminist organization, and Boston feminists' efforts to develop cross- racial political projects in the late 1970s and early 1980s. The accepted interpretation of this period's feminism has been that African American wmen did not join the women's movement because it was racist. But while radical white women were often unconciously or abstractly racist, they were passionately anti-racist in their political objectives and worked hard to develop an interracial movement. At the same time, most radical black women were influenced by the Black Power movement and as a result many were not interested in joining the early white women's liberation movement. Young activists had begun with ideals of togetherness and found themselves divided and estranged, struggling to retain a hopeful image of interracial community. Race came between young white and black radical feminists. Movement women, particularly whites, were forced to relinquish idealistic and universalist images in order to recognise their own social benefits. In their different ways, whether because white women were priviledged and unable to understand subtle versions of racism, white and black men were sexist, or because white women's feminism did not clearly include a place for balck women, they all had to let go of preconceived images and hopes. Only then were they able to construct relationships based on who they were and not on who they wanted to be or wanted others to be. This book argues that white feminists and feminists of colour were pioneers in America's understanding of white racism and in anti-racism practices and consciousness.
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On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder.
This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm Xand the works of Maya Angelou.
Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.