I am the Hegemon My robe is whyte I reconcile The dark and lyght. My scepter has A mitre hed
At Mystic Repast I lik the bred.
seen from China
seen from United States
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from Bangladesh
seen from China

seen from Australia
seen from Russia

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Ukraine
seen from Ukraine
seen from Russia

seen from United States
I am the Hegemon My robe is whyte I reconcile The dark and lyght. My scepter has A mitre hed
At Mystic Repast I lik the bred.
Elaine Lustig Cohen, A Party for the New Year, Elaine and Arthur Cohen, (invitation), New York, NY, 1968 [Cooper Hewitt, Smithsonian Design Museum, New York, NY]
Daphne Duijvelshoff-van Peski, Postzegel Nederland 1978, Zomerpostzegel, Brief Belle van Zuylen, 1978 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag]
Daphne Duijvelshoff-van Peski (1942-2020)
♥
(image: Daphne Duijvelshoff-van Peski, Text by Titus Yocarini, [Z]oo producties, Eindhoven, 2013. Design: vanRixtelvanderPut. Cover photo: Aatjan Renders)
Sarah Snaith (September 12, 1984 – August 3, 2020)
♥
(image: Sarah Snaith, photograph by Jack Thomson, 2019)
The Lost Art of Paste-Up, London Review of Books (LRB), October 14, 2019
Muriel Cooper, by David Reinfurt and Robert Wiesenberger, Afterword by Nicholas Negroponte, Foreword by Lisa Strausfeld, The MIT Press, Cambridge, MA, 2017, pp. 44-45
Muriel Cooper, by David Reinfurt and Robert Wiesenberger, Afterword by Nicholas Negroponte, Foreword by Lisa Strausfeld, The MIT Press, Cambridge, MA, 2017, pp. 42-43