GIVING A CHARACTER FOCUS ≠ CHARACTER DEVELOPMENT
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GIVING A CHARACTER FOCUS ≠ CHARACTER DEVELOPMENT
hi, can you help me out? i need some tips on character development. i'm making one of my characters change from a bad person, to a supportive person. the thing is, i don't know how i should do it. should i make him slowly transition to be good over time? but how would i do so? idk if this makes sense, but it doesn't have to be specific or anything, just some general antagonist to protagonist tips would be nice. :))
Firstly, you’re going to need a catalyst moment as to why this character changes. Most people don’t simply decide to alter their personalities so significantly for no reason, so make sure you’ve given him a reason to change. As for the actual transition of it, try to keep these things in mind!
1) This is going to take time. And a lot of it. I’m not entirely sure exactly what about your character is “bad” but oftentimes these negative tendencies become second nature to us, and there’s no changing that overnight. Your character is going to need a game plan as to how they’re going to change and do their best to implement it.
2) There will be setbacks. Even if someone is progressing and trying diligently, there will always be slip ups and there will always be setbacks. I can’t provide a specific example relevant to your character, but let’s say that the goal was something along the lines of being a kinder person. They might be having a bad day or someone might just cross them the wrong way and seemingly undo all the progress that’s been made.
3) Sometimes the change is subtle, or no one picks up on it. Your other characters might not even notice there’s a change, especially if they aren’t told that there’s that intent there. Perhaps they even complain about the trait they’re trying to improve on, only adding salt to the wound. Because sometimes changes are small; they can be offering someone something for no reason or complimenting them. They seem like no big deal, but to the person who’s changing, it’s a big step.
Hey, qq on character development. MC is on the run because she is framed for murder. MC goes from being standard to being, for lack of better words, a reckless rebel. She eventually gets caught and is interrogated along with some other suspects and relations. During the interrogations, how can I revert her to the person she once was, altho now she's more resilient and damaged, without making it seem abrupt or inconsistent? How does one make someone go from good to bad to good again?
Sorry for taking SO LONG to respond to this (so not qq).
Often when guilty parties are made to face the consequences of their actions- specifically when confronted by law enforcement- they tend to “sober up” and cooperate. Sometimes they may even revert to the behavior they exhibited when being chastised by a parent in childhood. Therefore a seemingly “abrupt” change in behavior is completely acceptable under the circumstances.
Your character may also have retained a respect for authority, at least for the amount of work law enforcement has to go through to deal with troublemakers like herself. Plus, being reckless and rebellious in an interrogation room is NOT a good plan. Interrogators know how to break someone down when they’re misbehaving (like leaving them in the room for a long period of time and basically letting them cool off enough to get nervous). If a detainee is still being uncooperative, things will get worse for them because they are not in power right now.
Respectful submission is a powerful tool, and your character is all the better for whipping it out at the right time; especially if she’s innocent. In the time she’s spent as a fugitive, she’s no doubt had to rethink her action plan and figure out in advance how best to act when she’s finally caught.
3 simple ways to flesh out your characters
3 simple ways to flesh out your characters #writingcommunity #crossandquill
When I was 14 I faced homelessness as my family went through an unexpected financial crisis. At the time, I didn’t understand the intricacies of mortgages and repossession but I did understand that my mother was crying and my father was being strong for both of them. It would be almost three years before my family was reunited. This post identifies three ways to flesh out your characters.…
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Character Traits
One of the best ways to have an unpredictable yet consistent character is to give them conflicting traits. One trait could be dominant while the other softens it or they could be balanced, constantly dueling it out and being controlled by circumstance. A character can be aware of this, forcing them to consciously chose a part of themselves, or you can hint at it and let the reader piece it together. For instance, in my WIP, I have a character who’s very mathematically/logically intelligent yet incredibly reckless. This also helps destroy stereotypes because now the awkward bookworm is also an enthusiastic brawler.
My playlist for several current projects consists of I See Fire.
(If you've heard it and know the lyrics, it is fair to say I am sorry for the feels.)
Right now I'm working on Journey of a King with it playing. The feels are way too much since I know the outcome...
(Small spoiler) Arthur's call to adventure happens with the news that the regiment his best friend is in had yet to be seen after the city they were in was captured. His magic goes nuts (so nuts Jareth has to seal it to prevent anyone from getting hurt) and he has an argument that causes him to sign up for a regiment as his penitence for what was said. He takes the penitence with the knowledge that to be the king he knows he is supposed to be, has to cleanse his soul with actions instead of just words. Several months later he has a bond with his comrades and after an intense battle ends up the only survivor.
As shown in previews of LOAK, Arthur is unable to die (actually none of the men in his family can thanks to Loki). Technically he has a period of time if mortally wounded where he passes as dead, but eventually revives. At the time I wrote that down as a trait I didn't think of how deep it would lead to the fast and tormented character development in Arthur. Now that I have the playlist for this project setup and playing while writing, it has punched me hard.
With the aid of the playlist, I've created a memorable character. And something that's going to make me cry every so often. (I reason it's fair since there are lots of heart clenching moments in this story.)
Another sneak peek at Journey of a King
I'm working on chapter one. As a promo (and a reason for people to dive in to read Father's Trial during it's last three arcs) I'm posting one really conflicting moment from chapter one. (Warning: if you want Arthur to remain a cute and innocent baby with a clinginess to his father - do not read this.)
Delve Into Your Characters' Heads
I seem to spend a lot of thought time on my characters' back stories, motivations, reasons for seeing the world the way they do. I can't believe I'm just now finding Think Ink and a wonderful series on character psychology, including:
Personality Traits: A Character's Characteristics
Personal Concerns: Behavior Isn't Set in Stone
Attachment: That Very First Relationship
Unreliable Narrators: How Accurate is Memory?
Blame: Where Does Your Character Point the Finger?
Forgiving & Forgetting
When Characters Get a Taste for Revenge
How Shy Characters Can Steal the Spotlight
Relationships: What is Your Character's Love Style?