Pitchfork 2018 Preview
My name is Mika, and I’m a rising senior and student DJ at WXDU. I’m excited to be representing WXDU as I cover Pitchfork Music Festival in Chicago this weekend (7/20 - 7/22). To start, here are the artists I’m most looking forward to seeing:
Tame Impala
The last time I saw Tame Impala was at Lollapalooza in 2015, the year they released Currents. I loved their set then, but am even more excited to see them close out the first day of Pitchfork this year. I’m hoping that they’ll play something new from the Currents B-Sides & Remixes released last year and “Be Above It” from 2012’s Lonerism.
Big Thief
Capacity was my favorite album of 2017—it’s absolutely exquisite. It’s difficult to pick my favorite track from the album, but it’s probably between “Mythological Beauty” and “Mary.” I was able to see Big Thief in Williamsburg this past fall, and am really looking forward to another beautiful set at Pitchfork.
Paul Cherry
A member of my much-beloved Chicago DIY scene, Paul Cherry is one of the artists I’m most excited to see at Pitchfork. His first LP, Flavour captures millennial culture and modern love, with a sound that’s part dream pop and something a little smoother, a little rock-ier (some have said “yacht rock”).
Kelela
Kelela’s 2017 release, Take Me Apart, was highly acclaimed, but I admit that I didn’t give it a good listen until just recently. Take Me Apart is cohesive, but each song is innovative and honest in its own way. The sexy rhythmic pop sound makes her Saturday evening set a must-see.
Blood Orange
I saw Blood Orange at Pitchfork in 2016, after the release of his third album Freetown Sound. His set then was energetic and dance-y, captivating the crowd with tracks from Freetown Sound and favorites, like “You’re Not Good Enough.” I’m looking forward to seeing Blood Orange again!
Nnamdi Ogbonnaya
Nnamdi Obbonnaya is another musician from Chicago’s DIY scene. 2017’s DROOL is a hybrid rap album that is both goofy and emotional, with standout tracks like “let gO Of my egO” and “dOn’t turn me Off.” His set as opener for Speedy Ortiz in Nashville this past May was one of the most dynamic, captivating sets I’ve seen and I’m excited to see how that energy translates to the Pitchfork stage in his hometown.
Kweku Collins
A former slam poet, Chicago’s very own Kweku Collins’ 2016 LP Nat Love features introspective lyrics and a light sound. His 2017 EP Grey expands the boundaries of what rap can be even more, even featuring a reimagining of the Yeah Yeah Yeahs “Maps.” I’m excited to see another Chicago artist taking the stage at Pitchfork this year.
Japanese Breakfast
Soft Sounds From Another Planet was also in my top ten albums of 2017. The album incorporates an otherworldly perspective (see “Planetary Ambiance”) to address experiences grounded in the present. I was able to catch Jbrekkie at the Motorco this past spring, and she was absolutely fantastic! Needless to say, I can’t wait to see her at Pitchfork.


















