Towards the limits of maps
~~
Hopper offers him a job, afterwards.
“It’s not much, but It’ll help you get by, pay the bills, ‘till you find something better”
It’s at the station. No less. Consists basically of tidying up the office and replacing the tank from the water machine and keeping the bathrooms clean and generally “Getting some heavy lifting out of our dear Flo’s shoulders” and. The old Billy Hargrove. The one that used to swagger his way around and was all charm and purposeful winks and still hadn’t been permanently scarred from the inside out would’ve gag at the mere thought of it. Accepting a job from the Chief of Police. The Hawkins, Indiana , Chief of Police. But this Billy has trouble keeping his spine from crumbling down on his best days and feels stupidly, shamefully thankful for the way Jim Hopper knows without asking. Understands, without Billy having to say a word so,
He takes the job.
Vacuums the cars. Mops the floors. Buys yellow-bright rubber gloves so he doesn’t actually gag as he scrubs off the toilets. Does his best to get that weight off Flo’s shoulders and Flo―
Flo.
Smiles at him radiant . A warm “ Good morning, dear!” every day ( every , single, day). Asks him how he likes coffee once and then remembers . Insists on still brewing it herself because “I’m kind of an egoist, you see. Love to see people’s faces when I bring it to them. It’s like liquid happiness. Makes people beam . Probably because it’s, you know, technically a drug but― ’guess everybody needs their some” grinning and nudging at Billy’s ribs with a strength that makes him wince like she’s seventeen instead of sixty “But I also kinda like to water it a bit and forget to warm it up if they get me real pissed”.
Flo.
Teaches Billy how to use the squeegee so washing the windows takes him two hours instead like, two days. Makes him type whatever notes have to be typed because “It’s a good skill, boy. And you’ve to start thinking about your future”. Makes him laugh until he goes breathless and has to brace his ribs from the shock of laughter but also from the timid, feather-like feeling of actual, genuine happiness and from yeah, some little more elbowing that kind of makes his chest bloom with warmth. Flo asks him how his day’s going. If he’s feeling well. Brings the back of her hand to his forehead if his eyes look “A little too bright, sugar. Think you should go home early today”. Calls him―calls him sugar. Like Billy’s sweet . Worth having around. Worth “Making my wrinkles even deeper, hon. I swear” Has this effect on Billy, makes him want to take care of her. To be nice . Polite. Better . Earn that sugar she keeps on putting on his coffee and right after his name.
Flo.
Smiles at him sad and wish you could have it, kid. The day she notices. Two months into the job. Steve Harrington showing up for the fourth time that week. Something about a ‘Plan’, about being ready ‘Just in case’ and a wholla lot more of somethings neither him or Hopper share with him because Billy’s too fragile or maybe too potentially dangerous or maybe just― too blurred into his periphery. Steve Harrington. With his movie-star hair and his movie-star stance and his flashy-white smile and his flashy-white nikes Billy shouldn’t like this much. Leaning on the reception counter to flirt with Flo, tease Billy about how much more cute he looks with his now longer hair. Making it feel like he’s also flirting. With him. Pretending to check him out with a slow, deliberate up-and-down-and-down-and-up stare. Making Billy both want to punch him straight into the nose and let his eyes wander, wander, wonder. Up the unbuttoned collar of his preppy-in-pink lapels-raised polo. Up the trail of dark fuzz coming out and those dots ascending in twos. Trace their route with the tips of his fingers. Two on the hollow of Steve’s throat. Two over the beat of his pulse. Two on the apple of his cheek and then just― fall. Pads on his lower lip and tugging. A wordless question. ‘Can I? Can I? Open your mouth with my mouth. Find out what lies beyond the limit of maps?’.
But Steve. He’s a daydream. An illusion. Will never become real, for someone like him. So he keeps on doing the job. One day at a time. One foot after the other. And the money pays for staying out of Neil’s. Pays for having Max and her flock of nerds over on Saturday nights and those dead hours of Sundays. Pays for having something resembling a life enough for Billy to keep on going. Think about that future Flo keeps insisting on from time to time. Pays for some peace of mind.
Pays for the possibility that, after all, Billy is gonna survive all of this.
So winter passes, and then spring , over this supposedly “Just for a few weeks” ―job and now Billy’s attending the calls, some days, kinda playing the secretary, kinda “ Not much ‘till I retire, kid . So you might as well learn how it’s done. In case you’d consider to―you know. Take it”. Feeling good, and maybe, perhaps. Happy. Feeling like life’s not a burden anymore, at least, when Flo feeds him homemade donuts and drags him into a shopping rampage to get a few things so she can help him to “Make that apartment you live in look more like a home and less like an abandoned mausoleum” and it does , in the end, look more like a home, like ‘A Billy Hargrove lives here’ instead of a ‘Here lies a Billy Hargrove’ and Flo says “I told you” , success making her bold enough to make him buy some new clothes, buy him some more, assault the black hole of Billy’s wardrobe and dig out his old leather jacket, saying “ You look gorgeous, sugar. You should wear this again” making Billy get a little too emotional, a little too trying not to drop his feelings so they don’t go scattering all over the place, when he asks her,
“How could I― repay you. For all of this”
Truly meaning all, meaning me, when he says this. But all Flo does is snort, shake her head, pat his cheek and tell him,
“Billy, sugar. You repay me every day”
But then her face lights up, all old-lady mischief behind impossibly big glasses. She looks down at the jacket, up at Billy, and then,
“But I’ve heard it’s been a while since you went on a date”
So Billy snickers, ceremoniously puts his old dangling earring on. Invites Flo to popcorn and to that Cobra movie with Stallone. Laughs his ass off for the whole theater to hear from the second row, where he and Flo had to sit because “Can you believe it, sweetie? I can barely see the screen from here but he’s gonna arrest those men wearing his goddam sunglasses”.
It’s only after all the credits have rolled off, the room nearly empty, that Billy spots him. Walking down the steps from the top row, side by side with Robin Buckley. Smile growing and growing and blooming something wild as their eyes lock. Movie-star pretty and as unreachable as if he shared their same sky. And he’s― saying something. To Billy. Something including a “Hey” and a “Glad to see you too, Flo” and then a “Really?” when Flo explains to him that no, she didn’t trip , that’s not the reason why’s she leaning on Billy’s arm “But thank you for caring, hun” . Then she’s explaining the real reason. At length. Going on and on and on about how “This sweetheart here. He’s so caring. Keeps on spoiling me to no end” while Billy feels blood rushing to his face and thinks that they must be there all the time, waiting for when the light is right, just like now: that golden crown and that royal smile. And the seats of The Hawk are red and velvet and the projector’s still running behind him, bathing his body in a sunshine glow and Billy might be feeling a bit dazed, a bit shot through the heart.
It was love at first sight, then. Now. Every single time.
That’s why he’s not fully functioning, not fully at the reigns of himself when Steve glances back at him. Grins. Says.
“Gosh, Hargrove. Makes me wish you’d treat me that well”
And. You see. Billy’s been in Flo-mode for months on end. And Flo-mode means getting the calls with a “Helloooooo!”. Adding dear or hun or sugar at the end of every phrase. Bringing Hooper his coffee and stir his half a spoon of sugar for him with a smile so big his six-am temper goes crashing into it. Hiding Powell’s nicotine menthols and putting the blame on Callahan while trying not to choke-chuckle as they bicker about it all day. Means joking about the daily crossword in the newspaper during lunch breaks. Means being around someone with whom billy can be light.
Means that, against all odds, the paper-thin skin of his scars might hold up, after all. Keep him alive inside. Means Billy’s become sweeter, indeed. Taken down his guard.
Means that, when Steve Harrington tilts his head to the side, all honey-coated eyes and waiting, Billy trips on what’s left of his swagger and falls hard on his knees and mumbles.
“I would. If you’d let me. I’d treat you like nobody else has”
And Steve. It’s minuscule. A work of art. The way those eyes widen just so. The way breath catches on his windpipe. The way that, apparently, it was this what it took, all along, Billy in front of him without his army. Not a conquer but,
A surrender.
His whole heart for the King of Hearts.
And then, Robin Buckley cackles.
Steve breathes out, says “Oh” and then “Wow” and the here and now seems to shake out of its stillness with him. And the damage must be serious because Flo’s hand is tightening around his forearm and she’s got that voice on, the one she uses when Randolph Ferguson calls drunk-as-a-skunk every Sunday morning at seven a.m “You should go to bed and sleep it off, honey” . Conciliatory. But what she’s sayings is “We maybe should get going, sweetheart” tugging slightly at him while Buckley’s laughter sets into a maniac grin even if she’s― not looking at him, but at Steve, drawling something in between her teeth, something with a ‘Told’ and a ‘You’ , but Flo’s very politely tugging harder, waving them away, damaging control at its best, because she knows , and she knows , that billy doesn’t need more breaking, so they’re almost at the door, running away, not unscathed but, almost when Steve,
Calls,
Calls him.
“Billy!” and he hasn’t moved an inch but he sounds out of breath, rasps a “Hey” and at first, Billy thought all he wanted was something shiny. A King. A Crown. A conquer. But then Steve Harrington looked at him with those eyes and Billy knew all he really wanted was to know how love looked written all over them.
So he turns. Sets his jaw. Squares himself to take the blow.
“Yeah?”
How he would look. Close enough to be reflected on them.
“Tomorrow. When you―. Want me to pick you up, when you get out?”
And Buckley’s eyes jump into Billy’s, now. Teeth biting at her grin through the inside of her cheeks. And Flo’s sighing her relief right by his ear. And they’re holding. These scars. They’re holding but also― he can feel it now, where skin used to be worn-out leather and now’s paper-thin, the way Steve might be, too. Wanting. Longing.
To let Billy part his lips with his.
And Billy’s― Static. Thunderstruck. But Flo says,
“At five. Sharp” and her fingers dig deeper on Billy’s forearm but now they’re not tugging away “I’ll make sure of it”
And then Steve smiles and it’s lovelovelove , at every fucking sight. Dimples deep and those two dots right by his check, one last step and then―
“It’s a date” he nods, and he’s what Princes Charming grows into, and Billy wants to ask him once and then remember , make him coffee every morning just so he can see that smile “Can’t wait to see if you meant those words”
(And he does.
Black. One spoon of sugar. Takes it to their bed. Two years later. Wakes him up with a kiss, makes him smile, falls in love a little more.
In a few hours, they’ll be eating homemade donuts and making toasts at Flo’s retirement party. Billy’s planned on taking her on a date, afterwards.
“Hop’s offered me the job” he says, getting back under the covers and–
That smile .
“And are you ― gonna take it?”
One of Billy’s favorite things, is that Steve can’t really contain it.
“ Well, I still mean what I said so. I guess I have to”
And then there’s lovelovelove , when Steve brings him to where the limits of maps are waiting, lovelovelove , where Billy’s reflected into his eyes)












