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The Home Viewing Experience
The VCD and Home Video is now available at your nearest stores. Go grab a copy!
Put your feet up on the couch , get a bowl of nachos or popcorn , put on the CD , stream it on your devices or TV , home theater - play up the volume and enjoy Yash Dasgupta on screen at his understated emotive best and style
Say No Piracy and Spread the word #Gangster >> Share and care - have a Gangster Viewing Party!! 🎉🤠📺🎧
👇👉 Check out on Amazon: http://amzn.to/gangster
ONE that it is !
April a month when an action masala Bengali thriller released on New Year, One starring Yash Dasgupta , Prosenjit Chatterji, Nusrat directed by Birsa Dasgupta - an adaptation of Thani Oruvan and Dhruva.
Aditya Sen (Prosenjit) was an intelligent son of a political worker and circumstances made him use his juvenile status loophole in Indian Judicial system to make a crime his own , save his father - goes to Jail on reduced term and grows up to become a famous Award winning scientist and build an empire.
Ronojoy (Yash) an aspiring IPS police officer specializes in solving crimes and with his pack of other fellow officer friends have a hobby of sneaking out at night to solve crimes. This gets them to stumble upon a series of petty crimes, unearthing a vast network of bigger ones which they bust..
Megha (Nusrat) the love angle of Ronojoy follows his footsteps and joins the police force too.
The story progresses and gets on it’s own post interval. The series of happenings on screen is at breathneck speed and some are at times dark. Ronojoy’s character was never fleshed out as well as that of the antagonist Aditya’s in the film narrative.
Yash Dasgupta performed with an earnestness and as much panache within the scope.
Prosenjit had a meatier role but the caricature-ish stylization could never get it to connect with the rawness of evil.
We have seen many similar Cop-Criminal chases in films, but here there are a couple of scenes which needs mention - the room where Ronojoy pieces together the puzzles very Hollywoodish in approach , or the interrogation scene between Ronojoy and Aditya. Where Ronojoy got shot and gets operated - feeling a sense of someone in his hospital room.
Yash shows sparks of being a good actor in sporadic scenes, who is waiting to be unleashed. What this young needs is a good script and a maker who can extract a precise performance from him.
Prosenjit was more stylized in this film with enhanced mannerisms - and it begs a comparison with Arvind Swamy’s Abhimanyu and the edge he brought to this author backed role!
Nusrat was reduced to being just a pretty foil in this film which had a lot of scope to be fleshed out as police officer in the narrative leaving the viewer wanting more from Ronojoy-Megha
The screenplay was at breath-neck speed yet at times could not hold the attention, the initial background in the film is something we had seen in many films earlier giving it a “has seen” feel. Surprisingly what worked in this film was a freshness brought by Yash in his police avatar where he with single minded focus piecing the jigsaw puzzle of crime or where he realizes that he was under surveillance. Much ado about the mustache and Prosenjit’s suave polished antagonist!
The song Aladdin is a peppy composition by Arindom Chatterji. The other songs passable. What was sorely missed was the title track of ONE in the end-credits. The background score worked well
The Cast, Crew and Technicians of ONE they pieced together a film which deserves a watch in legal copies only.
Verdict: 3/5
Audience Review
The Success of Yash in Gangster We have been following the journey of Gangster ever since it had been announced it's available here: http://yashdasgupta-movie-gangster.tumblr.com/ We would speculate on the director, actress, crew would be, to discuss the locations. We even started writing about it as a journal and magazine format. With the first day first show screened - the feedback started trickling in from the screenings, live Blogging for the first time. Some even started preparing on how to watch the film with suggestions like take a whistle to blow when Yash enters the screen or chant the YashhD Rocks. Many reported that their screening were houseful irrespective of it as Rated A in multiplexes, the deprived under 18 were disappointed. Yet there were full house screenings and this we think is the mark of a Star. He could get the necessary initials. The single screens ran to packed houses too inspite of a new face being launched. The biggest opening for any newcomer in Bengal. The unanimous verdict to whoever had watched the film that "A Film Star is born" Yash Dasgupta's act in this intense stark role along with romance got him appreciation across board. The urban audiences were receptive and accepted wholeheartedly. The sleek presentation and the subtle portrayal got Yash the kudos. Behind those chubby cheeks and innocent face lied the ruthless Gangster. Some in the youth wanted their Yash to have more lighthearted scenes, but were bowled over by his act and dialogue delivery in the climax. Sparks of brilliance some said , Yash has great potential. The Actor Yash proved yet again that he is here to stay whatever be the medium. Yash the actor cemented his place among the audiences who had watched Gangster. That is a success for Yash in Gangster. The money spinner to rave reviews - Yash Dasgupta had it all coming to him. Making an original cult like film work in the movies. In director Birsa Dasgupta's words New = Future #GangsterSuccess #yashdasgupta
Gangster - the Film - As she saw it গ্যাংস্টার *** Spoiler Alert 🚨 Introducing: Yash Dasgupta (language - Bengali )
খুব সুন্দর একটা পটভূমি আঁকার চেষ্টা করেছেন পরিচালক| তার জন্যে প্রয়োজনীয় সমস্ত উপকরণ প্রাণ দিয়ে সাজিয়েছেন| গল্পের প্রেক্ষাপট অনুযায়ী দৃশ্যায়ন| খুব সুন্দর।টার্কির মনোমুগ্ধকর প্রাকৃতিক সৌন্দর্য্য বাংলা চলচ্চিত্র জগতে বিশেষ প্রশংসার দাবি রাখে|ছবির গান মন ছুঁয়ে যায়| অরিজিৎ সিং এর কন্ঠে " ঠিক এমন এভাবে" এবং "তোমাকে চাই" অনবদ্য ,যদিও গুন্জন ছবির গান মৌলিক নয় নিন্দুকের সমস্ত তীক্ষ্ন মন্তব্য মাথায় রেখেও একথা স্বীকার করতেই হচ্ছে যে,,,,,গানের দৃশ্যায়ণ যথাযথ , "চাইলে" গানটিতে আরবি শব্দের ব্যবহার গানটিতে অন্য মাত্রা যোগ করেছেএবং সর্বোপরি অরিন্দম এর কন্ঠে " বল না রে মন " গানটি অত্যন্ত সুন্দর এবং মনোহর। এবার আসা যাক গল্পে...পুরো সিনেমাটি দাড়িয়ে আছে একটি চরিত্রের ওপর...কবীর..একটি নিষ্পাপ সুন্দর ফুটফুটে কিশোর নিজের স্নেহের ভাইকে রক্ষার তাগিদে কি ভাবে জড়িয়ে পড়ে অন্ধকার দুনিয়ার সাথে,এ গল্প শুধু তা নিয়ে নয়, সেই কবীর,গুরু হয়েও কি ভাবে নিজের সাথে প্রতি মুহূর্তে দ্বন্দ্বে লিপ্ত ? কি ভাবে নিজের সর্বস্ব উজাড় করে ভালোবেসেও ভাগ্যের কঠোর পরিহাসের শিকার সে তার ভালোবাসার মানুষটার চোখে নিজের সম্পর্কে গড়ে ওঠা ভুল ধারণা গুলোর অবসানে "ভদ্রলোকের মতো শেষ নিঃশ্বাসেও " আপামর দুনিয়াকে কাদিয়ে যায় এ গল্প তার,,,, হ্যা,,,,প্রচুর ফাক রয়েছে পুরো ছবিটা জুড়ে। নায়িকার প্রথম দৃশ্যে antiseptic lotionটা কিছুটা বেমানান...কবীর এর চরিত্রে শুধু মাত্র য়শ কেই ব্যবহার করা যেত... কুকুরের সাথে দৃশ্যটির অবতারনার দরকার কেন হলো বোঝা যায়নি। অজয়ের আত্মা যখন কবীরের অবচেতনে ওর সামনে, রুহীর উপস্থিতিতেও অজয় এতটা স্পষ্ট না হলেও ভালো হতো আশা করি। বাকিরা প্রত্যেকে নিজের জায়গায় যথাযথ..আলাদা করে বলতেই হচ্ছে গুটির কথা..অসামান্য সুন্দর সাবলীল এবং দূর্দান্ত স্বাভাবিক অভিনয়ের ছাপ রেখেছেন সৌরভ...মিমি যথার্থ। আসবো য়শ এর প্রসঙ্গে বড় পর্দায় তার প্রথম ছবিতে বরং ২০০ ভাগ দিয়েছেন তিনি। তার উপস্থিতিতে..তার বাচিক ভঙ্গিতে...তার সমস্ত শারীরিক অনুভূতি দিয়ে করা দক্ষ অভিনয় বাধ্য করবে শেষ পর্যন্ত সিনেমাটি উপভোগ করতে, এবং শেষ মূহুর্তে তার চোখের জলে দর্শক বাধ্য হবেন,,,,একবাক্যে এটুকু স্বীকার করে নিতে..যশ রূপে নতুন এক তারার আবির্ভাব হলো বাংলা চলচ্চিত্র জগতে। পরিচালক এই পুরো ছবির জন্যে অভিবাদন পান বা নাই পান,,,,,,,নতুন এই হিরে টিকে দুনিয়ার দরবারে উন্মোচনের কারণে অবশ্যই প্রশংসা পাবেন|
Verdict: Must Watch in Legal Copies. By - Nabamita
The money spinner to rave reviews - Yash Dasgupta had it all coming to him. Making an original cult like film work in the movies. In director Birsa Dasgupta's words New = Future
From the Renowned Media , Gangster gets a thumbs up 👍
YashD - the FilmStar is born October7, 2016: Bioscope, Axis Mall 10.30am. The dream of Yashians the world over has become a reality today. The dream to see the King of their hearts ,Yash Dasgupta, take the celluloid world by storm. As I went into the theatre in nervous anticipation, nervous, not because there was any doubt in my heart as to the magic and talent of the lead actor or the team, but because cinema, ultimately is very subjective, the excitement of the wait finally bore fruition with the appearance of Yash in his hallmark subtlety. His childlike innocence, palpable as he shared screen space with the young ones at play, was effectively used by the director, Birsa Dasgupta to unleash the horror that was to follow……and the expression of Kabeer aka ‘Guru’ as he faces his last assailant was enough to convey the depth of the actor’s capabilities. The backstory succinctly portrayed, our hearts prepared for a golden hearted gangster, but many more surprises were to follow. Critics have proclaimed that gangster stories are predictable. However Life itself is predictable in certain ways isn’t it? As soon as we are born we know that one day we must die…what matters is how we lead our life in between… And I felt that is exactly what Gangster set out to do. To remind us that life throws challenges along its way and it depends on us to choose wisely. Gangster is not a run-of-the-mill story because Guru is certainly not Robin Hood in disguise…he is unhappy with what circumstances have thrust upon him, has never really come to terms with it and as he himself declares ,was looking for an opportunity to opt out of it. If it is claimed that the decisions Gangster Guru takes are simplistic, it is because the story wants to convey just that, that Kabeer is a simple and ordinary man who found himself trapped in extraordinary circumstances. The strange dichotomy in the character of Guru, the Gangster with a heart, has been superbly essayed by Yash Dasgupta. Good cinema is teamwork. Mimi Chakraborty, in the very powerful female lead of Ruhi, acts as a foil to every nuanced move of Yash aka Guru. I will carry in my heart the fantastic portrayal of the cruel overlord by Bratya Basu, the top cop Shantilal Mukherjee and the fraternal camaraderie of Sourav Das as Guru’s sacrificial friend. That a powerful actor can effortlessly make a place in the audience’s hearts, whether his onscreen time is two hours or two minutes was proved yet again by Gourav Chakraborty and Biswajit Chakraborty. Every object in every frame of Gangster seemed to throb with a life of its own, thanks to the effective cinematography of Subhankar. The captain of the ship, Birsa Dasgupta must be congratulated for gifting the Bengali audience a commercial movie that will be able to rise above narrow man made walls. And now for the man himself…thank you Yash, for proving over and over again that we who are so appreciative of your remarkable talent are not merely blind in love, that like Guru our love may be unconditional but our appreciation for your abilities is based not merely on platitudes. None of us is perfect and every day of our lives is a learning experience. The day we start thinking we know it all we will stop growing as human beings. Your interpretation of Kabeer/Guru has evoked every conceivable emotion which proves you have done justice to the character. That radiant smile, the tears for a friend, the angst of a lover who knows the bitter truth, in every frame that you were present you showcased that Gangster may be your screen debut but you certainly are not just another debutant. The now near perfect Bangla reflects your hardwork and dedication to your craft. So shine on Yash…and let the world see your radiance for a star has been born…. #yashhDRocks #GangsterSuccess -Suparna Tarafdar
The Director of the Film has arrived , punctuality is his middle name , all the best Team Gangster..
