A hot scary tyrant with anger issues and rampages of violence, a sex addict, a traumatized boy tormented by the shadow of his father… Who am I referring to? King Yeonsangun or our Yoon Seungho? Because both stories match really well.
So on this post I’ll share why I believe Seungho is inspired in Yeonsangun, the 10th king of the Joseon dynasty and the cruelest ever known.
Here I will leave a link with a nice and underrated video I found that summarizes the info on Yeonsangun: https://www.youtube.com/watch?v=IEUJPNfMMQo&t=295s and will leave some movie recommendations as well.
I will start by summing up the canon facts of Yeonsangun and Yoon Seungho that are very similar, then proceed to do assumptions and theories n.n
TW: This will contain mentions of death, sex, rape and psychological abuse so be careful
>Yeonsangun felt like he lived under the shadow of his father the king Seongjong, he was often criticized by the ministers and compared to him and even aimed some hate towards him as he allowed the death of his mother lady Yoon, same happens with Seungho that says to “be living by the principles of his father” in a very sarcastic way and sends lusty paintings to bother him and having nightmares when father Yoon comes to his mind. Both being the eldest son to inherit all the responsibilities.
>King Yeonsangun was a sex adict, he made a whole brigade of ministers to recruit 10.000 virgins for him who would live in the Sungkyunkwan (basically the Joseon Confucianism university of the capital Hanyang later known as Seul ofc) to serve him making this a brothel. Our dear Yoon Seungho attended and hosted orgies on a daily basis right? Pretty similar. Both known for their crazy libido and not caring about public spaces huh.
>This king was known for his episodes of anger since he was a child and when he became the king (19) killed his tutor the Seungho version of this would be how cold blooded he killed a servant on chapter one.
>Yeonsangun might have been a tyrant but he was also a hottie, described to be a bit feminine having a nice built and a color skin pale as pricey jade just like our protagonist. Here a ss of Yeonsangun being portrayed on the treacherous (2015) pretty hot right?
>Sadly, before getting to know how his mother was killed Yeonsangun was known to be a nice man, a good king caring and organized, brilliant in poetry and smart but turned out the monster the history books describe know because of his traumatic past. This mirrors our potn quote “He was actually one of the brightest young men in this region…” oh my lord Yoon they did you so wrong
>This king is known for the bloodiest purges on Korean history killing a lot of the Sarim faction (basically the scholar side of the politicians and nobility) and Seungho’s family is related to a purge… hmm… This was caused when he found out why and how his mother (Deposed queen Yoon, yeah the surnames are important to be told!) was cruelly killed with poison which ended up in the literati purges.
Those are the canon facts so far! I’ll continue with assumptions now stay with me <3
+This has to be the most fun one and is heavily based on the annals of Joseon and a very well-known film “The king and the clown” (2005) So Yeonsangun had a royal consort that was Jang Nok-su who was his favorite and treated him as a baby
and another known favorite one was his royal juggler whose real name I don’t known but is portrayed as Gong-gil in the movie so the consort was very jealous of the clown who was a lowborn ofc Nok-su is known for being poisonous and villain like while Gong-gil was allegedly a pure and cute soul very feminine like (Are we all getting the Jihwa and Nakyum vibes?) Lemme point out some scenes on the movie that are tremendously similar to our favorite manhwa: So the consort grew jealous of the clown as he got more and more favored by the king, he was the chosen to spend the nights playing puppets to the king and the first thing she noticed was how Yeonsangun looked at Gong-gil, there was even a scene where the consort gets in top on him trying to get him stripped
bc he had received a gift from the king (to Royal robe was on his shoulders)
And guess what the king made? Drag her outside (not by the topknot but extremely similar way) as she yells HOW DARE YOU!! While her little thingy from the hair falls. the level of parallelism, astronomical.
He even has a very worried prime minister who plays his cards in secret to please the king, very Kim like. He even looks like this panel as he was killing someone.
We also get a “Because the way you looked at him is not the way you look at me” shot as Gong gil looks at his partner tenderly
Some extra ones: Yeonsangun had Gong-gil on the palace against his will and allegedly kept him as entertainment but ended up kissing him lol. And Gong-gil used to be a prostitute before (just like Nakyum thought of himslef:c)
+Basically in both of the films I’ve mentioned so far he is portrayed as mentally ill, insomnia, hallucinations, dissociation, etc. And as a child (being treated as one by his consort and having childish behavior, etc.). Which are things I assume SH has too (well he is canonically ill with insomnia though)
+In the treacherous (2015) Yeonsangun likes to paint erotic paintings (which idk if was real but he was smart and skilled in arts such as poetry as I've read so this a nice headcannon about Yeonsangun that could have inspired Byeonduck nim). Plus, the sex scenes are so vivid and explicit... Like Potn
Well thanks for bearing with me now here I go with the last info and some theories (?)
-So what caused this king to be so unstable and such a tyrant was when he found out about the cruel destiny of mother Yoon) Could Seungho’s past be related to something like this? His mother being mistreated and having an indecent death? Or his lover perhaps? Anyways a purge is also mentioned in the manhwa so if you connect some points please tell me!
-His father, Seogjong was praised sure but also banned a member of the Lee clan (The royal clan, yes Lee was their surname just like Jihwa’s also written as Yi) for living and having a daughter with his slave, this makes me remember Mummyeong and Jihwa’s relationship (The girl was Yi Guji) and strengthened the rules towards widoweds not remarrying. Might me just my extra Sagittarius imaginations loving taking everything to the extreme but this somehow resembles how father Yoon fucked up Seungho and Jihwa calling them “ill”
-Finally their names sound really similar, just me? Yeonsangun Yoon Seungho and I mean look at the pic on the video cover and this korean interview on Lezhin... They are twins!
The main reason I do this is to have open discussion, go ahead roast and debunk my theory or praise it!! Reactions, feedback and opinions are welcome. If you want the theory in Spanish text me or text me whenever you want let's discuss let's chat. I am mostly active on twitter @Seunghosgirl
(This OC is based on Korean Joseon History. I learned of this man's history and found his sins/crimes quite a disturbing and almost irredeemable)
True Name: Lee Yoong
Likes: Hunting, Alcohol, arts, music, singing, beautiful creatures, power, meats
Species: Human (formerly), Fox Demon
Gender: Male
Sexuality: Bisexual
Occupation: 10th King of Korean Joseon Dynasty (previously), Narak City’s Lord
Family: Sungjong (father), Deposed Lady Yoon (mother), Grand Dowager Queen Insoo (paternal grandmother), Lady Shin (wife)
Others: Jang Nok-Su (royal consort; previous life), Valentino (business/politic ally), Angel Dust (one night stand)
Status: Active
Yeonsangun is a lord of Korean Hell's Narak City and politic/business partner of Valentino. In previous life, he was 10th king of Korean Joseon Dynasty, infamous as the most brutal, mad, and the most lustful figure driven by wrath in vengeance for his mother's death, abducted 300 women as his private courtesans. In Narak City, he invested on red light districts, houses of entertainment, and inns.
He first appeared when Charlie, Vaggie, and others went to Narak City for a study-tour at inns in order to learn more of hotel management where he kindly let them in his large private inn. He was referred as Lord Lee, who have deceased in 1500s. But at that time, many demons in Narak City died due to fox demon's attack as they were instructed to stay in the inn. However, before Yeonsangun could even lay a finger at Charlie, Alastor stopped him and revealed his identity; a fox demon who devour livers of the sinners in hell to keep himself healthy and young. Knowing fully well about the consequence if harming Lucifer's daughter, the fox demon back away but reminding Charlie that her ideals will only beautify the sins of demons which will never go unnoticed by heavens as it will find her motive "sinful" and "pretentious".
In previous life, Yeonsangun lived a cruel life being targeted as son of disgraced queen Lady Yoon, verbally and emotionally abused by his father. When becoming a king, he had a brain of Sherlock Holmes due to his high intellect and was actually a caring ruler. However, the truth behind his mother's death driven him mad with wrath and hatred he killed officials, his step-mothers and his grandmother who were involved with her death. He was also a sexual predator, preying on attractive women. However, he was dethroned and passed away 2 months later due to the disease. Through centuries, his sins were too graphic to tell he had become a lord of Korean Hell capital. He retains cruelty and sadistic persona while hunting down sinners, male and female as he would mutilate males while forcing the female demons to be his followers' sex slave, or becoming his meals. However, he uses his intellect to control the politics, and is as dangerous as Alastor when it comes to abilities.
I started watching Queen for Seven Days (Q7D) on a whim this week. I went in expecting to enjoy a romance and some politics and yet another tyrant king who devolves into madness. But what I got was one of the most compelling character arcs for a “mad king” I’ve seen in a long time.
I’ll be the first to admit to having a soft spot for Wang Yo from Moon Lovers, but he had absolutely not a single redeeming quality to make the outcome of his sorry life anything more than justified karma. Q7D’s tragic Yeonsan-gun is a completely different story, and I’ve been obsessively thinking about him now that I’ve caught up with the latest episodes. I’d like to explore his character on its own and in conjunction with Chae-kyung, Q7D’s heroine, to hopefully pin down what exactly is so compelling about him.
Behold the twisted paths of a rambling mind under the cut below!
~ the tragedy of a self-fulfilled prophecy ~
The Yeonsan-gun we’re introduced to is a flat out tyrant, and his people and ministers are beginning to grumble about how unworthy he is of the king’s seat. Fairly standard for a mad tyrant. The creators initially make it appear that he’s tormenting everyone around him for no reason--he refuses to listen to his ministers give their reports, he berates them, he belittles his brother, he’s constantly paranoid and on the defensive. He’s one prickly pear, and it’s initially quite difficult to understand why he hasn’t had his own head chopped off yet.
I initially wrote him off, thinking there was no point in investing in a character so obviously set up to fall. But the creators surprised me on this one. Instead of treating him like a caricature of a person, they began to peel back the layers of the initial impression they gave of him, and with each layer peeled back a tiny hint of a potential pearl was revealed.
Slowly we begin to learn more about him. Why is he paranoid about his sweet brother Yeok, who looks at him with such affection and devotion? Why because the former king had told Yeonsan in no uncertain terms that he was to step down from kingship when his brother was of age, because Yeonsan was destined to destroy the kingdom. His own father wrote him off, stole his birthright, and didn’t see any value in him. That’s a pretty big pill to swallow for anyone.
Now, if Yeok was Yeonsan’s full blood brother, things might have turned out differently. Yeonsan loved Yeok, but he slowly watched Yeok stand in the spotlight of their father’s attention. Yeonsan, whose own mother had been deposed, was left abandoned and alone--the unwanted son of a traitorous queen, with a prophecy of doom on his head, writing him off entirely as being of any worth at all.
This I think quite understandably turned Yeonsan bitter and resentful, and upon taking the throne, he was determined to keep it. That being said, as Yeok mentions early in the series, Yeonsan never harms Yeok, despite having plenty of opportunities to. This is thanks to the affection Yeonsan bears Yeok, in spite of all the resentment and the envy. There is real love there between them, even as it begins to be subsumed by the heavy burdens and isolation of the throne.
Yeonsan’s troubles don’t end with his father’s death and his brother’s potential for usurpation. On top of these, his court is full of vipers--ministers hellbent on promoting their own ambitions and playing their little games. It’s clear early on that Yeonsan is completely and utterly fed up with the ministers to the point of holding each and every one of them in contempt. Worse, he has virtually no connection with his people, the people he’s meant to rule. Because he has no connection to the people, he is wasteful and extravagant and shows little interest in their welfare so long as his own needs are fulfilled.
Not a single person believes in Yeonsan as a person and moreover a king, other than Yeok, who is by birth Yeonsan’s rival and cannot become a trusted companion or advisor. Although Yeonsan has the comfort of a beautiful wife from the Shin family, he seems to have virtually no connection with her--likely she was forced upon him in marriage during his father’s reign, probably adding to his resentment. Had he chosen her on his own, I suspect he would be more attentive to her. He does have a concubine he seems to trust in a limited capacity, but this concubine is constantly conspiring with the ministers behind his back. Even though she’s working for Yeonsan’s sake, it’s also to keep herself in power. Basically Yeonsan has no team to support him, because they’re all acting against him in secret or are supporting him in unhelpful ways due to their own ambitions. No man is an island, and Yeonsan is isolated beyond reason. It’s no wonder he cracks.
Beyond this, Yeok’s mother the Queen plays her own games and is always lurking in the background, scheming to destroy Yeonsan in favor of her blood child. Yeonsan clearly wanted her affection and love, but was unable to receive either, adding further to his resentment toward Yeok despite Yeok having done no wrong.
All of this leads us to the present day Yeonsan, who is a man full of paranoia, rage, resentment, impotence, thwarted hopes, and desperation. He wants to prove the world wrong, but this very wish is driving him toward fulfilling the very prophecy he wants to escape. It’s a terrible tragedy that his family pushed him down this path and the ministers helped shove him over the edge, and then in the end he’ll be the one who must take responsibility for his failures, despite having never had a chance to begin with.
The most tragic aspect of his character is that there is within him a small, tiny flame of light and justice. This small flame, if only someone could have found it much earlier, could have truly led him toward becoming a sage king, rather than a paranoid figure of tragedy. I know historically Yeonsan-gun was considered mad, and perhaps that’s accurate in truth (maybe he really did have a genuine and legitimate mental disorder). But it’s easy to drive a person to desperate acts that appear insane on the surface or to an outsider but are actually quite rational given the limited decisions the person has left to them, and perhaps this more nuanced version of Yeonsan is meant to highlight that not all madness comes from the mind--sometimes it’s a reaction to external influences, and without a strong foundation to guard it, the mind soon crumbles under the onslaught. Not to mention the old adage that absolute power corrupts absolutely, which may also be the more truthful result of Yeonsan’s fall. I’ll leave that to the historians, though, lol.
All I can say is that I’m going to cry buckets when this man meets his end. I’m not usually the type who wants to save villains from their foolish or arrogant actions, but this man is such an unfortunate wretch that my heart bleeds for him. It would be one thing if he’d been given every chance in the world and had squandered it due to pride or arrogance or selfishness. But I can’t bear how he was written off before he’d even been given a chance, how his own father could believe a prophecy over his own eyes. It’s one thing to try and fail and then be deposed, it’s another to be told from day one you never had a chance and you’ll never succeed no matter how hard you try. What a debilitating thing to tell your own son. All I can think is that the former king must have hated the deposed queen and his own resentment must have come out against Yeonsan.
Although I know Yeonsan-gun’s story is headed straight to tragedy, I can’t help wishing there was some way to save him.
~ the king who can only move a single space ~
One thing I really appreciate about Yeonsan is how he just rips into his ministers nearly every episode. I get such vicious glee out of watching him chew them out and taunt them and mock them. After watching so many sageuks where the ministers drive the sweet and kind heroes to distraction with their games, it’s absolutely refreshing to see a king who won’t take any of their shit.
Unfortunately, he’s ultimately impotent and powerless. I think this story does such a wonderful job at highlighting how helpless a king is when he doesn’t have the natural charisma and wherewithal to navigate the political waters. Yeonsan has no support, and he seems to be under the childish impression that because he’s wearing the crown people have to do what he says. It’s a tragedy of the highest order that he doesn’t have wise advisors around him to help him understand that the crown is only a symbol and that it has no power in and of itself.
~ a song of what might have been ~
A few things struck me after the time skip. One was that Yeonsan-gun is ridiculously talented--he plays instruments and paints professionally. He seems happiest when he’s playing the bard, a free spirit floating around the town, nameless and unknown.
I can’t help but wonder if he wouldn’t have been happier giving up the throne entirely and abandoning politics altogether. It would have been impossible for him, I know--the throne is really all he has and to let that go would cast him adrift into a sea of chaos he might not emerge from intact. He’s so desperate to prove his father wrong that he would never have been able to let the throne go. His resentment’s too strong for that.
Still, it’s touching that he is willing to dispense with guards and servants and live on his own, helping Chae-kyung with the anniversary service meal without a single complaint, shopping with her, eating peasant food without turning his nose up. It makes me want to write some kind of alternate universe story where he realizes he needs to sacrifice the throne for his own good and goes on to become a renowned minstrel or something. Then he really could have gotten his own back on his father--rather than destroying the kingdom, his poems and songs become emblematic of the kingdom’s prosperity.
It’s too bad humans are so foolish that they cling to the things that hurt them the most when letting go and sacrificing them is sometimes the only way to move forward.
~ love arrived too late conquers none ~
Okay, I saved Yeonsan-gun and Chae-kyung for last because...holy mackerel this ship’s gonna be the death of me. ;D I never expected to get on board this thing, but now that I am it’s going to be such a heart wrenching experience watching everything fall apart.
I probably should have put this in its own post, but I feel so much of Yeonsan’s interactions with Chae-kyung point out the inner light he still carries that it has to be part of this exploration of the depth of his character. So here we are, lol. From the moment they first met in the pool after she chased him down, I thought “oh no, this is my ship.” It’s absolutely adorable that Chae-kyung checks Yeonsan out--she has more of a reaction to him as a man than she does to Yeok later on, lol. What an adorable meet cute. It’s such a shame they’re doomed to never even have a chance.
The thing that I noticed Chae-kyung brings out in Yeonsan is his smile. The man does not smile, unless it’s a mocking or derisive smirk. When he’s with Chae-kyung, his eyes light up like a sad puppy’s and although he tries to keep a poker face, these small tic smiles force their way onto his face. He usually covers them up quickly, but it’s just so deeply endearing to see Chae-kyung surprise a smile on his face, or a laugh. You can tell he’s not used to joy, and that it comes unnaturally to him, and that says a lot about his character without us needing to explore his back story any further. Kudos to his actor for doing such a fantastic job--the sheer amount of micro-expressions he puts into Yeonsan’s interactions with Chae-kyung never cease to leave me speechless.
Chae-kyung also brings out Yeonsan’s sense of humor, which is adorable and dry and clever and fun. If his court could have seen this side of him, maybe he’d have more political sway. But to show humor, you have to be wiling to be vulnerable, and Chae-kyung’s the only person who’s able to give Yeonsan enough of a sense of safety that he’s willing to let down his guard.
And that’s really the main thing I love about Chae-kyung’s effect on Yeonsan--her simple, honest affection is enough to make him feel safe for probably the first time in his life. He’s looking for a home, a place to rest and feel secure. It’s easy to see why he’s never had that--his father threw out his mother and then rejected him entirely, and his stepmother gave him nothing. Yeonsan took care of Yeok, and Yeok loved him back, but Yeok’s love wasn’t enough to cancel out the resentment. Yeonsan has never had that feeling of “home.” That’s why Chae-kyung, and her father really, get under his skin so much--these people offer him family, something he desperately, desperately wants underneath it all. Although he tells Chae-kyung not to call him brother, he doesn’t press the issue and continues to allow her to attach herself to him. Near her, he can sleep and the nightmares disappear, because he feels protected. It might seem kind of bizarre for a grown man to feel protected by a child, and then by a woman later on, but I think that’s what’s going on here. Something about Chae-kyung makes Yeonsan feel safe, the way a mother or sister does.
I don’t know if Yeonsan has romantic feelings for Chae-kyung. I’d say those are probably in there now that she’s older, and that they’re growing now that he’s getting heavily involved with her, but at the same time I think the simplicity of familial devotion that she offered him was the foundation of their bond, and I think that’s the piece that will always remain, no matter what happens.
He responds to Chae-kyung’s devotion with such a fierce desire to please her that it’s hard not to compare him to a puppy she picked up in the rain, haha. When she tells him that family should stick together, he rethinks his position on Yeok. When she tells him just to punish her alongside Yeok, he’s flabbergasted at her desire to protect both Yeok and him. When she tells him that he can become a sage king and do his father proud and restore his mother to her rightful place, he begins to change his actions to meet her wishes, much to the derision of Yeok and the Queen and the ministers. When she tries to get him to paint red on the ink wash painting of the Chinese rose, he immediately gives into her wishes despite an obligatory refusal. He clearly wants to please her and make her smile, and these are aspects of his character he’s probably never had the opportunity to explore.
This man has never known tenderness. He doesn’t know how to demonstrate affection or speak of his feelings. His love comes out in all these adorable, quiet ways that Chae-kyung sadly will never notice because her heart is elsewhere. When they chat at the table in episode 5, he gets all shy after he touches her face (I love how he’s always looking away shyly when he notices her as a woman or when she makes him smile and he doesn’t want her to know). When he finds her drenched in the rain, he offers his own umbrella to her, catches her in his arms, and then immediately begins ordering her to get herself dry. Anyone else would ask her if she’s alright, but he’s never said those words in his life. Instead he offers gentle orders to eat or dry up or tell him what’s happened. In time, perhaps, he could have made that final leap to speaking more gently and carefully, but he softens where he can.
He takes a huge step forward when he rescues her from being tied up on the cross and feeds her the antidote for the poison with his own hands. Like this is huge stuff for a king, especially this king in particular. For him to allow himself to express this much affection for someone is a milestone. Of course, this alerts all the ministers to a new weakness, which is unfortunate. Just as he’s beginning to learn to love, he’ll be quashed by the calculating cunning of his ministers. Still, he tries to save her father and her. The moment when he faces her down in episode 8 as she begs him to punish her rather than her family breaks my heart. He says her name over and over, wanting her to let him save her, but she won’t give in--insisting that in spite of all he’s offered her, she’s the one who’s let him down.
That’s the other thing about Chae-kyung that I think really gets to Yeonsan. She absolutely appreciates and values how he sticks his neck out for her, but she also fears for him and doesn’t want him to lose his influence because of her or her actions. Even though she loves Yeok and is desperate to protect him, she also wants to protect Yeonsan. The girl just has so much love in her heart, and it’s such a shame she’ll ultimately be unable to bring these brothers together and rebuild the torched fence between them.
I think Chae-kyung’s interactions with Yeonsan-gun help us see what he could have been if someone had only given him the chance. Chae-kyung enters Yeonsan’s life far too late to achieve any great results, and his course was long since set before she arrived on the scene. He was already married and in the hands of a cunning concubine; there was never any room for Chae-kyung, and now Chae-kyung has no room for him either.
In the end, I just feel grateful for anything the creators are willing to give me with this pair at this point. I know Chae-kyung will marry Yeok and that Yeonsan-gun’s in for a tragic end, but still... I hope there’re still some moments in the future episodes for me to enjoy highlighting this pair and their potential. Ultimately, they’re a love that can never be which was over before it started, but still, I can’t help but find it the more compelling love story in Q7D. Yeok, you’ve got a long way to go to overcome your big bro. Good luck, m’boy. ;)
Chae Gyung abeoji <3 <3 <3 Oh my gosh, he should have sided with Yeok in the first place!!! I mean, he would have done well with all the scheming and keeping Chae Gyung safe. Did a damn good job shutting up that Minister Im.
Crooked politicians just never die, eh? All these shades of gray in their morality would never sit well with me.
That father-daughter "break-up" broke my heart.
Does Yeonsangun have bipolar disorder?
The capturing of the snail wives is some sort of "hunt" these royals enjoy, yeah?
"In the end, the one who saved my life is you." </3 <3
Chae Gyung abeoji's heart breaking because of innocent people being punished. It's like he was being punished himself for siding with the government, and by extension, the king.
Minister Im being unnerved by Yeonsangun's insanity.
The baby gifts Yeok receive from his friends </3 </3 </3 fucking hell I sobbed
Seo No nailing Myung Hye right there and NO NO NO I KNOW WHAT YOU'RE DOING--
When Yeok and Chae Gyung decided to return to the capital together </3
Seo No-Myung Hye separation hitting me like crazy </3 They're like half in love or shit and it breaks my heart.
And when Chae Gyung's abeoji honored Seo No's wishes of freeing the people GOOD LORD
SEO NO-YAH
Yeonsangun is just pure evil this episode. It shouldn’t surprise me, but he takes sadism to a whole new level at this point and my god, is he unnerving. I have finally reconciled with myself that he’s not salvageable as a person. I’d like him to die a slow, painful death (emphasis on painful because man, he made everyone miserable beyond reason).
Chae Gyung’s father remains as one of my favorite characters in this series. At this point, I could understand why he had to die (at first, it was obvious, but this episode solidifies that). He made a difficult decision and he stuck by it, opting to lose his child and have her safe. He had to do as the king bids him to, even if it’s against his morals. It’s going to catch up with him and his family sometime later, but damn. Father of the year award, probably?
And the man of the hour, Seo No. Good lord, what is with these supporting characters and breaking my heart? He’s always been the silent companion of the prince who had always believed on the right side of justice. He stuck by his principles even if it meant parting ways with the person he is most loyal with. He stuck by his principles at the cost of his life. He protected all of them, which is so in-character of him. I lost it when they showed flashbacks of his memories with his friends, I didn’t really appreciate his so-called relationship with Myung Hye, but this episode fleshes out their connection so well. He always had her back. He’d call her out when she would do something selfish or harmful to Teok. He caught her when Yeok ignored her. He had always been there. Because of Seo No, Myung Hye gained my sympathy (she’s just too absorbed with their cause and Yeok to notice who really is there). I wanted to hug those cinnamon rolls. (virtual hug to all those who were traumatized/broken by his death)
“Sometimes when I read about historical royals I'm left wondering "What the effing HELL was wrong with these people?" Looking at you, Yeonsan-gun of Joseon. Looking right at you.” - Submitted by Anonymous
