If you like fantasy books, Peter S. Beagle’s THE LAST UNICORN: THE LOST JOURNEY is the book for you
Following the recent publication of Peter S. Beagle’s THE LAST UNICORN: THE LOST JOURNEY and the 50th anniversary of the original novel. the internet is all ablaze.
OPEN BOOK SOCIETY praises THE LAST UNICORN: THE LOST JOURNEY.
This was a very beautifully written book. From start to end the reader gets fantasy references that bring back memories from our childhood fantasy books, stories, and tales. When the unicorn finds the dragon it is sad to hear how much the world has changed and even his own kind is disappearing. I liked that this book also makes references to modern day technology and devices. The story is first set in the unicorn’s forest and the reader doesn’t notice the time change until the unicorn begins her journey. The reader learns of the changes along with the unicorn.
The characters were all amazing and had great quotes. We have the unicorn, the dragon, the butterfly, the human child with great insight, the human couple of an example of humans nowadays, Azazel, Webster, and even a mention of the Red Bull among others. I really liked this book and it made me remember why I like fantasy novels and why the Last Unicorn story is one of my favorites not to mention Beagle’s writing. You know it’s a good book when you go around telling people about it! If you like fantasy books, THE LAST UNICORN: THE LOST JOURNEY is the book for you.
Ceridwen Christensen on B&N SCI-FI & FANTASY BLOG previews the book.
It is the first journey, the first introduction, the first chance meeting on the road, a melding of the immortal world of the unicorn and the brief world of us mortals, the first glimpse of the lilac wood. It is here we glimpse what will come to be, years before it came to pass.
As does Tom Mayer at MOUNTAIN TIMES.
The story you’ve never read and the story you’ve read repeatedly are now one and the same with Tachyon Publications’ beautifully imagined release of THE LAST UNICORN: THE LOST JOURNEY.
\Issuing a 50th anniversary commemorative edition of Peter S. Beagle’s seminal fantasy novel might seem an obvious way for a publishing house to boost its end-of-year numbers, but not so obvious is putting forth the effort to make that edition “special” by offering the 85-page genesis of the story from a then-23-year-old Beagle. Wrapping this in a package of original illustrations by Stephanie Law and tributes from the likes of fantasy authors Patrick Rothfuss and Carrie Vaughn — with a jacket blurb from Neil Gaiman — does justice to this hardcover edition.
Both Yosef Lindell at THE ATLANTIC and Bridget McGovern at TOR.COM celebrate the 50th anniversary of The Last Unicorn.
THE ATLANTIC:
It’s now been 50 years since the novel’s publication, and the unicorn’s journey still captures the minds and hearts of readers. This week marks the release of THE LAST UNICORN: THE LOST JOURNEY, a commemorative edition of Beagle’s first draft of the novel. The book’s early popularity was no doubt fueled by the Tolkien boom; J. R. R. Tolkien’s The Lord of the Rings found legions of fans in the United States after it appeared in a paperback edition in 1965. But The Last Unicorn has since come into its own. In 1982, the novel was made into an animated film, which has become something of a cult classic. A novelette sequel that Beagle published in 2005 won both the Nebula and the Hugo Awards—the fantasy genre’s two highest honors. After all these years, The Last Unicorn still feels relevant. It’s not an epic fantasy, but a softer tale at the boundaries of magic and reality, that place where one grapples with what it means to be human.
TOR.COM:
A book like The Last Unicorn is not less significant because it is a pleasure—there is nothing remotely fluff-like about it, and if you read it closely and pay attention, you’ll be rewarded with the revelation of just how perfectly and subtly its form fits its meaning. It is a story about stories, the nature of reality, and how things can be both more and less than they seem, and as you read along you’ll find that its questions have become your own, that every choice that you make about how to feel and react and interpret is a part of the overall tale—not the simple quest that drives the plot, but the underlying story of what kind of world we live in, and what kind of people we really are.
Photo: Rina Weisman