• Stories are based on traditional poems or oral prose, though told by a Christian author
• Most comprehensive account of Norse legend found anywhere in the Middle Ages
• Further reading - Elder Edda, Ynglinga saga, History of the Danes (Saxo Grammaticus), Saga of the Volsungs, Hattalykil (treatise on skaldic verse)
• Many early writers in Iceland were clerics? What does this mean?
• Around the time Iceland accepted Norwegian rule, oral poetry gave way to sagas
• Seems as though Snorri wrote the Edda to keep skaldic verse alive
• Most of the surviving skaldic verse has been quoted in sagas, but as it is complicated it gave way to simpler literature
• He occasionally formalized otherwise scattered meters to create something consistent
• Kenning - periphrastic descriptions, like fire of the sea = gold
• Bragi's section on kennings may not be Snorri's work (has been revised a lot), and the quotations in this section of the work are from earlier poets
• Heiti - poetic words that are not kennings, i.e. steed
• The end of Skaldskaparmal is a primitive thesaurus for poets
• Gylfaginning is a dialogue between Gylfi and a fictional trinity, as a contest of wisdom that Gylfi loses through trickery
• Snorri saw the heathen gods as kings who were worshipped by the ignorant, and warned against worshipping them. They're called the AEsir because he believes them to have originated in Asia Minor, descendants of King Priam of Troy
• He was attempting to record his ancestors' beliefs without prejudice, even if he saw them as false
• What is rimur? Narrative Icelandic poetry?
• "It may be that Snorri's versions are less authentic than those less affected by Christianity and learning, but if the skill of the author gives his stories a plausibility which is misleading to the historian, it also makes them more rewarding for the student of literature."
• This translation is mostly the text of the Codex Regius, and where there are gaps, text is supplemented from other manuscripts