#yu gu

[justfilms]

Gong Tau: An Oriental Black Magic

[natehoodreviews]

400 Words on A WOMAN'S WORK: THE NFL'S CHEERLEADER PROBLEM ★★½

[Originally published on UnseenFilms]

No matter who they are, their stories all sound suspiciously the same. From a young age, they loved dancing, eventually making their way to junior and varsity cheerleading squads in high school and college. Eager to turn their passion into careers, they tried out and joined the cheerleading squads for NFL teams. For a time, it’s a dream come true: the passion of performing, the joy of squad camaraderie, the thrill of city pride are intoxicating. But slowly the grim economic realities set in. They’re expected to pay for their own makeup, hair, and nails whenever they make publicity appearances or have photoshoots. They’re fined if they’re slightly late for practice, a devastating blow considering their rehearsals are unpaid and they only make approximately $45 a week. The worst part? They don’t get paid until the end of the season, leaving them financially destitute for nine months of the year. When compared alongside the litany of other scandals rocking the NFL—the sex abuse allegations, the tax dodges for multi-billion dollar stadiums, the suppression of reports examining chronic traumatic encephalopathy among retired players—the plight of professional cheerleaders may seem a drop in the bucket. But it’s a drop nonetheless, one drowning the hundreds of highly skilled athletes exploited by the NFL on a weekly basis. It’s this abuse that forms the core of Yu Gu’s A Woman’s Work: The NFL’s Cheerleader Problem, a film which follows a number of former and active cheerleaders who’ve brought class action lawsuits against the NFL for workplace exploitation. Key among these is Lacy T., an Oakland Raiders’ cheerleader whose 2013 lawsuit against her own team demanding compensation for withheld wages made national headlines. Her lawsuit was the straw that broke the camel’s back, and soon after her litigation began over a dozen other lawsuits were filed by NFL cheerleaders, some of them successful. It’s an uplifting, inspirational story perfect for the #MeToo zeitgeist, so why does the film itself feel so underwhelming? Perhaps it’s the film’s inability to maintain a consistent tone, feeling like a commercial for the sport one moment and a soul-crushing expose the next. Or maybe it’s the lack of an overall structure as it veers from court procedural to biographical vignette to talking head testimonial with little rhyme or reason. Still, there are clumsier documentaries playing this year at Tribeca, and few on such an important topic.

[justfilms]

Gong Tau: An Oriental Black Magic

[poebrey]

Killing Eve totally couldn’t have found Asian women to write and direct for the show, there’s no one that matches that description fit for the job /s

[vimooz]

NFL Cheerleaders Fight for Minimum Wage in A WOMAN’S WORK: THE NFL’S CHEERLEADER PROBLEM | VIMOOZ

Director Yu Gu follows several former cheerleaders as they fight for minimum wage and end 50 years of inequality inflicted by the NFL in her new documentary A Woman's Work: The NFL's Cheerleader Problem.

Director Yu Gu

Director Yu Gu follows several former cheerleaders through their legal and personal journeys in a David and Goliath fight, as they fight for minimum wage and end 50 years of inequality inflicted by the NFL in her new documentary A Woman’s Work: The NFL’s Cheerleader Problem. The documentary will have its World Premiere at the 2019 Tribeca Film Festival on Saturday, April 27, 2019.

[vimooz]

A WOMAN'S WORK: The NFL's Cheerleader Problem  to World Premiere at  2019 TRIBECA FILM FESTIVAL

Filmmaker Yu Gu

A WOMAN’S WORK: THE NFL’S CHEERLEADER PROBLEM shines a spotlight on the NFL and its practices around wage theft and illegal employment of cheerleaders. Director Yu Gu follows several former cheerleaders, exploring both their legal and personal struggles as they fight for minimum wage and end 50 years of inequality inflicted by the NFL.  Their fight for wage and gender equality epitomizes many of the challenges faced by working women in all sectors today.

Filmmaker Yu Gu is a filmmaker born in Chongqing, China and raised in Vancouver, Canada. She works in both narrative and documentary film, exploring identity, migration, and the individual’s relationship to society. Her filmmaking practice is supported by the Sundance Institute, ITVS, Tribeca Film Institute, Firelight Media, and Film Independent.