Alfred Schnittke, Concerto for Viola and Orchestra (1985). Valery Gergiev, director Yuri Bashmet, viola
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Alfred Schnittke, Concerto for Viola and Orchestra (1985). Valery Gergiev, director Yuri Bashmet, viola
COLLECTIVELY INVENTED BOUNDARIES
Painting: Nikolay Konstantinovich Roerich, Tangla. The Song to Shambhala, 1943
Photograph: Ansel Adams, Mount McKinley and Wonder Lake
How does one hate a country, or love one? […] I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain ploughland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one’s country; is it hate of one’s uncountry? Then it’s not a good thing. Is it simply self-love? That’s a good thing, but one mustn’t make a virtue of it, or a profession… Insofar as I love life, I love the hills of the Domain of Estre, but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.
Ursula K. Le Guin, The Left Hand of Darkness
Dmitri Dmitriyevich Shostakovich Piano Quintet in G minor, op. 57 (Suggested interpretation: piano: Martha Argerich; 1st violin: Joshua Bell; 2nd violin: Henning Kraggerud; viola: Yuri Bashmet; cello: Mischa Maisky)
Dvorak’s Quintet for piano and strings No. 2 in A major, performed by Renaud Capucon, Vilde Frang, Yuri Bashmet, Gautier Capucon and Daniil Trifonov.
Tōru Takemitsu, Nostalghia, for violin and string orchestra (1987). Yuri Bashmet, violin Roman Balashov, conductor
Dmitri Shostakovich, Viola Sonata, op. 147. Yuri Bashmet, viola Sviatoslav Richter, piano
Styx de Kancheli y el viola concerto de Sofia Gubaidulina por Yuri Bashmet, Valery Gergiev y la orquesta del teatro Mariinsky.
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Conciertos de Bartók dirigidos por Pierre Boulez.
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