I can’t explain how much I’m obsessed with this picture

seen from United Kingdom
seen from United States

seen from Italy
seen from United Kingdom
seen from United States

seen from United States

seen from United States
seen from China
seen from Germany

seen from Malaysia
seen from China
seen from United States
seen from Germany
seen from United States

seen from Poland
seen from India
seen from China
seen from Malaysia
seen from China

seen from Germany
I can’t explain how much I’m obsessed with this picture
Karen O of Yeah Yeah Yeahs
Yeah Yeah Yeahs, NME magazine (March 2003)
just a few bits from the magazine i’ve scanned, including the review of ‘Fever to Tell’
Una parte de Maps de los Yeah Yeah Yeahs
Me equivoqué en algunas partes al principio ... al final me equivoqué más. Pero no importa porque recién me la aprendí hoy.
Pensé en grabar otra vez, pero me dio flojera!
En fin, amor eterno a esta banda <3
Songs that got me into music / Yeah Yeah Yeahs - “Zero” (It’s Blitz!, 2009)
My first memory of Yeah Yeah Yeahs is when I saw the iconic video for “Zero”, voted by Spin and NME as song of the year. It was a fresh, exciting, neon-lit burst of energy; the tempo and lyrics imploring to ‘climb, climb, climb’. The contrast of mellow cool with exhilarating heights was key to the appeal of the It’s Blitz! album itself. It’s been close to a decade since I overheard my older siblings play the CD, yet somehow it’s just as great as I remember hearing it again now.
It’s Blitz! is an album of twin strengths; an ideal blend of a punk/rock base with electronic flourishes. Uproarious synth-rock fusions take turns with rich, idyllic ballads. Each of the ten songs have their twists, adding up to one of the most well-rounded albums I know. “Soft Shock” shows this duality best in both its music and title: electric but therapeutic, it’s a lullaby with a groove; while “Runaway” is an ambitious pseudo-gothic ballad going from soft, lonely piano to a thundering string peak. Some uptempo songs even invert this pattern, like “Heads Will Roll” with its murky ‘Shut your eyes / you realize’ interlude or “Dull Life”’s haunting guitar shifting into a bold and determined chorus.
Every member added something distinct; Karen balanced grit with tenderness more seamlessly than ever, Nick Zinner blended his guitar fuzz with a host of sleek, icy synths and Brian’s drumming added thrilling momentum. The synths brought fresh twists to their sound and helped build on the balladry “Maps” did so well.
Ten years on I’ve realized how much It’s Blitz! influenced my taste: the love of synths, fierce rhythms, genuine attitude, mixing beauty with distortion. While their debut remains incredible, it sometimes overshadows the accomplishment of their third album. With today being its tenth anniversary, It’s Blitz! is overdue for celebration.