The message of the album ranges from his life of luxury to tribute to his dad, racism and affirmation of his street credibility. The uniqueness of these songs are the ways he keeps the sound western but was also able to add flavors from his Zulu origin to the music. His use of the click sound they make when talking in “Ababulali” and “Zulu man” is really a different way to go about his production. He stayed away from Afropop sound and for that he will earn a lot of respects from the American Rap community. He showed that he can be a local rapper when he rapped with his zulu language in “Zulu man” and that is classy. In terms of beats and production, Nasty kept the sound clean. There was no excess use of 808 base kick like his songs are used to having. Normally the sound of those base kicks was his major identity. But the engineering of this album was directed at sending his message- rather than celebrating crazy beat. The only songs with very heavy 808 are “Palm trees” and “La vida loca”. The quality of the album is top notch because a lot was put into it. The twenty track album has guest feature of American ace rappers: T.I and DJ Whoo Kid on two tracks respectively. While he has some power features in Tellaman, Lil Gorit, Lil Keed, Rowlene and Ari Lennox. The album is a good body of work. Songs like “Zone”, “All in”, “Eazy”, “La vida loca” are all songs that people can vibe to any day any time. READ FULL ARTICLE AT LINK IN BIO @nasty_csa @tellamanofficial @lilgotit @lilkeed @rowlene_sa @arilennox @troubleman31 #nastyc #nasty #nastychallange #zulu #zulumanwithsomepower #zulumanwithsomepower🔥🔥🔥💯💯💯 #southafricanmusic #africanmusic #rap #rappers #rapper #TI #troubleman31 #lilgotit #coolfmlagos #tracenaija #hitfm #hotfm #audiomack #spotify #soundcloud #soundcity #coolmusic #coolrap #beats #producers #cillacriticreviews #sounthafricanrap https://www.instagram.com/p/CEuVDWhAPl8/?igshid=1jfd1tisana6m
