ASSESSMENT 2 SUBMISSION
CONCEPT STATEMENT
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AM, I NOTICEABLE?
The outrage of artists around censorship is one that draws attention to societal construction. As Steve suggests art is being “attacked and censored”, and if we only “permitted to view correct works then art's primary function is destroyed”.[1] ‘AM I NOTICEABLE?’ develops the need for change in social media as a priority to reduce the confinement and stereotypes of the female species. It builds upon the artistic illusion of society as a box in which “since childhood a female forsakes her liberties”[2], as she is moulded and shaped in accordance to our systems rules and regulations. Social media further illuminates this restriction of individual and artistic freedom as Instagram uses the beneficial title; ‘community guidelines’ as an attempt for us to see these female nudity bans and censorship as simply a way of guiding us whereas it is indoctrination.
Discussing the interference and glitch presented by our system, the 3D female figurine begins as wrapped up in black wire. She argues how society has molded her by having these soft edges of her body and being wrapped up delicately, a representation of the stereotypical standards of female beauty within our system. It was through practice led research that I found within building this 3D female, I could modify and alter the surface of her body to my liking. Where I developed an artistic approach into resembling the irony of societal modifications.
The illusion of beneficial acts within my works helped visualize the ideology of society as a box digitally. As I crafted together these 3D border boxes, at first sight simplistic in nature, but in fact is a motif which builds and paves its way around the female as she grows older, resembling that we are in fact a product of society, packaged and marketed.
Visually, on a design angle within my works the use of colour represents the misrepresentation of colours as positive reinforcement that everything is perfect within our society to highlight the glitch present. The nude tan becomes this symbol of nakedness within itself and shows that as we are a child we are born with these parts of our bodies, born free with no confining or having to conform. But eventually this dark black growing glitch takes over as disease. As I completed a list of colours in relation to mood and state of being, I realized that I myself had stereotypes built within me. When I saw the word PNK, I wrote beautiful, bringing to my attention pink is the colour society allocates to a girl as describing herself as beautiful, whether it be in what she wears or how she feels. As an accomplice I aligned dark purple as I felt this sadness and rage, towards discovering myself as embodying these stereotypes.
Researching further into Instagram guidelines, I found that photo posts was not the only thing social media could control, they impacted and shaped the way we talk and what we can say by banning hashtags. Whereby within the approach of my 2nd print it aimed to shake people by making them notice the words is because we don’t use them or because we can’t. To change this stagnation, I started collecting images of boobs of all different shapes and sizes, my own rebellion against Instagram. As I saw nipples on Instagram allowed to be posted if they had little flowers over them I thought about the irony of nature being used to cover up our bodies. Flowers and nature are clearly a naked species whom require no covering yet they are referred to as beauty.
Through the power of my artistic capabilities I built on the social glitches that have been present within our world historically and whether the world is noticing them or not. It is important we seek to give women their rights and artists their freedom.
Bibliography
[1] Steve Cox 2013 , The Guardian - Censorship is stifling Australia's artistic freedom of expression.
[2] Pussy Riot 2012: Maria Alyokhina's Closing Statement.








