from grid to latter. utos
http://www.formakers.eu/project-587-uto-ursula-frick-thomas-grabner-urban-field-adaptive-urban-fabric
Claire Keane
Cosimo Galluzzi

pixel skylines
One Nice Bug Per Day
occasionally subtle
The Bowery Presents
Not today Justin
PUT YOUR BEARD IN MY MOUTH

Origami Around
official daine visual archive

Kiana Khansmith
ojovivo
noise dept.
Misplaced Lens Cap

shark vs the universe
Cosmic Funnies
almost home

blake kathryn
"I'm Dorothy Gale from Kansas"
taylor price
seen from Angola
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@tatiting-blog
from grid to latter. utos
http://www.formakers.eu/project-587-uto-ursula-frick-thomas-grabner-urban-field-adaptive-urban-fabric
vertical truss wall, keck 1939
FRANK FISHER apartments 1939
finding thesis in everything these days.....help me.....
via bacon-esque
via
via
Campo Baeza, blank box structure system via
Well that's the thesis sorted then...
collage words, collage methodology. Roots in dadist art?
French illustrator Jeremy Profit is located somewhere in a generic suburban environment, where sprawled houses, streets and trees are the only reference points. In every scene the quiet environment has just been hit by a catastrophe
Dante's Inferno as designed by Terrangi. Paper project.
Planning a building based on levels of inferno is very inspiring. Brings it beyond the 'route through a building' circulation.
Central core and dumb box facade. Interesting sequencing.
Begs the question of my project, does it escalate from church 'pit' to rooftop garden labs?
via and via
Coventry Cathedral Design Alison and Peter Smithson entry via
Colin St Wilson entry via
Towering inferno
Franco Purini, Towers, 1968 ; Pomo ducks
Enric Miralles and Benedetta Tagliabue
plan for the refurbishment of Mercader street Appartment by Enric Miralles and Benedetta Tagliabue: includes various floor finishes and bespoke pieces of furniture. From El Croquis 1983-2000
A way to express a potential inhabitation of architecture in a drawing?
via
Venice Biennial 2014
battling with an architectural language.
Being John Malkoviech , the potentials of the workplace. The surreal and the real overlapping. How can architecture provoke a different experience of workplace.
Insert Wormholes and 4th dimensions into service space?