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Musicals + Costumes: Hamilton (2016 Broadway) by Paul Tazewell

These are the men on dollar bills and coins, and you’re marrying that with the way Lin [Manuel Miranda] wrote Hamilton. The choreography and music is contemporary, so how the cast moves in the clothing had to be contemporary. Getting that to mesh was the challenge. Where on the spectrum of the 18th century to 2016 would be the best place to land? So we decided to get it up on its feet in clothes to see what it does. At the play’s workshop, I pulled 18th-century clothing. We put ladies in corsets and skirts and men in uniform coats. That’s where the idea of a neutral palette became important. It started as an idea to connect Hamilton to paper or parchment, where things begin before he starts to write. And as characters are revealed, we start to individualize them. Hamilton becomes the prime character to change, and everyone starts to shift and take on an individual color palette. Green for Hamilton was specific for Lin. It’s the color of money.